Michael Kenna Max Yavno Analysis

In Chapter 8 of After the Fact in the article, “The Mirror with a Memory” by James West Davidson and Mark Lytle, the authors tell the story of photography and of a man names Jacob Riis. Riis came from Scandinavia as a young man and moved to the United States. Riis firsthand experienced the bad conditions in the heart of the slums of New York. He worked from place to place, doing odd jobs until he found a job as a police reporter for the New York Tribune. Riis lived in a slum called “The Bend.” When he became a reporter, Riis aspired to make people see the awful conditions of “The Bend.” Riis was continuously disappointed because his articles did not receive much attention or sympathy he was looking for. He then vowed to write a book called

The first thing I will write about is a person, Jacob Riis. A esteemed author of the book “How the other half Lives”, published in the 1890s. Riis was a pioneer in the time when photography was first starting to catch on. In Riis’s photos he took pictures of people who lived in the slums of the major cities and how they lived. He was termed a Muckraker by our late president Theodore Roosevelt, because journalists like him would, as he would say, rake through all the good things and bad on the ground and only report the bad of the world. But Riis was one of the men of his era

Both of the photographers are concerned with questions about our collective responsibility in shaping the environments we live in, which reflects in their work. Although they have similar thoughts and ideas, How do they both create a unique style and maintain relevance, status and professionalism in their genre?

Lewis W. Hine an activist and post-modern photographer known for the documentation of Immigrants on Ellis Island that started his career. Exposed the truth of child workers. He also recovered the name of a nation by photographing the atrocity of child labor. His work lend to the passing of the Keating-Owen Child Labor act (1916), or government projects. Lewis W. Hine swung on a special designed basket, above the streets of New York during the construction of the Empire State Building. photojournalism breached the beginning of its golden years, not to illustrate a scene of a place caught in time, but to capture a universal web of opportunity to see America’s living through someone else’s eyes. Lewis W. Hine changed the world through the lens of a modified Glaflex camera, leaving many to witness time in its place for the United States. America’s problems included the great depression, which led many American’s through the darkness of that time (1929-40s). Hine left, was ones world that needed a face to the real complications of social behaviors within our societies, “[Photographers are] the Human Document to keep the present and the future in touch with the past.” (The Great Images of the 20th Century)

Before starting this project, I knew very little about photography, photographers, or exactly how much impact photographical images have had on our society. I have never taken a photography class, or researched too in depth about specific pictures or photographers. This project has allowed me to delve deeper into the world of photography in order to understand just how much influence pictures can have over society’s beliefs, emotions, and understandings’. I have have chosen two highly influential photographers, Diane Arbus and Dorothea Lange, who I have found to both resonate with me and perfectly capture human emotions in way that moves others.

In a 1993 documentary about the making of “The Migration Series”, Lawrence describes growing up in a vibrant, energetic Harlem neighborhood, in which people encourages children to participate in the arts (Humanitieswdc). Like President Franklin Roosevelt members of the Harlem community believed that art could alleviate the negative effects of the Depression. Prior to the presentation of “The Migration Series”, the Great Migration received little public attention; therefore, this series was important in educating audiences about a significant movement in American history (New Yorker).

Based on your description, I ship you with Shino Aburame. As you stated that your strong point are languages, it would in fact be similar to a bug specialist. Each bug belongs to a particular species and that determines how the bug behaves, just like how human are classify between ethnicity/nationality.

The article “Andrei Chikatilo” is a biography about the notorious Ukrainian serial killer Andrei Chikatilo, known for killing and eating the body parts of fifty people between 1978 and 1990. It covered information about Chikatilo’s terrifying childhood along with his murders and cannibalistic tendencies. The article also gave strange but interesting facts about Chikatilo’s brother who had been kidnapped and eaten by neighbours. This seems to be the reason why Chikatilo ate his victims as well, as revenge to the person/people who killed and ate his brother. This source was highly informative and provided strong factual information about Andrei Chikatilo’s childhood, killings, and his prison sentence. The article also stated that he had

When Robert Frank published his photographic masterpiece, The Americans, his collection of images was met with widespread criticism. Challenging not only the documentary tradition and the aesthetic of photography, Frank’s blurry exposures uprooted the very fabric of America. Traveling the roads of the United States from 1955-1957, Frank took over 28,000 images, depicting every strata of American society, from the assembly line of Detroit, to the opulence of Hollywood. Overall, through the lens of Frank’s camera, the viewer is given a collection of images, which directly undermine popular understanding of 1950s America. In a mere eighty-three images, Robert Frank tells a story of renewal and rebirth, of struggles, and hope, and of the very nature of America.

For years and years, generations to generations, there have been hundreds of thousands of talented artists with creative minds that are constantly developing new ideas, concepts and realities. Every artists has his/her own way of portraying reality, and there are artists whose visually stunning images have changed reality in itself and opened up new ways of storytelling. Those artists for me include; Armand Serrano, Robert Kondo and Daisuke

Jackie’s first job following college was as a roving photographer at the Washington Times Herald (Ladowsky 36). Jackie’s mother seemed to be very concerned that her daughter would

The George Grantham Bain Collection represents the photographic files of one of America's earliest news picture agencies. The collection richly documents sports events, theater, celebrities, crime, strikes, disasters, political activities including the woman suffrage campaign, conventions and public celebrations. The photographs Bain produced and gathered for distribution through his news service were worldwide in their coverage, but there was a special emphasis on life in New York City. The bulk of the collection dates from the 1900s to the mid-1920s, but scattered images can be found as early as the 1860s and as late as the 1930s.

This black and white picture was taken in 1932 in New York City, United States of America, during the construction of the RCA Building at 30 Rockefeller Center in Manhattan. Nevertheless, it was only a few years ago that Charles C. Ebbets was credited as the photographer; during many years the picture was attributed to “unknown” author. Bettman Archive currently owns the image, but it was first published in the supplement of the New York Herald Tribune. The shot was taken in order to promote the new skyscraper that was being erected. This image could evoke alternative reactions and feelings depending on the scope of the analysis, but it mainly represents community, progress and power.

During the time living in Vienna he went to school until 1889. In 18990 the family moved to Graz due to his father job, four years later moved to Klagenfurt. At the time when he moved to Klagenfurt he attended the school Klagenfurt Humanistisches Gymnasium. He studied traditional courses in humanities he got very high grades. Anton studied Peter Rosegger work in which influenced him in his music career. He graduated in 1902 from Klagenfurt Humanistisches Gymnasium. As a celebration he went to Bayreuth Festival in which he heard Richard Wagner's operas after that event he was very deeply inspired. 1902 he went on to attend Musicological Institute at the University of Vienna where he studied musicology with Guido Adler. Webern has always

The text ‘A Good Keen Man’, written by Barry Crump, is about the author telling his story of when he was a deer culler, I was annoyed when the author said,’...And my partner returned to town for a lighter rifle, never to return.’ The author’s hunting partner was not good at what he was doing so he up and left without any notice. This annoys me when people leave on the job, saying they are just picking something up or says, ‘I won’t be long’, and never come back or return when it’s too late to work. People do this just so they do not have to do any work and can do something else. This annoys me because the person who stays behind has to do the work all by themselves and it takes twice as long to finish. If [people would not slack off on the