Mirror By Sylvia Plath Analysis

In the short story “Initiation” by Sylvia Plath, the protagonist Millicent, a girl at Lansing High School is being tried as a member of an elite sorority. The girls must go through a week of being an older sister’s servant to be then tried on Friday at Rat Court. Only the most popular girls are accepted into the sorority. These popular girls are also the ones who get the most, popular boyfriends. Everything seems like a dream to Millicent except for the fact that her best friend Tracy wasn’t even considered. Although she wants to belong in the sorority, Millicent finds out that things might not be as perfect as they seem. In “Initiation” by Sylvia Plath, the author uses the point of view third person omniscient to allow the reader to

In the short story “Initiation” by Sylvia Plath, Millicent Arnold is a narcissistic teenager undergoing her initiation into the most prestige social group at Lansing High. Despite being aware of the risk at losing her best friend, Tracy, Millicent eagerly seeks the opportunity to be part of a close-knit group and as a result, she is mistreated and forced to conform to the group’s narrow standards. Plath explains how being part of a social group does not necessarily help one grow individually, but rather assimilates them into what is portrayed as esteemed social status. As Millicent goes through the downgrading initiation process, she discovers the value of friendship and realizes that being associated with a certain group will not help her achieve confidence in her true self.

Poets, Judith Wright, Sylvia Plath and Emily Dickenson all express their views on life and death, however, do so in varying manners. Through imagery, Wright and Plath both consider life’s beginnings, however, Wright considers it to be a beautiful gift, whereas Plath views birth as an empty burden. Subsequently, through structure Dickenson and Wright each acknowledge life, expressing how in some cases it is difficult, yet in other circumstances it is celebrated. Finally, through tone, Dickenson and Plath convey their views on death, yet differ in that Plath believes it is purifying and holds a sick fascination with it, while Dickenson instead holds a unique curiosity about it. Therefore, whilst each poet recognises the journey of birth,

It tends to be the trend for women who have had traumatic childhoods to be attracted to men who epitomize their emptiness felt as children. Women who have had unaffectionate or absent fathers, adulterous husbands or boyfriends, or relatives who molested them seem to become involved in relationships with men who, instead of being the opposite of the “monsters” in their lives, are the exact replicas of these ugly men. Sylvia Plath’s poem “Daddy” is a perfect example of this unfortunate trend. In this poem, she speaks directly to her dead father and her husband who has been cheating on her, as the poem so indicates.

Sylvia Plath was a troubled writer to say the least, not only did she endure the loss of her father a young age but she later on “attempted suicide at her home and was hospitalized, where she underwent psychiatric treatment” for her depression (Dunn). Writing primarily as a poet, she only ever wrote a single novel, The Bell Jar. This fictional autobiography “[chronicles] the circumstances of her mental collapse and subsequent suicide attempt” but from the viewpoint of the fictional protagonist, Esther Greenwood, who suffers the same loss and challenges as Plath (Allen 890). Due to the novel’s strong resemblance to Plath’s own history it was published under the pseudonym “Victoria Lucas”. In The Bell Jar, Sylvia Plath expresses the

The analysis of “The Road Not Taken” by Robert Frost has been up for debate since the poem release in 1916. It is known to be one of the most frequently misinterpreted poems of all time, and even Robert Frost himself has said the poem is “tricky” to comprehend (The). When analyzing this poem many readers tend to focus only on the last lines of the poem and get caught in a trap of selective-interpretation. Quite a few people after reading Robert Frost’s poem firmly conclude that this poem is about non-conformity and individualism, however, that is not the case. Robert Frost’s poem is meant to be analyzed line by line for a complete interpretation. Readers can conclude that the poem represents making choices in life, but that is not the

Nonfiction is a genre of writing in which the author reflects on actual events in history. Lucy Grealy writes about an intense part of her life in a memoir. A memoir is written by the person it is about, usually written on the topic of something the author did or witnessed. Throughout this book, the author gives off vivid imagery and themes in order to help us understand just how difficult her life was. For example, in chapter 12, “Mirrors” on pages 207 to 208, Lucy describes just how a man loving her could change her view on life. Imagery, diction and setting also help to bring Lucy’s memoir together. Although this section seems to be about Lucy finding love, it is actually about the search and acceptance of self-identity as we can see from

There are many people who travel a distance in life to find the path they should take or to remember the path they once took. In the poem “The Path Not Taken,” by Robert Frost and the short story "I Used to Live Here Once" by Jean Rhys there are many similarities and differences. The authors’ use of describing a path helps them personify life’s journeys and self-reflection.

There are several likenesses and differences in these poems. They each have their own meaning; each represent a separate thing and each tell a different story. However, they are all indicative of Frost’s love of the outdoors, his true enjoyment of nature and his wistfulness at growing old. He seems to look back at youth with a sad longing.

Getting older is a simple and unavoidable fact. Ageing can be done gracefully leaving little desire unmet, with a copious amount of memories to relish in and warm tea to be sipped. On the other hand, growing older can also leave some people with sadness over missed opportunities of love and fulfillment. Two poems display these scenarios beautifully, by capturing the emotion of joyfulness and sorrow over the history of their lives past. Dorothy Parker’s poem ‘Afternoon’ and William Butler Yeats poem ‘When You Are Old’ each highlight two younger women pondering what their lives will look like once they are older.

During the past several years new generations have changed over time just like the Native Americans were forced to change their cultural identity in order to fit in. In the book “A Different Mirror” the Author speaks about the idea of Native Americans changing their ways of life in order to fit with the English colonists. Ronald takaki stated “To become civilized, Jefferson believed, Indians had to give their hunting way of life and transformed themselves into farmers” (Takaki p.g46). It also, mentions how Native Americans were forced to change their cultural behaviors in order for them to be accepted into American society and as a result it caused lack of knowledge in their cultural background for other generations to have. Similarly, other ethnic groups have gone through similar cultural changes, such as Middle Easterners; both cultures have changed specific things like clothes, language and religion in order to suitable for the American society.

mirror. Who are almost getting in the way so to speak of its life and

Thesis: In the poem “A Road Not Taken”, Robert Frost shares how sometimes in life one has to make decisions rather they’re good or bad. However there are consequences following one’s decisions and choices. One can use their second chance by looking forward and choosing to take the right paths in life.

It is said that without melancholy there is no art, and there is no better embodiment of that than beloved poet and author, Sylvia Plath. Often referred to as one of the most dynamic poets of the 1900’s, Plath had no limits on her expression through poetry. Her poems ranged from flowing verses on nature to unconventional commentary on the social restrictions placed on individuals. She is most known for her poetic expression of her own mental anguish, never shying away from topics of death and despair.

The poem Lady Lazarus by the late Sylvia Plath uses several different literary devices. However, one stands out more than the rest: Enjambment. The poem has an abundance of uses of enjambment; in fact, a majority of the stanzas in the poem include the device.