Michelangelo Buonarroti's The Last Judgement Essay

Ross King’s Michelangelo and the Pope’s Ceiling narrates the four years from 1508-1512 that Michelangelo spent laboring over the immense project handed to him; to fresco the 12,000 square foot ceiling of the Sistine Chapel in Rome. King’s book describes the battles that Michelangelo faced; the internal struggles, political turmoil and rivalries among fellow artist that encompassed his surroundings. Michelangelo’s battles with his health, family problems, financial burdens, rival artists and the ever impatient Pope are told in great detail by King. King also provides precise artistic descriptions of the process required to fresco scenes so magnificent they are considered one of the greatest artistic masterpieces of all time.

Michelangelo Buonarroti is a very well known artist from Italy and is know all over the world. He was more than just a painter he was a poet, sculptor, and architect. Michelangelo was born on March 6, 1475 to Francesca Neri and Leonardo di Buonarrota Simoni in Caprese, Italy. His family was in the banking business, he was born to the Florentine family of burgher nobility. Early in Michelangelo's life his mother became ill and he was places with a family of stonecutters. He loved going to a local church and watching the painters paint and drawing what he saw, that's where he grew his interest in painting. Michelangelo's friend from grammar school Francesco Granacci introduced him to a painter named Domenico Ghirlandaio.

Michelangelo Merisi; also known as Caravaggio was a historical painter that can be traced back to Northern Italy. He was born on September 28th, 1571 in a town called Milan. At an early age, Michelangelo would flee with his family to Caravaggio to escape a plague that devastated their hometown. This was a major aspect in his life as he would soon be known by that name. Both his father and grandfather would pass away there just a few years later, coincidentally on the same day. It is believed that his family had close connections with the Sforzas which were a ruling class group in Italy at the time. They ended up playing a major part in the following years. Merisi was a man filled with intersecting personalities. During his early ages, he was a well trained painter.

Michelangelo was a sculptor, painter and architect considered to be one of the greatest artists of the Italian Renaissance period and of all time. His work showed a mix of psychological insight, physical realism and intensity that has never before seen. His peers realized his amazing talent, and Michelangelo received work from some of the most wealthy and powerful men of his day, including popes and others related with the Catholic Church. His resulting work, most greatly his Pietà and David sculptures and Sistine Chapel ceiling paintings, has been carefully tended and preserved, making sure that future generations would be able to view and appreciate Michelangelo’s genius. Michelangelo Buonarroti (Michelangelo di Lodovico Buonarroti Simoni) was born

Michelangelo di Lodovico di Lionardo di Buonarroti Simoni was born March 6, 1475, in the house his parents, Lodovico and Francesca Buonarroti, and brother, Lionardo, had just moved into in Caprese. When his father’s term as court magistrate ended, they remained in Caprese and a nurse was hired to care for him. This nurse was married to a stonecutter and as a baby, Michelangelo would often go to sleep to the sound of chiseling. While a baby he was taken to Florence but brought back to the Stonecutters at 6 when his mother died. At 10 years old, his father remarried and he went back to Florence to go to school and get an education. His neighbor, Francesco who apprenticed with Domenico Ghirlandaio, saw his passion for art and began bringing him drawings to study and taking him to visit Ghirlandaio’s workshop. At 13 years old, he asked his father if he could quit school to become an art apprentice and his father and Francesco were outraged at this, but Michelangelo did not give up. April 1488, he became

In Michelangelo's personal diary he recounts his first two works: "My first work was a small bas-relief, The Madonna of the Stairs. Mary, Mother of God, sits on the rock of the church. The child curls back into her body. She foresees his death, and his return on the stairway to heaven. "My second work, another small relief. My tutor read me the myth of the battle of the Lapiths against the Centaurs. The wild forces of Life, locked in heroic combat. "Already at 16, my mind was a battlefield: my love of pagan beauty, the male nude, at war with my religious faith. A polarity of themes and forms...one spiritual, the other earthly, I've kept these carvings on the walls of my studio to this very day."

Michelangelo was born on March 6, 1475 and was born Caprese Michelangelo, Italy. He was known as a painter, architect, poet, sculptor and an engineer at his time. He was known as one of the greatest artist of the Renaissance period. People see him as an equal to Leonardo da Vinci and even Rafael. He was born into a banking family in Florence he lost his mother at an early age after his mother died his father didn’t know what to do so he send him to live with a stone cutter family. Since he didn’t like school to much his father sent him to study with Ghirlandaio that was when he found his talent in sculpting. His father sent him to study with one of the greatest artist Lorenzo de Medici when he was staying there he sculpted his first sculpture

Michelangelo di Lodovico Buonarroti Simoni, known as Michelangelo, was born in March 6, 1475, Caprese Michelangelo, Italy. His father`s name was Leonardo di Buonarroti Simoni and his mother`s name was Francesca Neri. Together they had five children, one of the son was Michelangelo and they returned to Florence when he was just an infant. Michelangelo lived almost all his life in Rome, where he died in 1564, with 88 years old.This important figure was an italian sculptor, painter, architect, poet, and engineer of the High Renaissance. Since his mother got sick, he was placed with a family of stonecutters. He was more interested about watching the painters nearby the church, and drawing what he saw there than with the school. Francesco Granacci

