Minimalism In Raymond Carver's Short Story Cathedral'

Raymond Carver’s “Cathedral” is a short story that unfolds through the perspective of Bub. The story begins by depicting Bub’s narrow mindedness and as the story progresses it becomes clear that his perspective shifts after an encounter with his wife’s blind friend Robert. It is through this encounter that Bub has an epiphany. It is his jealousy towards Robert and intoxication that debunk his preconceived notations and highlight the connection between him and Robert. It is only after his epiphany that he is drawn out of this obliviousness and gains insight. Bub’s wife, his smoking, and drinking are key elements in breaking apart his bias and as a result he is enlightened.

the plot in the story, the minimalistic style, and theme, the author better develops and conveys

Moreover, Carver uses first person point of view to describe the narrator’s life and the meaning of the cathedral to him. Through the first person point of view given to the narrator and one of the main characters of the story, Carver is able to portray a narrator who is jealous and insecure of himself. The narrator’s

The story of Cathedral, by Raymond Carver, shows that you do not have to see someone or something in order to appreciate them for who or what they are. It is about a husband, the narrator, and his wife who live in a house. The wife, whose name they do not mention, has a very close friend who is blind. His name is Robert. Robert's wife dies, and comes to their house to spend a couple of days with the narrator and his wife. The narrator, whose name they do not mention as well, is always on edge because he does not really know Robert very well and he does not like blind people, but he is being friendly for his wife's sake. The story comes to an end when Robert and the narrator draw a cathedral together using the narrator's hand and helped by

In Raymond Carver’s “Cathedral” the narrator is seen to show ignorance and bias towards blindness throughout the story, however towards the end he realizes his flaws and the difference between looking and seeing. From the beginning of the story to the end you can see a change within the narrator after his encounter with the blind man. At the end of Raymond Carver’s “Cathedral” the narrator hopes to accomplish a change in his understanding of himself, and his experience with Robert flickers this change towards the end of the story.

Carver lived most of his life in a world which could not provide the luxury of

Carver portrays the personality of the narrator in "Cathedral" in his use of conversational and colloquial tone. Carver’s syntactic maneuvers deliver a tone that is mocking, unpleasant and even vitriolic. He hyphenates the narrator’s interjections to convey a sarcastic quality of the narrator. For example: as the narrator is describing the sensitive situation of Beulah’s death, he does so with a taste of wickedness: "After they had been inseparable for eight years--my wife 's word, inseparable--Beulah’s health went into rapid decline" (Norton 30). The hyphenation permits the narrator to present his hostility and mockery into any part of the story; thus, the narrator feels that his opinions and asides are more important than the plot. Throughout the story, he displays a dislike for many seemingly

The narrator through out most of the short story comes of as a pretty shallow character. Besides his stereotyping tendencies he comes of as callous and un-imaginative. He shows his lack of

The short story “Cathedral”, by Raymond Carver, is a thought provoking piece that focuses on the transition a man goes through to see the world with his soul. The story gives hope that people can change if given the chance to be better people. Over the course of the story, Carver uses both diction and description to explore themes in religion and morality.

The narrator in “The Cathedral” begins the story with the issue of hesitation in seeing the light. The light in this story just like the light in Plato’s “Myth of the Cave” represents reality. The narrator expresses the fear of expressing reality when he said “ I wasn’t

“Cathedral” is a short story that was written by Raymond Carver in 1981. Raymond Carver is most well known for his short stories and is even an writer credited with reviving the then dying form of literature. A part of a collection of short stories, “Cathedral” was the last to be published and was included in 1982’s Best American Short Stories. “Cathedral is different from the other works of Carver due to the humanistic realism that is given to his characters, which had not been seen before in his works. This shift earned Carver the critical success he always wanted and “Cathedral” became his most famous work. “Cathedral” is Carver’s most revered work of literature and is due mostly in part to his shift in style with his storytelling.

Lives are diverse. Every being that passes by on the street, at school, at work, anywhere lives a completely unique life different from any other individual. Each person that one could meet has attended different schools, travelled to different places, and lived under different circumstances; they all pass by in an instant without a second thought or even a passing glance. These several diverse experiences sculpt diverse individuals with diverse thoughts, opinions, dreams, and motives. However, in Raymond Carver’s “Cathedral,” the narrator must converse with an individual that lives an extremely dissimilar life from his own. A blind man, friends with the narrator’s wife and a recent widower, has come to live with the narrator for a while. This sudden change in the narrator’s life does not come easy because of his inherent arrogance and prejudice. Nevertheless, the blind man remains polite and shows the narrator how similar, yet still different their lives are through example as well as an explicit exercise where he holds the narrator’s hands while he draws a cathedral in order to “see” what the cathedral looks like. To assist the reader in fully grasping the impact of this breakthrough in the narrator’s life regarding perspective and various types of human realities, Carver employs a large number of stylistic elements to enhance his writing.

The author writes the story in a very interesting way. The way that there are only a few descriptions scattered about and that it focuses on dialogue is what allows us to figure out what the characters are speaking about and to find the intentions behind their words. The subject of this short narrative stands out boldly. Though it was written in

A first-person narration provides an interesting perspective on the main action of a story. A narrator can express his/her own thoughts and feelings, which in turn develops a more personal and relatable story to the reader. Raymond Carver often uses this literary point-of-view tactic in his short stories to reveal the traits of the narrator. In "Cathedral," Carver uses conversational tone and diction to reveal the narrator's character; which is prejudicial at first, but becomes empathic by the end. Knowing this narrator's characteristics facilitates the reader's understanding of major components of the story, such as the narrator's hostility to Robert, his loser-like sociality, and the climax of opening up to Robert.

In gothic literature, the architecture that inhabits a story can go a long way not only in establishing the mood, but also in establishing the story’s characters. In “The Fall of the House of Usher,” by Edgar Allan Poe, published in 1839, readers are introduced to a dreary house that is falling apart, while in another story by Poe published in this same year, “William Wilson,” readers are introduced to a school that, although not in disrepair, is labyrinthian and similarly dreary. Moreover, Wuthering Heights by Emily Brontë, published in 1847, showcases a house, the size of which would normally reflect the wealth and high class of it’s owner, and yet the grounds are overgrown, indicating a lack of attention to maintenance while the house itself only features sparse furnishing. In all of these stories, the buildings that inhabit their pages are more than merely settings. Instead they are fragments of specific characters, representations of some form of wellness, while almost being characters in their own right. In “The Fall of the House of Usher” the house represents the physical wellness of both Roderick and Madeline Usher; whereas in “William Wilson” the school reflects the mental wellness of the lead character; and in Wuthering Heights, the titled building represents the emotional wellness of its owner.