Michelangelo vs. Leonardo Da Vinci Essay

After returning to Rome, Michelangelo heard about a sculpture that two other artists could not complete because of its difficulty. Because of his success with ‘‘La Pieta,’’ Michelangelo decides to take over the job. He created ‘‘David’’ in 1501 and four years later the sculpture was placed outside the Palazzo Vecchio in Florence. Michelangelo’s intention was to portray ‘‘David’’as the perfect and ideal man. Michelangelo took three years to sculpt this 17 feet sculpture, and ‘‘David’’ quickly became the pride of Florence.

This piece created by michelangelo was sculpted in 1501 and is made out of marble. The location that was chosen was Accademia Gallery, in Florence, Italy. People think that this sculptor just represents David and Goliath, but there is more to it. The sculptor is not showing david while he is fighting, but mere seconds after victory. Before the Renaissance, if one did not have money, man was looked upon as only a worker. During the Renaissance, man was recreated as a beautiful, rational, and heroic figure. “David” signified a man at his best with the glory and confidence that a man needs to live life to the fullest. Life was hard for most men during this time and Michelangelo showed us that by expressing a deeper meaning in

The statue of David, completed by Michelangelo in 1504, is an easily recognizable symbol to people not only in Florence, but from all around the world. The David has a special meaning for Florentines, and is a symbol of what the city strives to be; strong, courageous, and youthful. The sculpture tells the tale of the battle between David and Goliath. David, a young boy at the time, was angered at the way Goliath was treating the Israelis and stood up to the giant feat of taking on Goliath. With a simple slingshot and stone, he defeated the angry giant, and became a symbol of liberty. The story shows that anything can be done with the help of God. David is not only the most well-known sculpture in the world, but is housed in one of the

The Mona Lisa, painted by Leonardo da Vinci around 1503-6, is oil on panel. It is a three quarter portrait of a young, Florentine woman. She is sitting in a chair with her torso twisting around to face the viewer. Her hands are resting on the arm of the chair. Behind the woman in the background is a landscape very characteristic of many Leonardo paintings. The Mona Lisa was painted toward the end of Leonardo’s career. In contrast, the David created by Michelangelo around 1501-4, is a marble sculpture of the biblical hero David. The seventeen foot tall statue depicts a young man standing in contrapposto. Most of his weight is supported with is right leg, while his left leg is relaxed. He holds

From the late fifteenth century to the genesis of the sixteenth, a new movement influenced art in Europe, expanding the bleak limits of past art and created some of the most memorable masterpieces in history. The creators of these artworks during these decades of the Renaissance include Leonardo da Vinci, Michelangelo Buonarroti, and Raphael Sanzio. Influenced and sometimes driven competitively by each other, these artists share differences and similarities in their life, art style and techniques, and interests.

Unlike the David of Donatello, Michelangelo's David is not shown after conquering his enemy. Instead, he is portrayed as an extremely athletic and manly character; the sculpture even depicts a worried look cast upon David's face and the carved marble veins seem to pulse with anticipation as he contemplates the upcoming fight. Cast over David's shoulder is his sling, and the stone is clutched in his right hand. Michelangelo's David depicts the ideal youth who has just reached manhood and is capable of great physical and intellectual feats, which is part of the classical tradition. Michelangelo's David portrays one man in a very powerful and intelligent light, and even hinting that this one man may be some

Through swift glimpse, it is apparent that they had many in common as artists of the High Renaissance period. One of both their greatest moments as artists and painters were commissions insisted by the Pope which rendered high significance from one another. Michelangelo’s triumphed in the Sistine Chapel (1508-1512) and Raphael’s gem, Stanze di Raffaello (Raphael Rooms). A story was said to believe that Raphael, at the time, were painting frescos and was deeply inspired by Michelangelo’s paintings. He had accessed the Sistine Chapel still in its making without the consent on Michelangelo and later scraped his frescos of the wall to paint and repainted it, imitating the more dynamic style of

The character of David has been the inspiration for many works of art throughout history. The young David, armed with only a sling, defeated the gigantic warrior, Goliath, and became the hero of the human people. This story became very popular during the Italian Renaissance, the period of 14th-16th centuries. During the Italian Renaissance, Florence was under constant change and turmoil however David remained the people with faith for the people. Many other artists have expressed their own depictions of the young boy but two stand out among all. Donatello and Michelangelo both created masterpieces on the biblical subject although the approaches of each artist were completely different in some ways this caused unique reactions.

