Misogyny In Hamlet

Throughout centuries men have been seen as the gender that have more rights than women. According to Diane Elizabeth Dreher’s 1986 book, Domination & Defiance: Fathers and Daughters in Shakespeare, she explains that a woman during renaissance England, “was to conform patiently and silently to the will of her father and, later, to that of her husband, accepting commands, correction, physical abuse, with sweetness and humility” (16). As a result of a renaissance society that promotes and even encourages this type of behavior, men believe that they have more power. When someone believes that they have more power than another person a pattern of disrespect, and in the most extreme cases, physical and emotional abuse are likely to follow. In Hamlet, Shakespeare contrasts two female leads of the play, Ophelia and Gertrude, through reduction to appearance, instrumentality, and silencing in order to show that during this time period, the objectification of women in the play was parallel to the objectification of women during renaissance England.

Throughout Shakespeare’s play “Hamlet” women are used as method for men to get what they want. The men in Hamlet, either directly or indirectly continuously use women to acquire something from other men. The only two women in the entire play are Gertrude and Ophelia, who are consistently used by the current king, Claudius, Polonius, and Hamlet. Ophelia is exploited by Polonius and the King (mainly together), and is also used by Hamlet. Gertrude is used by the King, as well as Polonius. In “Hamlet,” the women throughout the play are used as pawns for men to get what they want, mainly from the other men.

In the play Hamlet, Shakespeare, the author, creates female characters that occupy very different roles than in his other plays. In this play, Hamlet plays opposite two women who are used by the men around them in order to further their own interests. One woman is named Ophelia. In many of Shakespeare’s other plays, he creates women that are very strong and play a very real role in the life of the protagonist. In Hamlet, however, Ophelia occupies a very different role-she exemplifies a pawn of the men around her. She is used not only by her father and his associate the King, but also by her supposed lover, Hamlet. This is a very different role for a woman in a Shakespearian play. Also, Hamlet’s mother, Gertrude,

Hamlet can be viewed through a feminist lens by focusing on Ophelia and Gertrude and how various other male characters treat them. Ophelia and Gertrude are dismissed as characters through the entire play because they are women. Hamlet refers to women as “frailty,” implying that they are weak and are dependent on men. Reason suggests that with out the males, Ophelia and Gertrude would simply have no story.

In today’s world, women of all ages are given equal rights and freedom. In Shakespeare’s time, woman’s obligations were to follow the rules of the men and obey the men in their lives’. “Frailty, thy name is woman;” Hamlet implies the powerlessness of the two women characters in the play. In Hamlet, the roles of Gertrude and Ophelia are very important in that they are the only two female characters in the play. Gertrude, the Queen of Denmark and mother of Hamlet, and Ophelia, the lover of Hamlet, are characterized as controlled and lost in their lives because they are being used by the men throughout the play. Fundamentally, Shakespeare illustrates the nature of Gertrude and Ophelia as powerless victims by the women being subjects of men,

The Role of Women in Hamlet in William Shakespeare's Play Gertrude and Ophelia, the only two women in Hamlet, reflect the general status of women in Elizabethan Times. Women were suppressed by the males in their lives (brothers, fathers, and partners) and were always inferior. Ophelia and Gertrude have little or no power due to restricted legal, social and economic rights that were found in Elizabethan society. The male characters in Hamlet reflect this sexist view point, represented by Hamlet’s judgement that “frailty, thy name is woman”. This view was not uncommon in Shakespeare’s time and heavily influenced Shakespeare to present women the way he does in Hamlet.

During the reign of Queen Elizabeth, the stage was used as a way to break the barriers of gender norms. In his creation of Hamlet, Shakespeare uses the voice of Ophelia as a means to battle the gender norms that had been placed on Elizabethan society. A good women was seen as someone that was quiet and submissive. If a man could not control a woman’s tongue, there would be no chance that the man would be able to control her body. Though Ophelia’s character was more than capable of exhibiting reason, the control that her father, Polonius, held over her let Ophelia to the the madness that would claim her life by the end of the play. On the other side of the gender spectrum, Hamlet, a prince that should be have been more than capable of

While we humans live in a society governed largely by men we have little idea of what a matriarchal society would be like as it clearly doesn’t exist in today’s society. For centuries we have fought for gender equality, but we are reminded in films, plays and novels that Women are submissive and the weaker gender. Shakespeare’s written tragedies had clearly showed his patriarchal perspective with his character Ophelia from Hamlet, whose motivation and dominance is powered by Her father Polonius. Gertrude is another women from Hamlet who is represented as a weak minded, dependant character who has no power or control over what she does. If we look at these two characters from a Feminists point

In Hamlet, the female characters can be seen as being subservient to men. This goes on to show how Shakespeare, goes against the feminist theory by not creating equality between all the characters. One of the main character’s Ophelia can be seen as being weak and undermined in the play. She spends most of her time following the actions of her father, Polonius and boyfriend, Hamlet, with little to no say in her own opinion on topics. Polonius displays his dominance over Ophelia when he expresses his opinion on her relationship with Hamlet. He informs Ophelia on exactly what her next actions need to be when dealing with Hamlet. He even goes as far as warning her to not go against his wishes because it will “ tender [him] a fool”, showing his superiority over Ophelia’s actions (I . iii. 109). The inequality can also be shown when comparing Laertes’s life with Ophelia's. Laertes is left alone to travel France, while Ophelia is stuck to follow her father's orders. Hamlet also tries to show his

