Miller's Tale

This can be seen through a comparison of parallel protagonists Palamon and Ferdinand, as well as parallel antagonists Arcite and Caliban. Their many similarities reveal an insight to each author’s view of love and how it is gained. Palamon and Ferdinand are men of the heart who do not have the girl initially, nor do they claim her. Instead, they wish the best for her and are willing to work for and serve her, regardless of the outcome. In contrast, Arcite and Caliban are men of the physical who take the woman they love by force and physically serve her in order to fulfill their prideful desires, completely disregarding the wishes of their beloved. Strikingly, all four of these men are of noble birth, and all four willingly lower themselves from a position of power to a position of service in order to gain a woman’s love; however, only the men who also serve her selflessly succeed in winning her love. Both men of the heart end up “getting the girl” in the metaphorical sense, although it takes time and they must be patient. In contrast, the men who have the girl initially –Arcite and Caliban – begin by taking her by force and have her in the literal sense, but lose her in the end. All of these elements show that Chaucer and Shakespeare believe the selfless and humble approach to be the most effective way to gain

"The American Dream is the largely unacknowledged screen in front of which all American writing plays itself out," Arthur Miller has said (Galvin). To many people Arthur Miller is known for his role against communist accusations and using his writing to portray what has happened during McCarthyism. From Miller’s struggles as a child to his first big break as a playwright to his fight against the government, he has still been able to maintain integrity in his writing and captivated many audiences over the years.

To begin his tale, the Miller interjects after the Knight, interrupting the Monk. The Miller then apologizes in advance for what he is about to say; he is very drunk and may say some inappropriate things. After his short prologue, the Miller tells the story of a wild love affair between a woman named Alisoun and three men pining after her. The three men, Alisoun’s carpenter husband named John, a scholar name Nicholas, and a parish clerk called Absolon all take an almost obsessive interest in this eighteen-year-old woman. Although Alisoun is married to the carpenter, she quickly becomes secretly devoted to Nicholas after a short

He knew nat Catoun for his wit was rude, that bad man sholde wedde his similitude” (Lines 113-120). Absolon on the other hand just wanted sex, and as much Alisoun despised him he would not stop stalking her. The Miller’s tale is cynical, because love is either misguided or lust and humans often are confused between the two. The author wanted to point that humans must know the difference or else the outcome would most likely be devastating thus leading to one’s own fault. While others might say this theme was not about love, but more about sexual desires, it was not the case. Sexual desires was only part of the theme because sex has always been alined with love in every relationship good or bad. Chaucer want readers to get past the sexual imagery and look at the love theme which incorporated in this story. The love theme represented the trouble behind human minds and how lust can be confused as love.

I agree with what Condren’s view on Chaucer. Chaucer shows in the story Chaucer talks about how dynamic life is and how different the people are. Life is a crazy thing but Chaucer makes it really different. He makes everything “fascinating” with everything he talks about has to have a story behind it and the people have stories behind them. He makes the people “fascinating” he talks about how they have rashes and have nasty eyebrows and the way they dress. Nothing is boring with them.

The language used in the work is quite formal, but that is to be expected given the time frame it was written. His form in this story might be construed as a form of poetry, and Chaucer made things work by using artful language. In describing marriage, he used especially floral writing. Chaucer wrote, “Lo, there's the wise old king Dan Solomon;

In the story, Absolon tries everything to win over Alison’s heart. At night, “… Absalon his guitar hath ytake- for love he thought for to wake…Til he cam to the carpenteres hous…And dressed him up by a shot-windowe that was upon the carpenteres wal. He singeth in his vois geentil and small…” (244). Not only did Absolon serenade Alison at night, he would also give her gifts, he even became Alison’s servant, but Alison still did not love him back, the man she loved was Nicholas. By Alison loving Nicholas and not Absolon, shows that in this story the courtly lover is not the one that gets the girl but the guy that is the complete opposite of him, and is not at all noble or decent. Not only did Absolon not get the girl, but later on in the story he is humiliated by both Alison and Nicholas. By Absolon kissing Alison’s behind and getting farted in the face by Nicholas, shows how Absolon the courtly lover is being made fun of in the story. It comes to show that the whole courtly love in this story is all a joke and the author doesn’t take it seriously, and the whole time that Absolon was trying to win over Alison’s heart he was just being made a fool of, because Alison never loved him. All Alison did was take advantage of Absolon, by receiving all the gifts he gave her without regret and just using him for her advantage whenever she needed anything, in other words she only treated him like a servant. But in way it is also Absolon’s fault because he didn’t mind

In Geoffrey Chaucer’s poem, The Knight’s Tale, the author encapsulates chivalrous characteristics in his telling of a battle for love. In its fundamental form, chivalry idealizes a knight’s conduct, both on and off the battlefield (Gregory-Abbott). Chaucer employs this “heroic code [of] bravery, loyalty, and service to one's lord” to illustrate the idillic knight throughout the narrative (Rossignol). Chaucer’s poem, The Knight’s Tale, exhibits the ideals of chivalry in the form of two knights, desperately in love with the same woman, and a wise Duke who embodies the voice of reason. Each knight upholds honor through compassion, troths, and heroism on the battlefield, despite their afflictions with each other.

