Midsummer Night's Dream Relationships

True love’s path is paved with every step. Through the assistance of fanciful elements as well as characters Puck and Oberon, the true message of love in William Shakespeare’s A Midsummer Night’s Dream is revealed. The four lovers know the direction in which their hearts are inclined to turn, but when the love potion is administered, the bounds of their rectangle are thrashed without knowledge or consent. The rapid shifts in affection between the play’s “four lovers” is representative of the idea that love isn’t a conscious choice, but a cruel game in which we are the figurines, being controlled by whomever the player may be, relating the characters’ karmic fates.

First Oberon controls others through the use of Puck. “...with leaden legs and batty wings doth creep. Then crush this herb into Lysander’s eyes,..”

One of his plays, ‘A midsummer’s night dream’, includes the themes of love and magic,where love is represented as a force that makes people act in irrational ways to entertain the audience in a comical and dramatic way. He used different techniques throughout the play to create a tumultuous and intriguing factor. The storyline of the play follows various couples such as Hermia and Lysander and Oberon and Titania. These couples show examples of irrational behaviours with love and magic throughout the play.

Puck manipulates Titania and Bottom through magic. Titania loses all free will, while Bottom is changed into a donkey against his will. For example, “And thy fair virtue's force perforce doth move me On the first view to say, to swear, I love thee (3.1, 140-41, Shakespeare). Titania loves Bottom, who has the head of a donkey, against her free will. Oberon placed a love potion on Titania’s eyes, which resulted in Titania loving Bottom. Furthermore, Bottom was changed into a donkey by Puck. The lines, “I see their knavery: this is to make an ass of me; to fright me, if they could” (3.1, 119-20, Shakespeare), allow the reader to know Bottom has the head of a donkey. In Scene Two, Hermia, Helena, Lysander, and Demetrius have conflict. In the lines, “Now she holds me not; Now follow, if thou darest, to try whose right, of thine or mine, is most in Helena” (3.2, 336-37, Shakespeare), Lysander begins to argue with Demetrius about Helena. Lysander’s loss of free will results in conflict. In the lines, “I will not trust you, I, nor longer stay in your curst company. Your hands than mine are quicker for a fray, my legs are longer though, to run away” (3.2, 341-44, Shakespeare), Helena is attempting to run away from the situation because Hermia was upset with the situation. Act Three summarizes the conflict. Shakespeare uses the loss of free will to spark conflict

When Puck begins to interact with the four lovers very shortly after, however, Egeus's ridiculous accusations of Lysander bewitching Hermia take an ironic echo as Oberon bewitches Titania with a love potion, suddenly bringing the ridiculousness of Egeus's statements into a new light. Puck, the perpetrator,

Love comes with many complications and faces many obstacles. Shakespeare clearly portrays illustrates these difficulties this them through various relationships in his play, ‘A Midsummer Night's Dream’. The characters face different obstacles which affect their relationships negatively. In the play, ‘A Midsummer Night’s Dream,’ the main obstacles that cause negative effects on love are the use of magic, the law, and misunderstandings as well as and false assumptions.

The book has some moments when things went well for the characters after they sought to control someone. Oberon and Titania had been fighting for a while and part of the reason was because Titania wouldn’t give him the changeling boy. “ I then did ask of her, her changeling child which straight she gave me.” Oberon is now satisfied because after putting the potion in Titania’s eyes, she gave him the changeling child with no hesitation. Still in the end section of the play, things are finally coming to good terms, for one the lovers are getting married. “ Sing and dance trippingly… will we sing and bless this place.” This is the scene where they are celebrating due to the success of getting the couples together.Which included controlling Lysander to get him to love Hermia again. As you read A Midsummer Night's Dream, you might notice that there are more downfalls than victories when it comes to control. Although some might look at the broad picture being drawn, if you dig deeper you will notice that Shakespeare makes known that controlling isn’t possible. Even though in the play Oberon seemed to have it his way, in reality things don’t always turnout that way, especially when dealing with

Oberon conjures up a plan in order to get a young child away from Titania, queen of the fairies, whilst doing this he is met with two of our other characters, Helena and Demetrius, “A sweet Athenian lady is in love/ with a huge disdainful youth. Anoint his eyes with the flower as well,” (II.i.268-269) in this point of the story Oberon encounters Helena who is trying to get the attention of Demetrius, who is completely ignoring her. This displays his need to place forceful authority because he is trying to controls Demetrius’s love, by putting him under a spell and making him fall in love with Helena. Unlike Egeus though, Oberon takes control over more than just one character, we see this in act 2 scene 1 lines 83-85 which says “Having once this juice,/ I’ll watch Titania when she is asleep/ And drop the liquor of it in her eyes,” out of the two Oberon would have to be the most controlling, because he in these three lines it shows yet another character Oberon is controlling. In this line though he is attempting to manipulate Titania in order to get the young changeling boy. Thereupon showing that in the face of love, control still will not

