Mission Of Love By Felipe Kast Sommerhoff

In the book Projekt 1065, Michael O’Shaunessey is thirteenth year old, Irish boy. He is apart of the Hitler Youth, but he doesn’t like Hitler rule. He feels sympathetic for the Jewish people and wants to help the Allies take away Hitler rule by spying. Michael is talking about the uniform he has to wear he states, ‘I feel like a traitor wearing it.”(page 26, paragraph 3) He only stays apart of it because he hopes to get information about Hitler to give to his parents. Michael likes to be a lone wolf so one ask him questions. He has a really good memory which helps him learn German easily and keep secret information he find well. For example a woman says to him, “Your German is good. If I didn’t know your father was the Irish ambassador, I

The play Mission of Mercy was written by Esther Lipnick. It was about a woman becoming a nurse. That woman's name was Florence. Florence Nightingale is many different things. But she is brave more than anything.

Every story has a setting. Whether it is in this world or one that is completely imaginary, the setting of any story is necessary in order to understand the characters. The characters in the following three short stories are shaped by their setting and would not be the same if the setting was different. Over the course of each story it is easy to see how vital the setting is in order for the reader to fully understand the characters and their lives. Therefore, while the reader reads these stories they must analyze how the setting affects the characters, the obstacles that the setting creates, and what it tells us about the characters.

To be an ethnic American is a culture all on its own. Hunger of memory by Richard Rodríguez gives an insight into the rarely viewed world. A person that no longer falls into either category of family or American community. Such an individual is stuck between two worlds, in which two different cultures collide yet form a rift through family, language and education.

Often times we are at a loss for words when it comes to talking about the person of the Holy Spirit. Beth Felker Jones in her work entitled “God the Spirit” serves as an introduction to the study of the Holy Spirit in a distinctly Wesleyan and Ecumenical Perspective. Jones is working against the notion that the doctrine of the Holy Spirit is often the most neglected of all Christian teachings (1). She recognizes her experience within the Wesleyan tradition as one that shapes her pneumatology and this book. She asserts that one of Wesleyan Christianity’s special gifts is it’s “leaning against any tendency to neglect the Spirit” (4). Even with this framework she aims to place the Wesleyan perspective in a larger ecumenical milieu that shows the continuity of a Wesleyan pneumatology with the Tradition of the Church. Overall, her approach is very accessible, as she assumes very little and writes in such a way that allows her to cover large dogmatic topics clearly and concisely. By merit of simply being an introduction only style book, there is the risk of glossing over topics and not providing enough in depth discussion to fully understand and comprehend the doctrine discussed. A reader should feel confident that Jones has indeed provided us with a solid introduction to Wesleyan pneumatology that has the ability to bear fruit and initiate growth in the life of the believer.

Ana Castillo’s novel, So Far From God, propels the reader on a vibrant and surreal journey through the tragic ordeals of Sofi and her four daughters. The first chapter, which offers certain similarities to the Bible’s story of Jesus Christ, in that Sofi’s three year old daughter, La Loca, seems to succumb to a violent and horrifying death, and at the wake, she returns to life with a tale of her journey beyond the veil. This scene creates a notable comparison between the patriarchal religiosity of the story of Jesus Christ and the Chicana-centered resurrection, complete with the hypocrisy of a male-centered system of beliefs, the acts of acquiring selfhood as a female centered savior, and the phenomena of the “death” of the saviors.

Stereotypes are part of everyday life. Stereotyping is part of our society; it wouldn’t be our society with typical stereotyping. Stereotypes have an enormous impact on how we feel and see things. In Gilb’s point of view he is stereotyping the life of the typical Mexican American lifestyle. In all four stories he has a stereotype or he is stereotyping the life style of a family, man or woman. I believe that Gilb wants to make his point through, “there is more to life” than just the regular stereotyping the Mexican American life style. I believe he wants to get his point across through stereotyping and using it as an example that there are many ways of life and that there are many ways of living.

Born on March 16, 1911, in Gunzburg, Germany was Josef Mengele. He was amongst the eldest son of his father, Karl Mengele, who owned a chain of prosperous farming implements. Josef attended Munich University where he later earns his Ph.D in 1935. After his graduation, he applied to the Institute for Hereditary Biology and Racial Hygiene. When working there, he soon became the assistant of Dr. Otmar Von Vershuer which was very popular for his research on twins.

