Mise En Scene Analysis

In Sherlock Junior, the film-within-film plots make the audience aware that the dangers Keaton face will not bring him actual damages because they are just in his fantasies. After Keaton is setting up to steal the watch and failing from his detective

Firstly, one of the greatest movies in the silent era was that by Keaton, Sherlock Jr. This film encompasses all the core principles of telling a story through silence and overcoming the cinematic boundaries of its day. The key to achieving this is through the direct expressiveness of the body language of the actors’ alongside the plot and how Keaton specifically selected the scenes. The film begins with a love-story between a wealthy girl (Kathryn McGuire) and a projectionist at a local movie theatre. His dream to become a detective is what drives the film. A memorable scene in the movie is that in the candy shop when Keaton goes to buy the chocolates for the girl. This was performed entirely in pantomime, allowing the audience to get in touch with the film, and comprehend his desperation to woo the girl. He shadows Crane, who is larger in size than he is, mimicking his body language and gestures. This was done using a tracking shot. Keaton’s framing techniques were clear enough to tell the story, particularly when

can either end up fulfilling his dream to live happily ever after with her girlfriend or never successfully finish this last scene. Generally speaking, the consecutive shifting of viewing between the big screen and the small window produces a contrast between people on screen and the two characters inside window. Size difference directly facilitates the contrast because when we shift our eyes from screen to window, the view suddenly becomes narrow and restrained which helps the audience understand the nervous and shy emotional experience Sherlock is going through.

In Sherlock Jr, demonstrate a man, which is a movie projectionist frustrated in love because the object of his affections is attracted to a dishonest rival. Sherlock Jr is also an aspiring detective, and when the girl's father's pocket watch disappears, he tries to take charge of the situation. But the rival contrives to make him look like the culprit. While projecting a show about two lovers and a similar domestic crime, Sherlock experiences a bizarre daydream of "entering" the world of the movie. Buster Keaton introduces a man who is trying to impress a girl by giving her a ring. There are certain things in the scene that makes it part of the plot; such as the ring and the reaction to it, the framing, and acting. Buster Keaton uses the

Trashed and disheveled, Jesus Gris enters his now destroyed antique shop littered with broken sculptures, paintings, and documents. Oddly enough, as Jesus walks in awe to his desk one item remains to be whole, clocks. The clocks surrounding him appear to be frozen some of the hands are pointed at 9:00 while others are set too far back to truly identify. In this scene the mise en scene parallels to Jesus physical state. After using the Cronos for the first time Jesus looks and feels reinvigorated, he shaves his mustache and begins to walk straighter. What Guillermo del Toro is attempting to depict in this scene is Jesus own mortal clock being extended rather than before where old age was a constant reminder to him. Having frozen clocks in the

The scene begins with a shot on the elevator, stairs, and a small part of the hallway. This establishing shot sets up the elevator as the next point of focus. The hallway is included in this shot because as Thornhill and his mother enter the frame the camera pans with them and tracks in as they head to the elevator entrance. Maintained here is a medium long shot, we are only able to see the characters from about the knees up. The duration of this shot is about 15 seconds, during this time the characters enter the frame and head to the elevator entrance. They are from then on shown on from behind, as the scene is tense and they are anxious Thornhill shifts himself and his mother in anticipation of the elevator car's arrival. The camera is stationary once they reach the elevator entrance as the focus is on the elevators as a whole and the two characters is frame, the camera is shooting from the left side of the frame. Upon the

The first shot of the clip captures a man named Walter Neff in a medium long shot boarding an elevator while the camera is stationary. Another man also enters the elevator and the shot quickly changes to a medium two-shot as the men engage in a conversation. The shot is illuminated using high key lighting, and the two men are framed with their backs in front of the camera where Walter is shown on the left side of the frame and the other man on the right. As Walter walks out of the elevator, the shot changes to a long shot and the camera begins to track him in the forward direction. Moreover, low-key lighting is used as shadows are cast upon the long coat of Walter as he is moving forward. The camera tracks Walter until he comes to a stop to gaze down at a series of desks at which point the camera tilts down and becomes stationary. The shot lasted for a duration of forty-four seconds making the shot a long take.

In this same sequence the camera angle is at a low angle. This low angle is used to demonstrate the amount of power the ruler has over these individuals and over the country. The usage of closeups plays a role in the depiction as to how much power the ruler possesses. Close ups, when effectively used, can portray power. Because of this sequences frequent use of point of view shots, the audience is able to relate and to feel the same way the five characters feel during this sequence (feeling inferior to the ruler of England).

The antagonist and the security guard are in this shot because it shows that there is a clash in good vs evil side of the story. This then furthers the storyline due to the fact that these type of characters are familiar to the audience. Moriarty also has shot privilege due to the fact that he is on the right hand side line of the rule of thirds grid because the audience find having the subject in a third of the grid is more aesthetically pleasing. The shot is a slight low angle mid close up as it allows the audience to really see the antagonist’s facial expression and understand what he could be thinking of doing. It makes the audience feel like Moriarty has more power over them because he has shot privilege compared to the other character,

In the movie Sherlock is featured in several scenes to be getting into fights with those that stand in his way such as when he fights with Blackwood when he wants to steal the poison Irene has taken from him. Adding on in the movie Holmes is involved in some sort of romance with Irene Adler and in the story they are nowhere near being in a romance because Irene is interested in the king from Bohemia. One last difference that is infact the most eye catching to me was that Sherlock Holmes from the movie acquires flashbacks for what has occurred. A flashback he stumbled upon was later on after seeing a frog in some sort of poison he noticed that Blackwood tested the poison on the frog before the people so he knew he had to stop Blackwood from poisoning the

Why somebody want to stole two places at the same time? What positives effects have this event to the owners? . Maybe, the owners planned this robbery, the reason, they wanted that his business were more popular in the community, so they hired two people the same physical apparent and using same clothes to stole the property and remove, valuable paintings and money. The owners promised to the thiefs men do not involve the police in the case or any another investigation, just shallow questions.

In this scene, they are in a busy small town, there are many people in the setting. At the first, they sitting in the box, the camera is focused on them. Then Bin hears someone sell the fish, she goes away from the box, camera move away from them, too. A long shot shows only Jin sitting in the box. Then the camera move to fish, and our interest shifts to the market.

Moreover, as aforementioned, Holmes believes that all of life is a great chain. However, his companion believes that he needs to witness an entire episode before creating any assumptions. Sherlock Holmes believes that he can detect the unknown, and uses this strategy to solve crimes. Furthermore, he believes that he can make inferences based on only glimpsing at part of a whole picture. However, his companion disagrees and believes that quite the contrary is true.

really are – with excessive amounts of food and pills that will make you regurgitate what

Mise-en-scene was used skilfully by the director in ‘Amelie’. Mise-en-scene is everything the audience sees that is filmed by the camera and is contained within the frame. Such as the setting, location, props, lighting, colour, costume and make up. The setting is set in a small town called Montmartre. There are many sets used.