William Shakespeare’s Hamlet can be read as a feminist play given Ophelia’s experiences within the Danish society. Through Ophelia’s interactions with the men of the play, the audience can see that the male-dominated society brings inequality, distrust, and destruction. As Ophelia interacts with her brother, her father, and Hamlet, she is completely unable to assert her own independence, and her lack of personal autonomy eventually drives her to madness. These three men all deny Ophelia’s individuality and desire for self-control because they are accustomed to their male-dominated world. However, once Ophelia is driven to madness, she is regarded as an individual and finally has political and social power. Shakespeare’s Hamlet is a feminist play located within a misogynistic culture that Ophelia struggles to escape.

     The treatment of women in Hamlet is very troubling. The leading female characters, Queen Gertrude and Ophelia, are pawns or puppets for the men around them. Like chess pieces, they are moved about and influenced by the men they love with little say of their own; in fact, Shakespeare does not even develop their characters.

“Husbands can object to their wives working and prevent them from accepting jobs in fifteen economies” (Reiner). Critical lens’ exist. They can be in literature, but also can be in other works. They are present so readers can criticize and analyze literature. An example of a critical lense is Feminism. This applies to literature and other works because female characters often always play a minor role in the action of the work because the male characters in the action of the work over power and out rule the women. In the play, Hamlet by William Shakespeare the female characters Gertrude and Ophelia are often overlooked and treated with little to no respect. Feminism is uncovered in the play Hamlet because of the fact of how rudely male characters treat female characters as if they are not as superior to the male characters and how the female characters act towards the male characters in such an enlightened way as they continue to play a minor role in the play.

Linette Martir Ms. Given Honors English 21 December 2017 Queen Gertrude and Ophelia as Servants in a Royal Castle of Males “We need everyone to be a feminist. Feminism is the fight for the equality of sexes, not for the domination of one sex over another” (Vallaud-Belkacem). Literary theories are lenses through which one can see in literature. An example of a literary theory is the feminist theory, which is created to enlighten others on social problem that are ignored or misinterpreted. Feminism existed since the 1500’s but the theory was created in the 1900’s. Due to the creation of the feminist theory, an audience can look through the feminist lens when reading a book or even watching a movie. This allows an audience to detect how women are portrayed or treated. Throughout the play Hamlet by William Shakespeare, Gertrude and Ophelia are unimportant to the plot. They are not only unimportant, they are also mistreated. Examining through the feminist lens in the 16th century, William Shakespeare reveals the way in which women are mistreated by men in Hamlet utilizing Gertrude and Ophelia as victims. With that in mind, the male roles in Hamlet are dominant because women are lower than men. Both Hamlet and Polonius mistreat Gertrude and Ophelia as if it is normal. The reason Shakespeare normalizes their controllable ways, is because during the time period Hamlet takes place mistreating women was not unusual. Since it is normal, Polonius and Hamlet treat the women poorly without realizing they are incorrect. Shakespeare realized this was an issue so he decided to expose the problem through his writing. Ironically, Gertrude is the Queen and the mother of Hamlet, but that does not stop him from having control over her. To explain further, in Gertrude’s bedroom Hamlet disrespects his mother greatly by making her feel guilty for her choices. He believes “...Gertrude is a moral self who must be brought to account for her sins and must work through the same confrontation of guilt as every other member...” (Montgomery 102). As Hamlet’s mother, Gertrude should have power over him and have the strong voice that can stop him. Instead Hamlet controls Gertrude and demands her to do things such as never to “let the bloat King

Hamlet, a tragic play written by Shakespeare in the 1600s, portrays the struggle of young Hamlet in the face of avenging his father’s death. While major themes throughout this tragedy include death, loss, madness, revenge, and morality, another important theme to include in discussion is the theme of womanhood. The only two female characters in a cast of thirty-five include Queen Gertrude and Ophelia, both of whom die unfortunate deaths. The importance of womanhood and female sexuality is shown through several literary techniques; though, most importantly, the characters Queen Gertrude and Ophelia are both symbols for female sexuality. Both characters are developed as negative and positive sides to womanhood through dialogue as other characters approach them, their own actions, and most importantly, their individual deaths.

In William Shakespeare's Hamlet, Hamlet spews extremely harsh words against his mother Gertrude and his love, Ophelia. Some people may claim that these venomous statements mean that he is misogynistic, but, in fact, Hamlet's anger towards Gertrude and Ophelia stems not from their sex but from their betrayal. Throughout the play, Hamlet viciously attacks more than just the women; he has contempt for every person that betrays him and his father. After he recognizes the magnitude of Claudius' deceptions, Hamlet describes Claudius as a "Bloody, bawdy villain! / Remorseless, treacherous, lecherous, kindless / villain!" (Hamlet, II, ii, 607-609). Later, when Hamlet kills Polonius, he feels no remorse and calls the corpse a "wretched, rash,