Minor Characters In To Kill A Mockingbird By Harper Lee

Boo Radley was an adult that was thought to believe that he stabbed his dad in the leg with scissors when he was a teenager. Scout, Jem, and Dill always feared him. The feared him so much, that they always cautioned whenever they crossed over to their house. They even made a dare that involved braveness and Boo Radley. ¨Well how'd you feel if you'd been shut up for a hundred years with nothin' but cats to eat?¨ But Boo isn’t is bad as he seems. First of all, it was uncertain, whether he actually stabbed his dad or not. Number 2, he’s been there for Scout. For example, he put the blanket around Scout, during the house fire of one of Scout’s neighbors. And how he saved Scout and Jem from

''Jem gave a reasonable description of Boo: Boo was about six-and-a-half feet tall, judging from his tracks; he dined on raw squirrels and any cats he could catch, that’s why his hands were bloodstained—if you ate an

Throughout the novel To Kill a Mockingbird by Harper Lee, many characters develop and mature in unique ways. Boo, who fears talking to others, Aunt Alexandra, who is against people of other races or social classes, and Scout, who is young and is not aware of life’s challenges, constantly suppress their emotions and personality. Their life choices and decisions that they make throughout the book, lead them to be more accepting of others and less prejudice. As the book progresses, Boo, Aunt Alexandra, and Scout learn life lessons and develop into mature adults.

Minor characters are often more important than they initially seem, and can be just as engaging and complicated as major characters. Furthermore, protagonists are isolated without the people that surround and influence them subliminally. This applies to the intriguing minor characters one has the privilege of discovering in Harper Lee’s To Kill a Mockingbird. Specifically, Lee uses minor characters to effectively disprove stereotypes and establishing setting. Not only do they influence the direction of the plot, but also Scout and her development as a character. Lee carefully selects minor characters to send important messages and reinforce themes by using characters as symbols. Fundamentally, the minor characters in “To Kill a

He went by the name Boo Radley. Jem and Scout were terrified of Boo but Jem still decided messed with him. People described Boo as being “ about six and a half feet tall, judging from his tracks; he dined on raw squirrels and any cats he could catch, that’s why his hands were bloodstained, there was a jagged scar that ran across his face and he drooled most of the time.” (Lee, pg 16) Harper Lee made Boo sound like the most terrifying person ever, but as readers get further in the book, readers and Scout realize he is not as terrifying as people make him sound. Scout realizes that Boo has a heart and he is not terrifying when he saves Jem.

Matt Berman from Common Sense Media commented, “This richly textured novel, woven from the strands of small-town life, lets readers walk in the shoes of one fully realized character after another.” To Kill a Mockingbird by Harper Lee, one of the major messages is identity. Harper Lee lets the people look into the perspectives and identity of some of the characters that make it seem very life-like. In the novel, many characters possess both admirable and dislikable qualities which are shown through their actions. With the nurturing of her father, Scout contains the charming qualities of being courage and mature for her age. The father that instilled these characteristics in Scout, is Atticus Finch. While dealing with the stressful case of Tom Robinson, Atticus maintains to keep the likable aspects of sympathy and strong will. The antagonist in this novel fighting against Tom Robinson is Bob Ewell. Bob Ewell has instilled, in him, the terrible qualities of cruelty and racism. These life-like characters that Harper Lee illustrates gives people a clear vision of who the characters portray.

The town of Maycomb has created a horrible label for him because of his parents and social issues. Many people think as Jem, Scout and Dill that, “judging from his tracks; he dined on raw squirrels he could catch, that’s why his hands were bloodstained (...) There was a long jagged scar that ran across his face; what teeth he had were yellow and rotten; his eyes popped, and he drooled most of the time” (16) all because of the stories they heard around. Boo Radley shows the theme of coexistence of good and evil, because no one knew who he was so they made up horrible rumours by pure ignorance although he is nothing of a monster as people describe. He turns out to be a protective, shy and caring person at the end of the book protecting Jem and Scout from Bob

Scout, Jem, and Dill work many summers to try to get Boo to come out of the Radley house for the first time in many years. Jem had been told many things about Boo in his short years in Maycomb, and he tells his sister Scout about the ‘monster’, saying, “Boo was about six-and-a-half feet tall, judging from his tracks; he dined on raw squirrels and any cats he could catch, that’s why his hands were bloodstained—if you ate an animal raw, you could never wash the blood off. There was a long jagged scar that ran across his face; what teeth he had were yellow and rotten; his eyes popped, and he drooled most of the time” (chap. 1). Jem’s ideas about Boo are very biased toward rumors that can be heard around Maycomb. This shows how Maycomb’s people often judge before they know, seeing as no one has seen Boo Radley in over twenty years and people are prejudiced to believing the unknown is always bad. Prejudice and rumors can often not be trusted and Boo Radley is no exception. After Miss Maudie’s house catches fire and half the town rushes outside to watch it burn, Atticus tells Scout, “someday you should thank him for covering you up” then Scout asks, “Thank Who?” And gets a response from Atticus, “Boo Radley. You were too busy looking at the fire, you didn’t even notice when he put the blanket around you” (chap. 8). Boo Radley is not really a bad person, he

To Kill a Mockingbird by Harper Lee is a beloved American classic set in 1930’s Alabama. The novel follows the lives of two children, Jem and Scout, as they grow up. However, the theme of this story is cultivated by two secondary characters-- Tom Robinson and Boo Radley. From them, we find out that things are not always as they seem to be.