On March 16, 1911 in a suburban town of Gunsburg, Germany, Karl and Walburga Mengele gave birth to one of three children named Josef Mengele (“Josef Mengele”). Josef grew up with the nickname Beppo, meaning handsome (Lynott). His life changed dramatically

In this writing assignment I will be giving a detailed interpretation on Robert Nozick’s writing, “Love’s Bond”. First I will give an explanation on Nozick’s account of the nature of love. Secondly, I will explain why Robert Nozick believes that in love there is no desire to trade up to another partner. Lastly, I will also explain why he says that it is incoherent to ask what the value of love is to an individual person.

Heinrich Himmler was born on October 7th, 1900 in Munich to a middle-class Bavarian family. His father was Joseph Gebhard Himmler, a secondary-school teacher and principal. His mother was Anna Maria Himmler (maiden name Heyder), a devout Catholic and extremely attentive mother. Heinrich had an older brother, Gebhard Ludwig Himmler, and a younger brother, Ernst Hermann Himmler. Heinrich was named after his godparent, Prince Heinrich of Wittelsbach of the royal family of Bavaria, who was tutored by Gebhard Himmler. Educated at secondary school in Landshut, Himmler served as an officer cadet in the 11th Bavarian Regiment at the end of WW1, although he saw no active service. After working briefly as a salesman for a fertilizer manufacturing firm, Heinrich Himmler joined the Nazi party and in the November of 1923 participated in the Beer-Hall Putsch as a standard bearer at the side of Ernst Rohm. All of these roles combined together were a major reason for Heinrich Himmler being chosen for the jobs he received later in his militaristic life. It is surprising, that Heinrich Himmler, the chief of the SS and the primary architect of the Holocaust, has not attracted the attentions of more biographers. For all that he had taken part in for the history of the Third Reich, he appears to lack the “infamous charisma” of Heydrich or Hitler, and because of this lack of “infamous charisma” he has been presented only rarely as a primary subject for a book about the holocaust and the

The idea of universal love is one that is prevalent in the media. With the news filled with grim stories and horror many people are calling to the idea of loving everyone. Tensions are high concerning race relations, gender discrimination, and sexual orientation. Many in the general public are calling for humanity to embrace humanity. Many in the general public are asking “why we can’t just love one another”? Stephen T. Asma tackles this idea of love in his article published in the New York Times. Asma discusses two different ideas about universal love before offering his own take on the subject. Just as Asma states, universal love is a myth and closer personal relationships should be favored.

In the Symposium, Alcibiades says that Socrates is the only man who has made him feel shame. Alcibiades’ shame seems to indicate that he has reflected on his actions, thus has learned something from Socrates. However, I believe that he is not ascending towards the beautiful nor has he learn anything from Socrates as his desire takes precedent over love for Beauty. This essay will first analyze the role of shame as self-awareness in the Ladder of Love. Next, through two accounts recalled by Alcibiades in the Symposium, they will emphasize the importance of shame in the Ladder of Love. Lastly, the essay will conclude with how shame does not indicate that Alcibiades is ascending towards the beautiful or has learned anything based on the aforementioned

In the 1950’s the melodrama genre came to age and there is no better example than Douglas Sirk’s All that Heaven Allows. The melodrama followed some basic characteristics which can be identified in the film. First and foremost the narrative of the melodrama focused on the family. All that Heaven Allows follows the narrative of the typical melodrama but at the same time also challenges the social conventions. While Sirk follows many of the key themes he does so in a more detached fashion. The protagonist Cary is bound to her community by her social class. Change was occurring in society and the melodrama displayed people’s restraint to this. In All that Heaven Allows Sirk began his focus on the female and her desires in contrast to the more conservative male focused melodrama. As with the melodrama the legibility of the story, displayed through the plot, is simple and easy to follow. “Our engagement with the story depends on our understanding of the pattern of change and stability, cause and effect, time and space” (Bordwell and Thompson, 2008). The linear time flow of the film allows for it’s simple understanding. This is added to by the expressiveness of the melodrama, where everything is brought into the open and nothing is left unsaid. The expressiveness of the melodrama is also represented in the highly expressive mise-en-scene. Sirks use of colour, the human figure, camera work, lighting and music allow him to portray suppressed meaning and significance.

Professor Paul Bloom states he is against empathy. He believes it is wrongfully used in our society and should not be used in certain situations. He still thinks it is important sometimes, but should not be primarily used as a result of anger, depression or retaliation. He believes compassion is the solution to empathy. In the long run, Bloom states that empathy will fail or burnout in a person. Hannah the extremely empathic person will eventually burnout according to Bloom. The use of empathy everyday as a core moral code will eventually be overwhelming and burned out and used up. The person will change direction and use empathy less in their lifetime. This essay will explore Paul Bloms opinion of empathy in his article, “Against