Midnight's Children and Satanic Verses

First, this book will guide me to embrace the world as it is. It is written in English, so it may not be same as written by the each religion leaders. Although this book travels freely from Eastern to Western and forth and back to reflect various perspectives, it will help me to see different aspects of the world through others' eyes. Having this kind of view will expand my mind to new things and deepen the understanding the matters.

In the novel Midnight in the Garden of Good and Evil by John Berendt, it discusses the city of Savannah, Georgia and the people that live there during the nineties. The author encounters several different kinds of people and events throughout the city Savannah that he was not really expecting. Savannah has several underlying issues even though people act as if things are fine. After further analysis, the main issue is even though things in Savannah may appear to be diverse; there is still harsh discrimination against African Americans and homosexuals.

Literary Analysis of Aladdin Disney’s Aladdin is a film that attempts to stereotype and westernize Arab culture. Using racially inaccurate stereotypes, an inaccurate depiction of The Middle East, as well as countless cultural generalizations, Aladdin creates a setting of “exotic orientalism” and Islamaphobia. “[Aladdin depicts…] the Arab world as backwards and irrational, the film’s distorted ethnic representations fuel the western world’s fear of alternity and perpetuates dangerous stereotypes.” (Heydt).

Throughout Haroun and the Sea of Stories, Salman Rushdie provides a fundamental, yet intricate variety of literary usage. These instances of literary usage provide and framework of support for the text which is to follow and to further accentuate the smaller and unnoticeable details of the story in to vital parts which are necessary for better comprehension and understanding of the meaning of the upcoming events. Symbolism is the most commonly used and most imperative literary device used by Rushdie. 'With the land of Chup, on the dark side of Kahani?This looks like the doing of the leader of the Chupwalas, the Cult master of Bezaban.'(H.S.S. Pg 75) This statement from the text has a very symbolic meaning behind it, both in terms of the

Islam, a religion of people submitting to one God, seeking peace and a way of life without sin, is always misunderstood throughout the world. What some consider act of bigotry, others believe it to be the lack of education and wrong portrayal of events in media; however, one cannot not justify the so little knowledge that America and Americans have about Islam and Muslims. Historically there are have been myths, many attacks on Islam and much confusion between Islam as a religion and Middle Easter culture that is always associated with it. This paper is meant to dispel, or rather educate about the big issues that plague people’s minds with false ideas and this will only be touching the surface.

The animated classical Disney movie Aladdin has became one of the most successful movies since it was released in 1992. This movie may seem to be fairy-tale based and entertaining for children since they are the main target audience of Disney, but with a deeper look into its details this is not the reality of it. The ideas that children are exposed to from watching this movie help create and structure their mindsets as well as reinforcing unrealistic images of the Arabian world. In addition, Aladdin is a great illustrative tool in reflecting the concept of Orientalism, a term coined by Edward Said, which emphasizes on representing the Orient with certain clichés and characteristics that are misleading about the true nature of reality (Said, 1978). With that been said, this review paper will be focusing on the main characters and the way they are

The world of Disney it is not necessarily magic for everyone. In Western popular culture there is an endless buffet serving stereotypical ideologies for racially marked women. The media often relies on representation of articulation of ethnic women as animalistic, inferior and outside the natural. Films tend to utilize signifiers that express race, class and gender to develop characters. For this assignment, I have chosen to critically analyze Disney’s (1992) Aladdin; this movie exemplifies the racialization of female bodies through visual illustrations that reinforce ideas of stereotypical roles of Middle Eastern that have been over-looked through the eyes of children. Aladdin; is considered a modern example of Edward Said’s concept of orientalism from a Western perspective. In this paper I will examine how Disney’s Aladdin perpetuates ideas of ‘othering’ through orientalism, over-sexualized characters and reinforces islamophobia.

