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Miss Juicy Character Analysis

Decent Essays

Ableism allows citizens labelled as “normal” to view society through a lens of self-dependence and limited government support. With the establishment of post-network television, viewers have been able to get a glimpse of the world lived by the “other” who do not hold this able mindset. In “Disability, Prejudice, and Reality TV: Challenging Disablism through Media Representations”, Floris Müller, Marlies Klijn, and Liesbet Van Zoonen suggest that reality television depicts the “disable other” by “sending out the message that in contemporary society, no special arrangements need to be made for people with physical impairments and that the struggle for equal rights is no longer necessary” (4). Reality shows depict a narrative that only supports …show more content…

It also gives non-disabled people the opportunity to feel inspired or informed about the actual realities of disable people without actually question the way disable citizens are treated in society. Miss Juicy, one of the main characters of Little Women: Atlanta, is the perfect person to examine within the guidelines of the “super crip” stereotype. Miss Juicy is a business owner, radio host, and actress. She has “overcome” her disability so much, that she often makes fun of condition with non-disabled people. The “super crip” is able to find an identity that is not defined solely by their disability. Müller, Klijn, and Van Zoonen go on to explain that a person with a disability is usually portrayed using the “incidentalist strategy” (4). On the Little Women: Atlanta episode “Masquerade Ballers”, cast member Amanda deals with the aftermath of her non-disabled boyfriend/baby father Chris abruptly leaving her to deal with the health issues of their daughter, who is also a dwarf (S3, E3). She takes charge and although she has some shortcomings, she is able to find balance and begin to properly care for her …show more content…

Neoliberalist citizens believe that there are no victims of society. Reality Television shows depict disabled people through an optic that strengthens a non -tolerance policy for victimization. One of the main pillars of victimization is allowing one’s self to be vulnerable. Disabled people in reality television face a double jeopardy. They can only show so much vulnerability before they are generalized as “needy” or “dependent”. In “Disability, Media, and the Politics of Vulnerability”, Gerard Goggin explains vulnerability among the disabled as a concept that has “agencies, voices, perspective, and some power also — but too often this is systematically ignored” (6). To follow a neoliberal ideology, Little Women: Atlanta must showcase cast members as strong-willed, individualistic characters who strive to live their lives without support from their families, and most importantly, the government. On the Little Women: Atlanta episode “Rock the Boat”, twins Hope and Charity confront cast member Monie on her use of food stamps (S2, E8). This food stamp revelation shifted the dynamic among cast members and allowed many of them to place themselves above Monie because she relied on government assistance in her past. Little Women: Atlanta producers have strived to create a narrative that depicts people who suffer from dwarfism as “well to do” citizens, just trying to find their place in

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