Furthermore, the lines earlier shows Oberon’s plan to control and submit Titania to his will. His plan to make her fall in love with animals by using a potion indicates that he wants to embarrass Titania. He wants to use his power to manipulate her feelings. He craves the control that he did not have earlier in the play when Titania did what she wanted to do. Therefore, his desire to gain control results in the changing of Titania’s fate. Titania’s actions are based on Oberon’s power. Likewise, Oberon gains satisfaction by executing his plan which empowers him and gives authority. Further, not only does Oberon make plans to control Titania, but he also becomes the cause of the conflict among Lysander, Demetrius, Hermia, and Helena. Oberon’s decision to meddle in their affairs directly impacts their fate as they become powerless over their situation. Oberon’s overwhelming sense of entitlement for utter control affects the events that transpire in their lives. Specifically, Oberon’s interference changes how two of the main characters, Lysander and Hermia interact with each other. Their mutual attraction to each other is altered as a result of Lysander’s will becoming influenced by Oberon. Thus, Lysander professes his love for Helena. Then, Hermia verbally attacks Helena:

Another conflict that shows the contrast between rationality and irrationality is the relationship dynamics of Titania and Oberon, the queen and king of the fairies. They are both extremely stubborn and selfish, which causes a disturbance in the typical weather patterns of their realm. In spite of their responsibility to ensure the well-being of the forest, they argue over foolish things-especially over the Indian boy that Titania has been raising. Oberon decides he cannot be happy unless he has the boy for himself, and resorts to desperate measures to get his way. In this case, irrationality wins against rationality. Rather than working through his marriage problems with Titania, Oberon sends Puck to put a potion on Titania’s eye, which makes her fall in love with the first thing she sees. This conspiracy allows Oberon to snatch away the child while Titania is distracted. Although the marriage worked out in the end, it is based on the deception of a desperate husband who wanted his way.

This causes jealousy in the fairy king. Oberon is jealous and angry with Titania, his anger drives the entire action of the play. He desperately desires to make a knight of the young Indian prince that Titania has been given:

In Athens, women had very little rights. Womens fathers were the ones who got to choose whom they married, and that caused trouble for the lovers. Hermia’s father, Egeus, strongly believed in this rule. At the beginning, Egeus decides that he wants Hermia to marry Demetrius, which is good for Demetrius but bad for Hermia. Hermia, daringly refuses her father’s wishes, so they seek the help of Theseus, the Duke of Athens. Theseus listens to their situation, and being the authority in the situation, tells Hermia: “Either to die the death, or to abjure for the society of men. Therefore, fair Hermia,... if you yield not to your father’s choice, you can endure the livery of a nun...”(24). This shows how authority, in this case the law, gets in the way of “the course of true love…”(28). Egeus’s decision to have Hermia marry Demetrius does not only affect Hermia but also affects Helena. When Hermia’s father chooses Demetris to be her

Theseus rules by trying to make everyone happy while abiding by the old Athenian law. Theseus says, “Look you arm yourself to fit the fancies your father’s will.” (1.1.117-118) In this scene, Theseus is telling Hermia to marry Demetrius or to get ready to die. Egeus says that she is his property by the Athenian law. This causes Hermia to run away with her love, Lysander. At the end of the play, Theseus says, “Egeus, I will overbear your will.” (4.1.182) He is telling Hermia’s father that the law will be void for this marriage. This tells that Theseus will override it for the happiness of the four lovers. Oberon rules in a way where he is happy even if it sacrifices someone else's happiness. He will do mischievous things and blackmail others, including Titania, for his own satisfaction or gain. Oberon says, “Give me that boy, and I will go with thee.” (2.1.143) Here, he is telling Titania that if she doesn’t give him the boy, he will not dance with he at Theseus’s and Hippolyta’s wedding. They are supposed to dance at the wedding to tell them that they bless their marriage. Oberon is blackmailing her so that if she doesn’t give him the boy, they won’t dance, thus giving the couples the impression that they don’t bless them. Also, right after he squeezes the love flowers juice on Titania’s eyelid, Oberon says, “Wake when some vile

Oberon demands, “How can you stand there shamelessly talking about me and Hippolyta, when you know that I know about your love for Theseus? And weren’t you the one who made him cheat on all of his other girlfriends, like Aegles, Ariadne, and Antiopa? (Shakespeare II.ii.76).

Titania is arguably the strongest women in the play; however she is still susceptible to the devious schemes of Oberon and Puck. She is tricked, by the use of a love-juice potion, into falling in love with Bottom who appears to have an ass’s head, “An ass’s nole I fixed on his head” (III.ii.17). This event leads to Oberon asking her for the changeling child “Which straight she gave to me,” (IV.i.58) showing that even strong woman can be tricked by men, which is still