‘Journey to the West’ is a self-portrait of Abdul himself, wearing a ‘monkey mask’. He is places slightly off centre in a stage set in traditional lavish Muslim wedding style. Abdul created these work to highlight this treatment of Muslims in his town, but also communities all across Australia. He created this image to showcase the ignorance of genuine Muslims faith and as how they’re treated as ‘inhuman’. The staging of the background references weddings as part of his religious background but

Chraibi’s book Muhammad: A Novel is a fantastic, powerful read because it is just that: a novel. It is a fictional story, but written by an author who had an unusual, mystical calling himself to write the book. By using original aspects from the traditional biographies of Muhammad and then adding his own personal, esoteric twist on these characteristics, Chraibi creates a work of literature that is truly compelling and shows Muhammad’s journey to becoming a prophet in a mystical light. Two central distinctions, namely Muhammad’s relations with Khadija and Bahira, add the spice in this novel that really help the reader grasp what is mystical about both this literature and most importantly, Muhammad himself.

Arab and Jew Wounded Spirits in a Promise Land by David Shipler gives an in-depth looked in his time and experience in the Middle East. He is able to show how both Arabs and Jews have found themselves in the midst of an ongoing battle for power and control over land. They both found themselves, not being to live among one another. During this time in the 1980s some were trying to find peace during a time of hardship and gloom, but many were still caught in the normal life many lived filled with hatred towards one another.

orthodoxy of a nation rooted in ideas. In response to an essay by Salman Rushdie, a migrant of

Hisham Matar’s strikingly expressive and poetic debut novel In the Country of Men is very much a coming of age novel documenting the life of Suleiman as he strives to discover who he is. As per the title of the text, Matar explores through the searching and often naïve eyes of Suleiman, the types of men present within Libyan society. Although mid-twentieth century Libya presented an ideal of the ‘Libyan man’ as strong and authoritative, Readers, through various interactions between Suleiman and the men he encounters, uncover that in reality, the ideal man isn’t necessarily all that society has to offer. As such, it is ultimately Suleiman’s role to determine which man he truly is amidst the “madness” of living under the regime.

Transnationality is a theme not often brought up in the art world. Many feminist artists use transnational themes to convey their messages. Both Shirin Neshat and Mona Hatoum often show their transnational experiences through their art. Hatoum’s “Doormat II” and “Speechless” by Shirin Neshat convey the transnational experience in different ways but are in conversation with each other. Shirin Neshat plays with western stereotypes that have been thrust upon her by living in the United States. She illustrates the image of the “Muslim woman” and pokes and prods at the expectations of this intersectional persona. Mona Hatoum uses themes of home and borders in her works. These subjects convey her experiences of being a mestiza in a world that doesn’t understand that word.

The region of the Middle East and its inhabitants have always been a wonder to the Europeans, dating back to the years before the advent of Islam and the years following the Arab conquest. Today, the Islamic world spreads from the corners of the Philippines to the far edges of Spain and Central Africa. Various cultures have adopted the Islamic faith, and this blending of many different cultures has strengthened the universal Islamic culture. The religion of Islam has provided a new meaning to the lives of many people around the world. In the Islamic world, the religion defines and enriches culture and as a result the culture gives meaning to the individual. Islam is not only a religion, it is in its own way a culture. It may be this very

The characters portrayed by Leila Aboulela to a great degree vary vastly in their levels of religiosity. This novel showcases a wide spectrum of Muslim identities. Most of the devout believers follow Islam, as they are constantly expressing their faith, thru means of prayer, recitation or other adorations. These religious members are accepting of veil culture, because they have more to value than materialistic objects and western culture. For instance, the young school girls that wore tobes, while Najwa skirts to university. Also, the servants she had back home, as she would be coming home from a party at dawn, they would be make their absolution, “A light bulb came on. They were getting ready to pray. They had dragged themselves from sleep in order to pray. I was wide awake and I didn’t,” this quote from the novel, illustrates a young Najwa understanding the basis of Islam and the importance of prayer (Aboulela, 32) However, this is an evident class divide, illustrating that those with wealth are more secular and those with less are humbled towards their faith. In her time in London, Najwa befriends woman at the local mosque and develops an interest her recitation. Her realization and locality to religiousness triggers her spirituality.