In part one of Harper Lee’s To Kill a Mockingbird, the reader is introduced to Scout, the narrator of the book, her family and other members of the community in which she lives. Scout and her older brother Jem are the children of Atticus Finch, a lawyer in Maycomb County, Alabama during the Great Depression. Scout and Jem meet Dill, a boy spending the summer with his Aunt Rachel. He is between Scout and Jem’s age and becomes a great friend and playmate. He, like Scout and Jem are enjoying the freedom of no school, using their imagination inventing, and playing games throughout the summer. Next door to Scout and Jem, lives a very curious individual whom they have never seen but heard rumors about. This individual has been kept isolated by his father because of some innocent pranks he was involved in over fifteen years ago. Arthur “Boo” Radley is a young man rumored to be root of all evil in the small town of Maycomb. Curiosity is a theme repeated throughout part one as the Scout, Jem, and Dill desire to know or learn more about life and Boo Radley.

In the Pulitzer Prize winning novel, “To Kill a Mockingbird”, Harper Lee illustrates a changing relationship, including the dynamic characters Arthur “Boo” Radley, and Jean “Scout” Louise Finch and Jem Finch. Two young adolescents seek exposure to the monster like, hermit as various residents express their perception on Boo Radley, notably Charles Baker “Dill” Harris. This obnoxious character intrigued the curiosity of Scout and Jem to detect the private life of the Radley’s. Fear of Boo overcomes the minors as they detect sorts of information related to Arthur Radley. In the process, the dynamic characters learn information on Boo including rumors that residents conclude being the truth, illustrating the impression of the main characters that Boo is a monster-like creature. As the children instill that misperception contrived by residents, the children began to fear Boo Radley. Intrigued and curious children challenge their fear as they dare to taunt the innocent man and his household that he has not left in 15 years of his life. Boo Radley, the monster perceived elder, noticed these challenges and was fond of the attention. He expressed his thanks by leaving the youth gifts in the knothole of the tree as he expressed his gratitude. The children apprehend the sudden change the behemoth recluse character in undergo change as the dynamic characters. Scout and Jem’s relationship with Boo Radley undergoes alteration as the characters matriculate the innocent character. They

Mr Radley was ashamed of his son’s behaviour when he got into the wrong crowd as a youngster and punished him by locking him up. There is a lot of gossip around Maycomb about Boo and people blame him for any bad things that happen in the neighbourhood, ‘Any stealthy crimes committed in Maycomb were his work.’ Jem turns him into a monster, ‘his hands were blood-stained’, and ‘his eyes popped’. At the end of the novel however, we find that Boo is misunderstood, and gossip of the town’s folk has made him up to be a ‘malevolent phantom’. Scout tells us he is timid, he had, ‘the voice of a child afraid of the dark’.

Jem and Scout saw Boo Radley as a frightening man who was a childish superstition based off of the rumors from the town. As the children grew up the stories about Boo Radley caused them to become more fascinated than frightened by Boo. The Radley house intrigued them to the point where they snuck into the backyard to try to make Boo leave his house but that resulted in the children thinking that every sound they heard was Boo coming for revenge. In the first chapters, Jem describes how they pictured Boo, which was, “…about six and a half feet tall, judging from his tracks; he dined on raw squirrels and any cats he could catch that’s why his hands were bloodstained…”. Logically it is understood just by Jem’s description that the children had no relationship with Boo Radley other than

To Kill A Mockingbird by Harper Lee is a book thick with symbolism and metaphors. It is a debatable fact that Scout, the female protagonist, is a symbol for innocence. Though the validity of her symbol is in doubt, I am certain that the symbol in this novel for injured faith, or broken innocence, is Boo Radley. That puts in question the reason why Boo continues to amble down the same road of apathy while Scout is being led down the path to unbiased maturity. I believe that Atticus, the father figure in the novel, is the subtle influence that raises Scout to be aware of the immoral actions around her but not to accept them. Prejudice corrupts a child’s progression of innocence to maturity, but Atticus keeps his children from assuming the attitudes of the townspeople.

did not allow anyone to visit him or have the slightest contact with him. Eventually Boo's mental state triggers him to stabbed his father with a pair of scissors. Boo's fathers causes Boo to suffer innocently by stealing his childhood experiences away from him. This indicates that Boo is a mockingbird because he did very little to deserve this torment and isolation that his father inflicted upon him. Then, Jem and Scout from the beginning of the story never fully understood Boo's past life at all, yet they judged him on things they hear about. They suspect he was basically an evil monster that never comes out of his house. Scout starts the stereotyping by creating a nickname “Boo” for the innocent Arthur Radley. This nickname robs Arthur of his true name and identity, causing him to suffer. Furthermore, Jem and Scout constantly pester Boo in an attempt to discover his actual identity. They tell their best friend Dill that Boo is like a zombie. Jem describes Boo as being: “About six-and-a-half feet tall, judging from his tracks; he dined on raw squirrels and any cat he could catch, that's why his hands were bloodstained-if you ate an animal raw, you could never wash the blood off. There was a long jagged scar that ran across his face; what teeth he had were yellow and rotten; his eyes popped, and he and he drooled most of the time” (Lee 13). The stereotypical image created by Jem completely robs Boo