In “The Miller’s Tale” Chaucer explains how the Miller was a drunk and pale man that did not have a wife or children, but even before telling his story, it wasn’t his turn by interrupting the Monk before him and begins to explain his story. The miller start to explain about a young girl called Alison and her husband called the Carpenter, Alison was an only 18 years old when she married her husband and he was an old man. They lived in Oxford the Carpenter would admire the beauty of his wife and how the town man would be envious of him for his wife. It also involved two other man Nicholas and Absolon these men were also young, Nicholas was a clerk that would happen to be a secret love affairs, but also very clever and discreet and Absolon was a foppish clerk and a handsome man that every woman loved. Those three men were in love with Alison, but affording Alison only

The Miller's Tale is the story of a carpenter, his lovely wife, and the two younger gentlemen who are in love with the carpenter’s wife. The carpenter, John, is married to a much younger woman, Alison, who is considered a local beauty. To make a bit of extra money, John rents out a room in his house to a poor but clever cleric named Nicholas, who has taken a liking to Alison. The other man interested in Alison is a clerk named Absalon. Nicholas uses his astrological studies to convince John to prepare for a storm so he and Alison could have the night alone. With Nicholas and Alison alone, Absalon tries to get Alison to like him by singing to her but she does not find him attractive.

“The courtly lady…possesses a curiously hybrid gender. While maintaining stereotypically female sexuality, she also holds, in principle at least, the status of a feudal lord.” Burns’ statement insinuates a reversal of power dynamics between man and woman in the courtly love lyric, implying that the woman’s stereotypical beauty and sexuality in courtship, is a gateway to subverting and overpowering the lovesick male, making her a superior lord. The Amour Courtois lyric is deemed inconsistent with the representation of woman as an empowered “feudal lord” due to the sheer objectification of femininity and beauty. Poets such as Geoffrey Chaucer and William Dunbar commend a woman’s aesthetic appeal or satirise the lack of it, thus elevating medieval misogynistic expectations of physical beauty as a feminine necessity that objectifies women under the control of man’s advances. Throughout courtly love lyrics female beauty is a purely frivolous and superficial trait lacking predominant depth, to render woman as a “lord” would be poetically conflicting as the only power exemplified by female subjects in courtship is through the idolisation and sexual lust of the male devotee.

“I believe that the common man is as apt a subject for tragedy in its highest sense as kings were” ( Tragedy and the Common Man). Arthur Miller follows his Millerian conventions of tragedy in the writing of The Crucible. Often literature uses tragedy to display a depressing theme represented by the tragic hero.

In Chaucer’s “Franklin Tale” the plot revolves around a married couple: the knight, Arviragus, his young wife, Dorigen, and a young squire, Aurelius who importunes and attempts to Dorigen. The characters can be said to oscillate between desire and their ego honor which affects what they say and do. Lacan’s definition of desire tells us that we desire for recognition from this “Other.” Our desire is to become what the other person lacks. Duby’s model of courtly love is a concept that focuses on chivalry, nobility and women being at the center. In this paper, I will examine what the story reveals about the relation each character has to his or her desire, how they act in accordance to their desire and the role magic or illusion plays in the plot and how it affect characters’ relation to desire.

Throughout literature, deep relationships can often be discovered between a story and the author who writes it. Relationships can also be found in stories about a husband and wife. In Geoffrey Chaucer's The Canterbury Tales many of the characters make this idea apparent with the stories they tell. In “The Pardoner’s Tale”, a distinct relationship can be made between the character of the Pardoner and his tale of three friends. Also, the Wife in “The Wife of Bath’s Tale” boldly declares her relationship towards her husband.

The balance of the love triangle is also thrown awry in the Miller’s tale. Not only if a fourth man present, Alison’s wife John (who is not even included in any form of romance throughout the tale) but Alison’s affection seem to only be for Nicholas. She is easily seduced by Nicholas and has little, to no romantic interest in Absalon, fooling him into kissing her rear and then laughing about it with Nicholas. These elements merely add to the Miller’s tale of perversion, distancing and parodying itself from the Knight’s tale of honor and true love.