Michelangelo Di Lodovico Buonarroti Simoni Analysis

After Michelangelo moved to Rome, one of the cardinals within the catholic church commissioned him to create a sculpture called ‘‘La Pieta.’’ ‘‘La Pieta’’ was sculpted from a single piece of marble stone and it was a representation of Christ and his mother Mary. This 6 foot by 6 foot sculpture only took 1 year for Michelangelo to complete it. The sculpture quickly became known for all the details that included the folding of the cloths, the ribs, and the bones which are incredibly difficult to sculpt.

Created in 1489 this masterpiece is made out of pure marble. This sculpture is located in the Vatican City. At first glance this sculpture looks like child dead in a mother's arms, which is correct but there is more too it. The sculpture represents the crucifixion of Jesus Christ. Its shows his mother Mary holding him and he lays there dead. A very little detail that usually goes unnoticed is that Mary is not touching her son directly, but a cloth is between the two. This signifies the Higher Renaissance belief in Neoplatonic, that the beauty on earth signifies God's beauty. This masterpiece is not only amazing by the meaning but the glorious detail that Michelangelo was able to go into with practically a hammer and chisel.

During this painting, Michelangelo didn’t have the drive he usually did, but when his greatest enemy, Perugino started to work on it with him, that drove him to another level. Michelangelo’s interest in portraying the human body, reflected how the people in this time period felt, and that made the people who viewed his art interested in his work. Also, his sculptures reflect how dramatic of a shift it was to the Renaissance Period from the Middle Ages, and shows how the

One of the most famous painter and sculptors of the Italian Renaissance, the age of renewal and cultural achievement circa 1500, was the artistic genius Michelangelo Buonarroti. The man that desired nothing but perfection often reached it in his work. He captured the motion of the human figure and the anatomy of muscles in a way that was increasingly beautiful and startlingly realistic. Whether because of one of the most famous sculptures in history, “the David” or the paintings on the ceiling of the Sistine Chapel, that became the textbook examples for the art period of High Renaissance, Michelango’s art changed the world and he will continue to be studied with awe throughout history.

Michelangelo’s creation is his interpretation of the biblical figure of David. “The brave David stands in a tense manner, with one leg relaxed while the other holds its total body weight. Hence, this causes his shoulders and hips to rest at an opposite angle. Moreover, David’s head turns towards his left, and he is carrying a sling at his back. With all these features, many people regard the sculpture as a symbol of youthful beauty and human strength (History).” “Michelangelo’s hero is at rest, in a moment of calm anticipation before confronting Goliath (Sayre, 327).” The lack of movement and straight posture shows balance and clarity within the sculpture, which is why most people would consider this piece of art work ethos. “In contrast, Bernini’s sculpture captures the young hero in the midst of action. David’s body twists in an elaborate spiral, creating dramatic contrasts of light and shadow. His teeth are clenched, and his muscles strain as he prepares to launch the fatal rock (Sayre, 327).” Bernini’s David uses the characteristic of emotion and motion to label his sculpture as pathos. “Bernini’s David uses the space around it – reaching out into the space of

Michelangelo painted a Holy Family on a round shape panel for the rich Florentine merchant Doni in approximately 1506. This painting is the only panel unanimously attributed to Michelangelo and it is best known as “Doni Tondo”. The traditional Florentine generally celebrated the birth of the child by using round panels. It was painted after the sculpture of “David”. It clearly reflects the experience of Michelangelo as a sculptor in the colors which shaped the volumes. The figures of this painting are almost like sculptures with clear outlines of the bodies. The use of the colors in this painting is perfectly coherent with the bright colors of the Sistine ceiling.

“No other sculptor managed to capture the realism and beauty of the Renaissance quite like Michelangelo. The work of Michelangelo represented the power and vulnerability of the human form in a way that still fascinates the world today”(Italian Renaissance Art and Artists). During the Italian Renaissance, the 14th to 15th century, Michelangelo created multiple pieces of artwork that are still admired by people around the world today, such as, his work on the Sistine Chapel’s ceiling and his sculpture “David”. Michelangelo has created an assortment of pieces including sculptures, frescoes, paintings, and even architectural work involving churches and tombs. Additionally, Michelangelo was infamous for his incomplete pieces of artwork known as “non-finto” (Michelangelo's Prisoners or Slaves at the Accademia Gallery).