Michelangelo was born on March 6, 1475, at Caprese, in Tuscany and died February 18th, 1564. The second sculpture is of Michelangelo?s David, 1501-1504. Its material is marble, it stands 13' 5" and is currently located at the Galleria dell'Accademia, Florence. Michelangelo's David is based on the artistic discipline of disegno. It is said that under this discipline, sculpture is considered to be the finest form of art because of how it mimics divine creation. Michelangelo worked under the premise that the image of David was already in the block of marble he was working on, in much the same way that the human soul is thought to be found within the physical body (Michelangelo's David). Unlike the David of Donatello, Michelangelo's David is not shown after conquering his enemy. Instead, he is portrayed as an extremely athletic and manly character; the sculpture even depicts a worried look cast upon David?s face and the carved marble veins seem to pulse with anticipation as he contemplates the upcoming fight. Cast over David?s shoulder is his sling, and the stone is

     Michelangelo was another artisan who portrayed David in a unique matter. He didn’t represent David standing over a defeated Goliath, but instead made him look like he was patiently awaiting his enemy. The body has a very classical form and is muscular and very tense. The form makes David look powerful. Michelangelo made David very strong with well defined features, iand even included enlarged hands to show the viewer of the strength that David had before attacking Goliath. Unlike other versions at the time, Michelangelo didn’t create a version of a prideful David, but instead a David who was amongst or aware of his enemy.

Throughout time, many men and women have made legendary contributions for mankind today. Two of those people are Leonardo da Vinci and Michelangelo. Da Vinci and Michelangelo given society many new styles of education. They both specialized in science, mathematics, and modern art. They each lived completely different lifestyles yet they have impacted many others.

Michelangelo Buonarroti lived in a time when the medieval aspects of Christianity were overwhelmed by the upheaval of the Reformation. His art portrays this change in religious philosophy by discerning the major trends and objectives of the Renaissance. "His works show us...the changing world around him" (Richmond 4). In addition, Michelangelo seriously impacted generations of artists to come.

Every painting is a unique experience for each individual person, therefore two of the artists that offered some of the most unique experiences where Leonardo da vinci and Michelangelo. While both of these painters are today well regarded and remembered, during their time they both had achieved such status in vastly different ways. Therefore even though these two artists lived during the same time these two are nothing alike. With their unique take on the world and events around them they were able to shape how the average person thought about the world around them.

Michelangelo created a 17 foot statue, David (1504) that Bernini studied to make his own depiction of the scene. The most noticeable difference between the two is that Michelangelo’s sculpture is nude while Bernini’s is clothed to an extent. Bernini utilizes the contapposto technique in his story of David, a technique taken straight from Michelangelo. Bernini plays with the immediacy of the scene, something that he does frequently, by depicting the moment right before the climax hits, when David kills Goliath. The movement in the sculpture, the moment before the release of the rock from the sling engages with Michelangelo’s sculpture of David. Michelangelo decided to show David before he

The piece of art is a statue that portrays Jesus’ body laying on his mother Mary’s laps at the time after the crucifixion having been removed from the cross (Lewis & Lewis, 2008) which is evidenced by the marks of small nails and the indication of the wound located in Jesus’ side. It revolves around the major theme of Northern origin which during that time was present in France but not in Italy. According to (St. Peters Basilica, 2009) Michelangelo offered a unique interpretation of the pieta to the models since it is a significant piece of work that balances the ideals of a new beginning incorporated in typical beauty and a touch of naturalism which is illustrated by the relationship exhibited by the figures. This is made possible by his skill to prove to both the viewers and himself of the supernatural beauty.