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Misogynistism In The Wife Of Bath

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Geoffrey Chaucer, the author who composed The Canterbury Tales such as The Miller’s Tale, The Wife of Bath’s Tale and Prologue, and the Nun’s Priest’s Tale. Chaucer’s Canterbury Tales displays remarkable diversity in the genre, source materials, and themes such as sex, money, and centuries-old tradition of misogynist writing. The characters presented in the Canterbury Tales each depicts a stereotype of the kind of person Chaucer would be familiar with in the 14th century England. The Wife of Bath for example, had five husbands and three out of her five husbands, she married were “fair, old, rich, and submissive” while her other two husbands were atrocious (Chaucer 287). While she married her four husbands because they had money and were submissive, she married her fifth husband Jankyn, who was twenty years old and she was forty, married him for love, not for money (Chaucer 294,295). As or more important, Chaucer engages the device of narrative framework, the story revolves around individuals on both religion and story-telling. Of these continuous themes, Chaucer uses the connection between man and wife, saying that it is the most eminent topic, but additional themes such as social class, religion, unite groups of characters function through these tales.

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Chaucer’s “The Wife of Bath’s Tale” expresses conflicting opposing views concerning marriage and the function or the duties of man and wife. Simply put, the Wife of Bath says that “her greatest power is her

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