Michelangelo was one of the three most successful sculptors during the renaissance, along with Donatello and Ghilberti. Michelangelo was one of the best artists during the Italian Renaissance, creating some of the most famous pieces to be known to art to this day. Michelangelo was born March 6, 1475 in Caprese, Italy (“Michelangelo Buonarroti”). Michelangelo’s family lived in a higher rank than most people in Florence, because his family had primarily been bankers (“Michelangelo Buonarroti”). When he was 13, Michelangelo became an apprentice to a painter to Domenico Ghirlandaio, who was the most

Donatello’s bronze sculpture of David is not to be confused with the much larger and more widely known statue of the same name, done by Michelangelo. Donatello’s statue of David can be found in the Bargello museum in Florence, Italy. The statue only stands about five feet tall, which when compared to the seventeen foot sculpture by Michelangelo, is relatively small. The statue is made of bronze using the lost wax technique. It depicts David as having a very effeminate contrapposto stance, (the standing figure is posed so the weight rests on one leg, while the other leg is bent at the knee in a very relaxed position), despite standing upon Goliath’s severed head. One could almost view David as a girl, provided he was not nude, due to the soft looking expression on his face, and the way his hair flows. The floral arrangement upon his head is very distinct. The statue exudes epicenism, as David is clearly a soldier holding a sword and wearing boots standing upon his vanquished foe’s head.

Pieta. Michelangelo’s Pieta was different from any other sculpture like this because he portrayed the Virgin Mary as a young, serene mother

For this project there will be a comparison of Francisco Goya’s 1823 painting, Saturn Devouring His Son and Michelangelo Buonarroti’s 1498 sculpture, Pietà. These two works of art have quite a few similarities and differences in their appearance and some of those will be mentioned within this essay. There will be a comparison and contrast of mainly the subject matters. In addition, there will also be an analyzation of the content/meaning of these two pieces.

The Metropolitan Art Museum has a multitude of art galleries that hold a variety of art pieces that have their own share of stories. The artwork that I chose to dig into the story of is a piece that the museum credits to have been done by the High Renaissance artist, Michelangelo Buonarroti, himself. This particular work is a type of sculpture in which the figures is shown in a three-dimensional form, or freestanding sculpture, that is standing at a height and width of 37 x 13 ¼ and is made purely out of Carrara marble. The statue appears to no more than a young man, comparable to a putti, standing in the contrapposto position which gives it a certain look of

On March 6th, 1475 Leonardo di Buonarrota and Francesca Neri had their second out of five sons in the small village of Caprese, Italy. They named him Michelangelo di Lodovivo Buonarroti Simoni. But soon after being birthed Michelangelo moved to Florence, Italy with his family.

The piece of art is a statue that portrays Jesus’ body laying on his mother Mary’s laps at the time after the crucifixion having been removed from the cross (Lewis & Lewis, 2008) which is evidenced by the marks of small nails and the indication of the wound located in Jesus’ side. It revolves around the major theme of Northern origin which during that time was present in France but not in Italy. According to (St. Peters Basilica, 2009) Michelangelo offered a unique interpretation of the pieta to the models since it is a significant piece of work that balances the ideals of a new beginning incorporated in typical beauty and a touch of naturalism which is illustrated by the relationship exhibited by the figures. This is made possible by his skill to prove to both the viewers and himself of the supernatural beauty.

In these two exquisite works of art or shall we call them the grand master pieces of their era’s. Both Jacques-Louis David’s The Death of Marat and Michelangelo’s Pieta flawlessly reflects the untimely deaths of two significant figures that we know of today. The two figures comprised of Jesus Christ in Michelangelo’s Pieta and Jean-Paul Marat in Jacques-Louis David’s The Death of Marat. In the two pieces we see that the pair of artists portray the figures in a divine and yet virtuous way. One work of art almost mimicking the other, yet there is still some differences between the characteristics of each piece still making it its own individual self. In the following paragraphs we will be diving deeper into the similarities and differences