Miles Davis Research Paper

He brought a different approach to vocal jazz. His constant writing and recording helped having a big influence on the jazz scene. While making his mark on may parts of the industry he was best known for his singing. He experimented some with scatting and chromatic vamping, which showed in “Lulu’s back in town.” He pushed the crooning style further until in 1950’s when it died out as rock and roll became more popular. This caused him to grow into a more Jazz style of singing although he believed that there were no pure jazz signers it all depended on their influences.

If one was to go out into the street, walked up to a random stranger and asked them if they knew who Louis Armstrong was, chances are that they would be able to answer you correctly. Louis Armstrong (Aug 4th, 1901 - Jul 6th, 1971) was an American trumpeter, composer, singer and occasional actor who became one of the most influential figures in jazz. His career spanned many decades, from the 1920s to his death in 1971, and many different eras in jazz. He first came to prominence in the 1920s as a trumpeter and cornet player with no technique as well as being very skilled in scat singing, Armstrong was a foundational influence in jazz, influencing many later jazz artists as well as shifting the focus of the music from collective improvisation to solo performance.With his very well-known and recognizable gravelly voice, a technique that was later named “crooning”, Armstrong was an incredibly influential singer, demonstrating great dexterity as an improviser by bending the lyrics and melody of a song for expressive purposes on demand. Renowned for his charming and incredibly charismatic stage presence and voice almost as much as for his trumpet and/or cornet playing, Armstrong 's influence extends far beyond jazz music, and by the end of his career in the early 1970s at his death, he was widely regarded as a deep and profound influence on popular music in general. Armstrong was one of the first very popular

Buddy’s playing married all of the contemporary popular styles of music, creating something never before heard, Jazz. “Jazz music emerged from the confluence of New Orleans’s diverse musical

B.B. King or ‘The King of Blues’ was born in Itta Bena, Mississippi. His young parents unfortunately divorced, and his mother passed away when he was 9 years old which left him to be raised by his grandmother. King attended school until the 10th grade when he dropped out of school and started to work at a cotton gin near his hometown. Despite dropping out of school he continued to teach himself math and different languages well into his later life. He worked at the cotton gin earning a penny a pound and singing gospel music on street corners. His musical career started when he was studying under his cousin Bukka White. King met a woman and was married at 17 years old. “I guess I was looking for love, because I never had anybody I believed truly loved me” (B.B. King). The marriage quickly came to end when they got a divorce months later. “Since my early childhood, I had a problem trying to open up. Please open me up. Look inside!

B.B. King’s reign as “King of the Blues” has been as long as that of any monarch on earth. B.B. King continued to have his crown at the age of 76, and he was still light on his feet, singing and playing the blues with never ending passion. Time has no effect on B.B, all time does for him is make him more popular, more cherished, and more relevant than ever. Even though B.B. King has passed, he’s alive as the music he plays, and the world can’t get enough of him.

Chuck Berry’s big break came when he went to Chicago in May of 1955 and met up with Muddy Waters who suggested he contact Chess Records. As a result he recorded “Maybellene” which went on to sell over a million copies and rose up to number one on the Billboard Rhythm and Blues chart. Berry was a success and popular by the end of the 50s. He opened up his own nightclub in St. Louis, Missouri Berry’s Club Bandstand.

Born in Alton, Illinois, Miles Davis grew up in a middle-class family in East St. Louis. Miles Davis took up the trumpet at the age of 13 and was playing professionally two years later. Some of his first gigs included performances with his high school bandand playing with Eddie Randall and the blue Devils. Miles Davis has said that the greatest musical experience of his life was hearing the Billy Eckstine orchestra when it passed through St. Louis. In September 1944 Davis went to New York to study at Juilliard but spend much more time hanging out on 52nd Street and eventually dropped out of school. He moved from his home in East St. Louis to New York primarily to enter school but also to locate his musical idol,

Born on May 26, 1926, Miles Davis is considered to be one of the most influential jazz musicians in history. Being a trumpeter, keyboardist, composer, and band-leader, Miles is responsible for the popularization of many styles of jazz throughout his long and prolific career.

Who was Miles Davis and why was he such an important element in the music of Jazz? Miles Davis, as we would know him, was born Miles Dewey Davis in Alton, Illinois on the 25th of May 1926 to a middle-class black family.. A couple of years later, Miles went on to St. Louis where he grew up. Since he was a youngster, Miles' hobby was to collect records and play them over without getting tired of them. Since his family knew Miles was so interested in the music of his time, primarily Jazz, for his thirteenth birthday Miles received his first trumpet, although he had been playing since the age of nine. With this Miles began to practice and play his trumpet along with his records. Who would have known that just three years later, at the

Miles Davis was one of the greatest and most important figures in jazz history. Miles Dewey Davis III was a musician, composer, arranger, producer and bandleader all in one. Davis was at the forefront of almost every major development in jazz after World War 2. He was one of the most influential and innovative musicians of the twentieth century along with Charlie Parker and Louis Armstrong. His versatility landed him at the forefront of bebop, cool jazz, modal, hard bop and fusion (Kirker, 2005:1). His sound went on to influence many other newer forms of music today such as pop, soul, R&B, funk and rap. As one of the last trumpet players, Davis employed a lyrical, melodic style that was known for its minimalism as well

A main drummer of the post-World War II bop style exemplified by Charlie Parker, Blakey was better known for his authority of his Jazz Messengers, one of the longest-running and reliably superb gatherings in jazz. The street to incredible status was twisting, in any case. Shunning the vanguard, Blakey was overlooked by jazz faultfinders in the trial 1960s and disregarded by American groups of onlookers in the 1970s, when rock applied its hegemonic control over the matter of popular music. Not able to land a U.S. recording contract, he discharged various collections for European names in the

Miles Davis is one of the greatest jazz composers in the world. He was a pioneer for cool jazz by changing how people viewed cool jazz it. One of the most famous songs he released was called “Milestones,” recorded around 1958, in the Modal Era. This legendary jazz song has 4/4 time and a swing feel. Its tempo is set at 119 BPM and is in the key of A minor.

In the 1960s as the genre became more popular icons such as John Coltrane and Miles Davis became overly remarkable successes.

Kind of Blue inspired a whole new style of jazz, modal jazz (Urness). Along with many other styles of jazz that Davis pioneered, including hard bop and cool jazz, Davis inspired other artists to play jazz like this and develop new creative works. Davis was the original creator, the original dreamer. Jazz and blues have been around for about a century, aging back to the 1900’s, and yet Davis was still able to create a whole new type of jazz (Urness). Kind of Blue was the first of its kind, but it inspired more and more artists to try out the same style of jazz, most notably Woody Shaw, Herbie Hancock, and Bobby Hutcherson.

Miles Davis loved the "new" Coltrane, and hired him back into his band for a third time. Davis came up with a new jazz concept, modal improvisation.