One can see this throughout the works of Michelangelo but nowhere more so than in his work on the Sistine Chapel ceiling. In his Creation of Adam fresco, there is the kinetic energy of God that is in contrast to the lifeless form of Adam. Some scholars say that this is Christianity's greatest pictorial work. Through this work one can see Michelangelo’s divine characteristics (High Renaissance Painting: Characteristics, Aesthetics). The Sistine Chapel ceiling also includes dramatic movements, bold colors, books of prophecy, and male nude figures. It shows the optimism and elegance of this time period. It demonstrates the intellectual and emotional power as well as the new found appreciation of ancient world that was so focused on during the Renaissance (Michelangelo, Ceiling of the Sistine Chapel | Michelangelo |Khan Academy). It is in his work on the ceiling that one can see what a self-taught master of fresco painting he

The lamentation by Giotto depicts the death of christ and the subsequent morning of his followers including Marry, after he removed from the cross. The scene itself is nothing new, it has been depicted countless of times before. It is Giotto’s revolutionary style, or rather his regressive style, that brought European art back to a more realistic depiction of figures in religious art. In The Lamentation the viewer can sense a three dimensional space in which the subjects inhabit. In addition to giving the work a little depth, Giotto also added figures that did not serve a narrative purpose and only existed to assist the viewer’s eye and provide a surrogate figure for the viewer to identify with. These figure have their back s turned to

Given the many versions and accounts of famous artist’s lifetimes, we’re shown the vast underlying meaning, and situational ironies, to several of well- known pieces of work we still admire today. Donatello, Verrocchio, da Vinci, Botticelli, Michelangelo, Caravaggio, Bernini; All of these artist left unique and controversial imprints on the timeline of art and life. Though many follow one right after the other, we see the changing of times through the midst of the creation of their works. Through the Renaissance and to the Reformation period, these artists help shape the nature of society. Coming to the end of the Renaissance era, an artist nicknamed “Caravaggio,” because of where he came from, pushed his world into the times of a more sound

The great thing about art, is that there are multiple portrayals of one idea but, the artist’s own personal style allows one to feel something that another may not. Early Renaissance painters, Giotto di Bondone and Duccio di Buoninsegna established their own unique style to depict a biblical scene known as, The Betrayal of Christ. Through a close analysis of each artist’s representation of, The Betrayal of Christ, one is able to compare and contrast the artists own understanding of the scene through their attention to detail, character, and space throughout the painting. When examining these two works, one will have a stronger emotional response towards Giotto’s interpretation rather Duccio’s, due to his methods of handling organization, figures, and space.

In addition, the Pieta balances with symmetry perfectly to make the scene look even more realistic. One of the most amazing things Michelangelo has done however is carving a stone and making it seem lifeless. Christ’s lifeless body rests on his mother’s lap, dead. His right hand hauling over her knees and his lifeless face looking up which in a way can symbolize his devotion to his heavenly father besides painting a lifeless body, no other artist or sculptor has ever carved a stone and make it as lifeless as Michelangelo’s Christ makes in the Pieta. Subsequently, on the right side of the sculpture, Mary holds her son wrapping the fabric around his ribs. This part of the scene shows Michelangelo’s ultimate skill at what he does best. Michelangelo

Although, the way Leonardo allows its viewers to depict the scene from a specific point in the Bible adds to the importance and significance of the painting in which no other artist could even compare. He does allow the viewer to recognize this scene by the gestures of both the Lord and the Apostles. The Lord sits ever so quietly while the Apostles rise in reaction to what the Lord had just announced. It is rather obvious that Leonardo chose the critical moment after the Lord had stated, ‘Verily I say unto you that one of you shall betray me,' because of the emotions that evolve in this specific scene (Matt. 26.21).

El Greco’s Lamentation of Christ is “a translation in paint of Michelangelo's late sculptured group of the Pietà in Florence Cathedral, at the time in Rome. The pattern and the feeling are the same. The figures of the Dead Christ, His Mother, Saint Mary Magdalene and Joseph of Arimathea make one compact group. Michelangelo achieved this by his new treatment of form; El Greco by paint, by employing broader, more continuous passages of color. The more vivid colors of Rome combine with the richer palette of Venice to convey the intensity of expression demanded by the subject. The horizontal composition of Venice, more suited to a narrative type of subject than to the single image, is given up and is only very rarely found appropriate in Spain. Michelangelo's Pietà group was not the only source on which El Greco drew: the arrangement of Christ's legs and his outspread arms, no less than the idea of viewing one of the two bearers of his body from the side and the other from behind, derive from Michelangelo's drawing for Vittoria Colonna, in which, as in El Greco's painting, the Virgin is placed behind and above Christ.” (Web Gallery of