Midsummer Night's Dream

The past four years, I have breathed, slept, eaten, thought and immersed myself in all thing pertaining to theatre. This is where I discovered to truly work in a team, where I could be without fear of being something I am not, and where I have found peace in the maddening swirl of day to day life, ironic in the fact that theatre is a hectic world. This world is where I have made my best friends and found people I know I can count on and that I insist can depend on me. If I have learned one thing from my experiences in theatre, it is to strive and achieve

I’ve adored theatre for as long as I can remember. From writing plays throughout elementary school, to being involved in Drama Club in middle school, to performing in community theatre in high school, and to visiting the theatre as often as I could from the very beginning, theatre has always been a part of my life. Every aspect of it engages me: the directors working to bring their vision of the show’s scenes, choreography, or music to life, the actors transforming into different characters through their expression of dialogue, song, or dance, the costumers and set-builders transporting the audience into the setting and time period with their artistry, the backstage tech and crew working quickly and precisely to keep the show flowing to curtain call, and the orchestra bringing the show to life through music. There is nothing like the experience of live theatre, both as a member of the audience and as a member of the cast and crew.

I came into my audition only auditioning for the ensemble, leaving the audition I ended up receiving the titular role of Pippin. There was also a dance audition, where we were asked to learn the choreography to All that Jazz from the musical Chicago, this was a challenging experience because I have had no professional dance training but I ended up doing very well and responding well to the choreographer and her teachings. This whole process helped me to develop my confidence and social skills. The auditions were the most like professional auditions I’ve ever attended, and therefore allowed me to better understand what the real musical theatre industry is like and give me a taste of what it would be like if I continued onto large productions. I was very lucky to receive the lead role, as I didn’t even audition for it, despite not seeing this at the time. There was a long break between auditions and the beginning of rehearsals, almost three weeks. This seemed like a very long period of time due to not being able to tell any of my fellow cast mates that I had received a

One of the main magic’s of the theatre is for the audience to go into it unaware of what they will see, and exit with a whole new view in mind. This is still possible in jukebox musicals even if the audience member is familiar with some of the songs. Songs, text, and all literature can be interpreted in different ways based on the individual. Theatre is meant for all different people to enjoy. Some may like going to a show featuring songs that their favorite artists wrote or that speak to a memorable time of their life. It becomes a discussion about how the audience can relate to the characters.

When I read the audition scene, I was immediately drawn to how amazing the script was! Also, in my audition scene, I had to play piano, which I have been doing since I was four, so I believe that was an advantage for me.

For decades people found theatre one of the most enjoyable form of entertainment all across the world. With every play comes a cost. A value which somebody's story is told. Obviously it can be comic drama or despairing,. Each second of these plays are genuinely delightful and exceptional. Where the performing artists show a totally distinctive side of characters to the group of onlookers where they demonstrate to them something new and pleasurable. And behind the theatre and its plays is one person who keeps it all in check and that is the director. The director is like the heart of a person. You don’t see the heart but you know if it’s doing its job correctly

"I’m so nervous,” I complained to my mom as we walked into the Waukesha Civic Theatre. “What if I’m not good enough. I haven’t even prepared that much!” It was a crisp September day and some leaves had already started changing color. On the way home from school my mom told me about a play that the theater puts on near us every year and thought I would be good for it. Since I had only heard about the audition that day, it gave me a few hours to pick my song and be prepared for whatever part they wanted me to read. The next song that came on the radio was the song “Edge of Glory” by Lady GaGa and because it was in my vocal range I thought it would be good for me. Little did I know that this audition would change my view of theater.

As the show captivated my senses, it captured my heart, and turned from what I thought would be a trite show like the soap operas my mother enjoyed into a breathtaking experience. The dancers leaping and flipping across the stage were astonishing, and filled me with a sense of wonder. I was not consciously aware of it at the time, yet in some way, I aspired to emulate them in my own life. Now I in no way wanted to be a broadway star; however, I wished to gain even just an ounce of the talent they possessed. Exiting the theatre, I had a different attitude than when I had first gone through the doors. I had finally found something that I did not just enjoy, but that I was fervent

Now that I could see beyond the audition, I remembered why I had wanted to be in the ensemble in the first place, and I desperately wanted to know if I had made the cut. After what seemed like endless waiting, Mrs. Vermillion finally posted the list. My eyes immediately went to the Soprano column. When I saw my name, I hardly dared believe it. Slowly, the realization that this was not some mistake began to sink in. It was the most incredible feeling in the world, like I could have flown if I wanted to.

Having knowledge and involvement in both the acting and the technical aspects of theater, I expected the production to deliver a qualitative performance that gave its audience the full experience. This experience is achieved by the elements of theater such as acting, lights, sounds, props, costume and set design

As a woman who is considered an alto, the male tenor range is very possible to achieve and it, usually, is where I find the most comfort. From Newsies to The Last Five Years, the smooth, rippling vibrato that finds itself in every male lead is far easier than the exclusively, screechy soprano female roles that I am subjected to. If only I could sing the beautifully crafted chromatic accidentals that round out the musical arrangement. The tenor role wails for someone to nurse it back to life and break the traditional gender boundaries that blockade the aspirations of every alto who wishes to sing where they are most comfortable.

Our choice to tell stories should exist in the same moment that we identify an audience who needs to hear that story – now, in this context, in this time, and in this medium. The best relationship with an audience begins dramaturgically, at the beginning of a rehearsal process. We must ask: How can we keep our minds open to the audience we have and also to the audience we want and the audience with whom we hope to collaborate? How do we enter a community and work with new people, learn from them and hope they learn from us? Partner with our similar goals and share resources. Work with them and never for them. Theatre isn’t a service—it’s a

I love theatre. We, as a society, move pretty fast today: theatre gives us a chance to slow down. The average person today simply does not have the time – or the attention span – to sit in a darkened theater to watch two-one hour acts with a fifteen minute intermission in between. Though a sports game can take even longer than that, theatre requires a more advanced intellectual participation, and thus, can be exhausting at times.

And no, I was not in the car, but the passerby who didn’t notice the red light and walked as carefree as the man on the sign. My teacher divulged the requirements for the audition: a one-minute monologue and a song, and by the time she uttered the last phrase; I was sweating bullets- about to faint! I practiced, rehearsed, and sharpened my skills as much as I was able until I succumbed to the temptation of sleep. This cycle repeated its wrath for what seemed like an eternity until it finally came: the audition day I’ve been dreading for weeks on end. My heart attempted to pump its way out through my throat and choke me- anything to escape doing this mortifying task! I was sweating buckets as if in the middle of the Arrakis desert! Fortunately, I was in no life or death predicament, and I finally managed to bite the bullet and do what I endeavored: act and sing. I somehow spit out my monologue and gagged out the lyrics to my song and it was over. Over! It took three minutes to decide the fate of the year; the stakes are immense when you compare three minutes to one hundred eighty days. The question was: did I get the role I yearned

The work of a team and active participation craft the stage performance. Beyond the actors onstage, designing the set, costumes, lights and sound all cause a massive influence on the audience’s experience. Viewer’s unique opinions can alter and influence actor’s moods, characterizations and in certain venues, their reactions can affect the story. Improvisation or interactive theatre rely on people from the audience, sometimes for their creative input or for them to join actors onstage. However, in traditional theatre, performances can change in small or large ways dependent on audience reactions; humor can be tweaked or minor costume changes if certain aspects “just aren’t working.”