Misrepresentation Of Women In Television

The representation of the LGBT community in the film industry has long been a topic of much debate. In her article, “It Ain’t Easy Being Bisexual on TV,” Amy Zimmerman addresses this topic with specific interest on bisexual representation. By appealing to the logic of her audience, using an informal tone, and referring to relatable content, Zimmerman constructs an argument which persuades readers of The Daily Beast that the film industry is unfairly and inaccurately representing bisexuals. However, her argument holds little influence over those who are not movie fans or The Daily Beast readers.

Ultimately, Buzzfeed, along with some other alternative media outlets, discovered that the show’s producers had met these women before they went on camera; this whole program was staged. In fact, the producers paid the husband of one of these women to pose as her pimp and walk around the hotel in a menacing manner. In the end, these women decided to expose this charade because they felt that they had been exploited -- not by some pimps, but at the hands of the show’s producers! These women weren’t granted the basic courtesy of having their faces blurred out and that subsequently led to a first time prostitution arrest for one of the cast members. Due to the negative publicity surrounding the show, “8 Minutes” was cancelled after a few episodes.

The quality of American television has become a national disgrace. Young women in America who are displeased with their appearance more likely then not can trace those feelings directly back to images from the mass media on television. The unrealistic representations of women that the mass media bombards young women with indicates that the television has become a source for a distorted understanding of gender roles among adolescent women. These images warp young women’s views of their own gender identity. The mass media on television should in an attempt to provide more positive gender identities for adolescent women depict women on television in more realistic ways, should stop

On the same cable networks that act as the home for gay and lesbian television series, America finds its new woman for the new millenium: she’s smart, independent, gainfully employed, sexually confident, and, usually, she’s single. Television finally has room for a woman to fly on her own, without her minivan, Cub Scout den-mother meetings, or workaholic husband to feed and clean up after. The prime example for TV’s new “wonder woman,” is found in the four women of HBO’s Emmy Award winning series, “Sex & The City.” These

“People learn more from media than any other single source of information” (Missrepresentation). This quote exemplifies how society learns and creates their standards about people, places, and things. All sources and mediums of media impact billions of lives every day. The media holds this power over society and it’s time to change that; especially when it comes to the media’s view of women. Women are constantly being misrepresented. This misrepresentation of women in the media is negatively impacting America by corrupting both the youth and adults. This is occurring because of the hyper-sexualization of women, wrongly portraying women in leadership positions, and creating stereotypes of women in movies and television.

Miss Representation conveys that media is derogative to the most powerful women in the United States. People learn more from the media than any other source because it is the message and messenger. Americans devote about 10 hours and 39 minutes daily to consuming media (Howard). The media’s misrepresentation of women in movies, television shows, and advertisements negatively shapes politics, our national discourse, children’s inquisitive minds, and ultimately society. The danger behind these stereotyped images of women is that their effect is subconscious, meaning we slowly become accustomed to a sexist portrayal of women without even immediately realizing it. To cease our unrealistic, prejudiced expectations of women, a culture change is necessary.

Gender representations in television bear immense weight within society as they either: reproduce or critique societal values, address injustice or uphold mainstream beliefs, and perpetuate stereotypes or initiate change. Today, the problem with gender representations in the television medium is not a lack of visibility of women, as multiple genres include women characters, but rather the problem lies in the portrayal of women. Are the images of women displayed in a positive manner? Does the television medium accurately represent women? Although questions of accuracy and positivity in representations seem minor, these questions have major implications as people use television shows as windows for broader cultural practices. We must realize that the people we see on television programs

The misrepresentation of women in the media has been at its highest. Reality shows such as Love and Hip Hop, have degraded and exploited women where they are only seen as objects who compete over men. They are not able to have a identity that is positive. I wanted to create a platform where you can see the true side of women. Having them tell their stories and accomplishments. Where they are seen past their physical features and given a voice. The issues discussed through the interviews are also expressed through my poetry. As women they are taking their identities back and showing who they really are, regardless of how they are depicted through the media.

The show is televised in re-runs on the FX station, weekdays at 7p.m. I decided to watch it and see if it portrayed any gender stereotypes. This episode did show gender stereotypes. The contestants had to stand naked on stage for a minimum of 4.5 hours. Once on the stage, they had to lift a barbell that was 100lbs more than what they weigh.

The molds of gender norms have softened in the last couple decades with the acceptance of formerly radical identities such as cross dressing, drag, but these norms are difficult to break because genders are assigned to individuals at birth and complying to the norms associated with that sex is deemed as socially acceptable. Another reason these norms may be hard to break is that they provide comfort towards those who already been accepted into society. This provides a little insight as to why there is a restriction of genderqueer identities in television. Especially when accustomed to writing for an audience that has grown up with only the female/ male binaries, expanding past and between is a frightful risk for the television market (Killermann 51-52).

Historically, social and feminist scholars have focused on media representations of gender roles and how they affect the lived experiences of women (Green, 2013; Soulliere, 2006). Gender is widely considered to be a cultural rather than strictly biological creation, and it is often constructed and represented through popular culture media such as advertisements, magazines, and television (Soulliere, 2006). While women have made great strides in expanding the culturally acceptable definition of femininity (or femininities), masculinity continues to be narrowly defined and policed by society (Soulliere, 2006; Tragos, 2009). This evidence of asymmetrical change in popular culture gender role portrayals suggests that more effort should be given to examining the representation of men and masculinities in media, and its influence on the lived experience of men.

Television is widely considered a more racial and gender friendly medium of popular culture. However, prime time television is not nearly as progressive as people believe, and is still a male dominated industry. In a report done by the Institute for Diversity and Empowerment at Annenberg, 11,306 speaking characters were evaluated and 66.5% were male, while 33.5% were female [1]. Moreover, 41.6% of females in television took leading or

In a recent study about inequality in the film industry, it was found that for films released in 2014, 26.4% of women were shown with partial or full nudity compared to only 9.1% of men and this trend has been consistent over the past several years (Smith 10). This gap in the sexual representation of men and women as well as less representation of women as a lead or co-lead in films says a lot about how women have always merely been used as “eye candy” in cinema and television in order to satisfy

To begin with, the media reinforces and creates the stereotype that women are portrayed as sexual objects in order to make money

course the way a female is seen in eyes around the world. Television itself dates back to the 1920’s