Midsummer Night's Dream Epilogue

When Puck and Bottom meet each other in Act III, scene i, Puck see this as a moment to get at Bottom. Bottom begins this scene the same way as in Act I, scene ii: he is bossy and pretends to know more about acting and staging than he can actually demonstrate, which shows that he has a huge ego. Because of Bottom's foolishness, Puck cannot resist pulling a prank on him—Puck gives Bottom the head of a donkey (ass in the play). Here, Shakespeare drives the irony of this trick with Bottom's reactions to his friends' remarks, again this is mainly for comic relief:

William Shakespeare is a successful playwright as he uses the style of history, tragedy and comedy which is an entertaining aspect that is in all his plays.

If there was no such thing as sympathy, empathy, or love in our world, it would be a hard place to live. If there was no hard law or reason in our world, it would be a crazy place to live. Neither of these worlds would be anybody’s first choice as a home - it's just common sense take away either of these two fundamental aspects of life, and everything is immediately chaos. In fact, it is only in a world such as ours, where legal and human emotion work together, that we are happy. In William Shakespeare's A Midsummer Night's Dream, Shakespeare recognizes this truth and uses the two settings to represent the city of Athens as law, order, civility, and judgment, while the woods represent chaos, incivility, dreams, and love.

It is commonly said that “all’s well that ends well.” In the case of the comedies of William Shakespeare, this is almost universally true. With specific regard to A Midsummer Night’s Dream, the machinations of Oberon are able to bring together Lysander and Hermia, as well as Helena and Demetrius, in a way that provides for the happiest of conclusions. As readers of the play, however, this is also a conclusion that we can anticipate from the first scene. The comedies trace formulaic patterns in which even the most unbelievable circumstances can be resolved by the play’s end, and the performance can end with marriage

William Shakespeare starts with a seemingly unresolvable conflict in A Midsummer Night’s Dream. The main characters are lovers who are either unrequited in their love or hassled by the love of another. These lovers are inevitably paired. How does Shakespeare make this happen? He creates many subplots that, before long, are all snarled up into a chaotic knot. So, what actions does Shakespeare take to resolve these new quandaries? He ends up trusting a single key entity with his comedy. It’s only then that he introduces a special character into his world: a mischievous fairy whom is known by the name of Puck. Puck is the catalyst for all these subplots and, indeed, for the entirety of Shakespeare’s A Midsummer Night’s Dream. Try to take Puck

All of these magical happenings are explained away as if they were only dreams. In A Midsummer Night’s Dream, the dream theme acts as a dramatic convention to explain the fantastical in such cases as Bottom’s physical transformation, the lovers’ emotional transformations, and even the audience’s perception of the events as referenced in Puck’s epilogue. It is a simple fact of life that magic does not exist. Even the mortal characters in the play did not seem to believe in magic.

One example of the title, A Midsummer Nights Dream, connecting to the plot is the last word in the title, "dream". Not until the very end of the play does this word make sense as to why it is included in the title. At the end of the play, Puck says "if us shadows have offended..." (Shakespeare. …). When he says this, he is telling the audience that if they were offended by their play, not to blame the actors because it was all just a dream. This is the very last thing that happens in the play.

Shakespeare’s epilogue at the end of A Midsummer Night’s Dream has haunted many critics and resulted in numerous interpretations. Through Robin, he clearly gives the audience a message, but

Shakespeare’s A Midsummer Night’s Dream is often read as a dramatization of the incompatibility of “reason and love” (III.i. 127), yet many critics pay little attention to how Shakespeare manages to draw his audience into meditating on these notions independently (Burke 116). The play is as much about the conflict between passion and reason concerning love, as it is a warning against attempting to understand love rationally. Similarly, trying to understand the play by reason alone results in an impoverished reading of the play as a whole – it is much better suited to the kind of emotive, arbitrary understanding that is characteristic of dreams. Puck apologises directly to us, the audience,

A Midsummer Night's Dream is a play about four Athenian lovers. Theseus listens to both Hermia and her father’s request and he tells her to bend to her father’s will or die due to the old Athenian law. Hermia and Lysander flee Athens, into the domain of the fairy kingdom. At this time, Oberon is in a fight with Titania. This fight is over a human child of Titania’s friend. Oberon tells Puck, one of his loyal servants, to get a flower hit by Cupid’s arrow, and drop the oil into Demetrius’s and Titania’s eyes. However, Puck drops the oil into Lysander’s eyes due to Oberon’s vague description, making him fall in love with Helena and despise Hermia. Titania falls in love Bottom, who has the head of an ass, after Oberon places the oil

A Midsummer Night's Dream is a play written by Shakespeare. Throughout the play, 4 lovers are mistaken for who they really love, because of the mischievous Puck. Towards the end of the play, workmen perform the play of Pyramus and Thisbe and uses elements of comedy to amuse the lovers on their marriage day. Act 5 scene 1 uses these comedic elements most successfully because Shakespeare uses elements such as hyperbole, linguistic mistakes, and parodies. Act 5 scene 1 uses the comedic element known as hyperbole.

What literary criticism lens is most effective in creating meaning and entertainment throughout Shakespeare’s A Midsummer Night’s Dream? The play, A Midsummer Night’s Dream, has several characters involved in a love triangle. Many scenes in the story involves power being used or taken away and use of money. Throughout the play, readers and viewers experiences Hermia’s power is being taken away by her father, Eugues,which is her kindred, not letting her marry the man she truly loves,Lysander. Later throughout the story, Robin, character from the story contains a enthrall love juice that has power and makes another character from the story, Titania, fall in love with a donkey.The marxist literary criticism lens is the most effective in creating meaning and entertaining readers and viewers in Shakespeare’s A Midsummer Night’s Dream.

The supernatural world is rather distinct to that of the human world entrenched in societal standards and boundaries. Shakespeare’s play, ‘A Midsummer Night’s Dream’, explores this concept, particularly through the use of Puck. In agreement to Harold Bloom’s statement, the following essay will analyse how Puck is significant because, by being so disparate, he is able to show the limitations of the human. This will be done through, first, exploring a definition of the human in relation to the supernatural. Subsequently, the essay will use a Freudian lense to analyse the morality of Puck and, lastly, the essay will focus on Puck’s physical characteristics as well as his ability to span across boundaries in the play and the metatheatrical realm.

ACT I, SCENE I - Due Date ____________________ 1. How is Hippolyta’s reasoning concerning how quickly the next four days will pass different from that of Theseus? 2. Why has Egeus brought his daughter and her two suitors to Theseus? What does Egeus expect him to do? 3. What was the proper role for women/daughters in Athenian society according to Egeus and Theseus? 4. What is Theseus’s ruling concerning Hermia? 5. How does Lysander’s comment about Demetrius’s previous love affair with Helena complicate things? 6. What do Lysander and Hermia plan to do about this seemingly impossible situation? 7. Why do they tell Helena what they plan to do? 8. Even though Helena loves Demetrius and is Hermia’s

Mandy Conway Mrs. Guynes English 12 16 March 2000 A Critical Analysis of "A Midsummer Night's Dream" William Shakespeare, born in 1594, is one of the greatest writers in literature. He dies in 1616 after completing many sonnets and plays. One of which is "A Midsummer Night's Dream." They say that this play is the most purely romantic of Shakespeare's comedies. The themes of the play are dreams and reality, love and magic. This extraordinary play is a play-with-in-a-play, which master writers only write successfully. Shakespeare proves here to be a master writer. Critics find it a task to explain the intricateness of the play, audiences find it very pleasing to read and watch. "A Midsummer Night's Dream" is a