Gender Themes In Whale Rider

One of the most effective strategies that the director amplifies in the film is pathos. Pathos is shown by phone calls that have been made to dispatch when attacks occurred, actual footage from attacks and baby orcas crying when they were separated from their mothers. This allows the audience to see and hear all of the incidents regarding the killer whales and be able to feel more connected. When the director uses pathos the appeal is to have the sympathy directed for the killer whales. A claim that ties in with all of this is in the documentary when they are saying killer whales are normally peaceful in the wild, and they only attack while in captivity. Detailed facts about how the whales are to an extent, tortured and become agitated with no outlet support this reasoning, since there are documented reports and footage of this as well.

Many voyages that heroin’s encounter are regularly identified with the four mythical functions. In the film, Whale Rider, through mythical creation powers, the hero endeavors to save her dying culture. The creation myths power permits the courageous woman, Pai, to find her actual calling as a real leader of the Maori tribe. By utilizing the myths, she dynamically finds her legend 's adventure by breaking down the images throughout her life. "According to Campbell as discussed in Indick article, this model “The Monomyth” has different functions" as he clarifies the sociological, mysterious, cosmological, and mental elements of myth (pg, 2). Campbell depicts the vital capacities including myths as "legendary or traditional story, typically

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

She employs an effective range of visual techniques to create compassion for the miserable creatures. Contrasting real footage of captive whale with bent fin; with wild whale’s perpendicular fin. It allows the audience to question the differences and makes us realise that SeaWorld is doing something severely wrong that causes physical damage. This makes the audiences feel outraged by its treatment as it is unfair, inhuman and cruel; furthermore, audiences are invited to feel compassion for the unfortunate creature because they could not defend themselves.

Niki Caro’s film, Whale Rider, beautifully captures the small village of Whangara, which is located in the northeast of New Zealand’s North Island. The film portrays a Maori tribe that tells the story of a long-held tradition. This film is rich in symbolism, which is easy for any viewer to understand. Whale Rider does a wonderful job of capturing the attention of the audience because of the intense and close relationships between the characters, the way Caro conveys the movie’s message, and the features the movie offers.

Picture books through descriptive language and symbolic illustrations can convey many meanings. In requiem for a beast the bull metaphorically represents many issues. On one level it represent anger, violence and hatred. On another level it conveys a road to redemption. The beast also embodies the boys fathers demons from his past mistakes and can illustrate a theme of memories and how they can help us deal with our demons.

In the film 'Whale Rider', by Niki Caro which follows the journey of a young girl named Paikea Apirana and her struggle for acceptance as a leader of her Māori iwi, and especially her grandfather. An important character in this film is Pai herself. This character has significant importance as she is used to portray numerous important ideas and themes throughout the film. Pai helps me to understand and appreciate that women can also be leaders that are equal to men if they have the right attributes. The director Niki Caro uses numerous different film techniques to convey this idea, such as; the camera shots and camera angles when Pai is giving her speech to Koro, the use of camera angles and props in relation to the dialogue when Pai if fixing the motorboat engine, and the use of props when Pai is teaching herself to use the Taiaha.

After all this is a family, theme park and favored vacation destination for many. Some people do not want to see the darker side that this book represents, yet Grom’s twist of the logos inspires individuals to consider the proposal offered. Grom aims to acquire those people by introducing the friendly whale, casually swimming on the cover. The photographer attempts to draw in the reader, with the subtitle, “SHAMU and The DARK SIDE of KILLER WHALES IN CAPTIVITY.” The font is in all caps as if it is screaming to the reader to look at the logos, or the logic of whales in captivity. “Shamu” is SeaWorld’s iconic trademark, and a recognized character accepted in the homes of families all over the world. Any person that frequents the park learns that Shamu is a stage name and not the name of any of the whales. The light blue font coming out of the dark blue background symbolizes the truth coming out of the darkness. From a logos side of Grom’s argument, one is stimulated to evaluate the claims of whales in captivity.

There are many different messages in the novel. “Whale Talk,” I think the most important and relatable in this book is bullying, harassment, and racism. There are many real-life situations of bullying and racism throughout the whole book.

The main topic of Whale Talk is violence/ abuse. Chris Crutcher shows this through his imagery, symbols, and theme. He shows this theme vividly throughout the book. Chris also uses many real life references such as people from his life. He also provides some accuracies to his own life.

The film is not only able to show the way humanity has lost contact with nature but also how much they appreciate and want it back in their society.

The Movie “Whale Rider” directed by Niki Caro and the story “Life In The Age of The Mimis” by Domingo Martinez have very similar themes in the way they both have something to do with rebelling for the better. Do you believe that traditions can be broken? Well in the film “Whale Rider” by Niki Caro that's exactly what happens. There is a girl named pai who frequently breaks the tribes traditions. Utamataly throughout the story it shows that sometimes tradition can be broken for the better.

However, they cannot gain the respects and positions without their strong character-traits. Katherine Johnson, Mary Jackson, and Dorothy Vaughan are three of the strongest women ever with brave, kind, adroit and so on. They know how to catch their opportunities, in the movie, after receiving the denying from her partner, Paul, she still tries to ask permission from the boss, and gives him the clearest explanation for her troubles with all the respects. Similarly, Mary Jackson does not give up her dream to be an engineer even though she does not have the encouragement from her husband, the one who suppose to believe her in any circumstance. In addition, Dorothy Vaughan shows to her children that everything should be equal that disregard their race or their gender. They always keep the fire inside them to fight for their rights, their family and their future that become the biggest self-motivations. In my opinion, it is so impressive for women who have truly reasons to keep the fire in their mind, they don’t want to see their children live under the inequalities society that the people has more rights because their gender and their race. There is a lesson that you should never give up your works and your dream even it is impossible to

In the Disney movie, “Moana,” the main character demonstrates her personal strength as a woman capable of determining her own future. “Moana” breaks the typical Disney mold of a princess being associated with a prince as the main character. Moana realizes she has the sole power within herself to take the lead role to save her village by returning the Heart of Te Fiti. The Heart of Te Fiti is what gives the world and most importantly her people’s island life. When the Heart of Te Fiti was stolen by demi-god Maui the world fell to darkness and the island began to deteriorate. The pop culture aspect of female empowerment is exemplified in the scene where Moana is visited by her deceased grandmother, Gramma Tala, after a moment of self-doubt about being able to return the Heart of Te Fiti in order to save her people and island. In the scene Gramma Tala is deceased but visits Moana in the form of a vision. Moana envisions her people sailing the sea and her father upon one of the ships. Moana was struggling with finding her inner self and utilizes her visit from Gramma Tala, to acknowledge her self-power. In the movie Moana, the “I am Moana” scene exemplifies the current cultural theme of female empowerment being actualized when the main character, Moana realizes her own inner strength after understanding her cultural heritage, receiving inspiration from her grandmother, and embracing her role in building her future.

This argument is closely linked to another theme of the novel which is that of motherhood. The strength of woman is not only depicted through their role as wife but also through their role as mothers. It can be noted that all the women characters ranging from the youngest generation – Mumbi to the oldest one, Wambui – have shown a great strength when it comes to the question of their child. The story of Wanjiku is such an