Misty Copeland: American Ballet Theatre

The KKK chased her out and threatened her. Everyone tried to make her blend in so that she didn’t make the dance look bad. When people think of an African American dancer they have this stereotypical picture in their head of what they think all African Americans look like. “You lack the right feet, Achilles tendon, turnout, torso length, and bust for ballet” (“Misty Copeland Seeks to Inspire”). That was what she heard from a dance critique before they met Copeland. In ballet you dance together and you typically are supposed to look the same and dance the same. Being the only colored person makes you the one that sticks out and that isn’t the same and people back then didn’t think that was ok. “And it’s hard to be the one that stands out when you know in a ballet company you’re trying to create unison” (“Misty Copeland”). That was a direct quote that she said about herself.

The first experience of watching a ballet, for me or any little girl, can be fascinating and exhilarating. Wondering how a dancer can be so steady on her toes as she spins in circles and leaps through the air. Watching a ballet, there is a feeling of wanting to be graceful, as well as the warm sensation felt by a little girl as she slips into dream land. My mom had taken me to my first ballet when I was 11 years old. When we returned home home, she signed me up for classes at the local dance center. The expectations to become a prima ballerina would involve much hard work and concentration. I knew when I started it would take years of steady practice and commitment. Learning the history of ballet and the famous

The book I chose for my book report was Life in Motion by Misty Copeland. She wrote this memoir to tell the story of all the struggles she had in her large family and in the ballet world. Misty Copeland is an African American ballerina that started dancing at a much later age than most dancers. In the ballet world most companies have had a specific body type for ballerinas. Because Copeland is African American and has a different body type, she has faced discrimination from many companies throughout her life.

In an interview for ‘Elle’ magazine, Misty Copeland, a principal dancer at the American Ballet Theatre expressed her struggles with body image issues as a ballerina and how she believed it was society as a whole and not just

Have you ever thought what it would be like to be dancing up on your toes with the American Ballet theatre (ABT)? That’s just what happened, Misty Copeland currently a principal dancer at ABT had a dream to dance there ever since she started to dance and she didn't think that she could do it,but with training, hard work, and passion you can achieve anything. For the month of September I decided to read “Life in Motion” written by Misty Copeland. This book was very inspiring in many ways. I learned so much that I didn’t know, not only about Misty Copeland but also about ballet. I decided to read this book because, Misty Copeland is one of my idols, she is also a big inspiration and I really wanted to learn more about her. Overall this book was amazing. I would recommend it to  not only ballet dancers but to also people who love non-fiction because it is full of so many details and a lot of imagery that it makes a person feel like they are in her shoes dancing through her life. I would recommend this book because many people can relate to Misty Copeland in many ways, your mind wanders while reading, and because the plot was very unbelievable and surprising.

The early life of Misty Copeland were lots of living problems. She was born September 10,1982. She lived in a poor motel with 6 kids! Her mom had many boyfriends so they had to move constantly but they finally settled in San Pedro. She went to the Boys and Girls club after school every day. Cindy offered Misty to live with her so Misty lived with her. Misty became a better dancer from living with Cindy but her mom wanted her back so Misty was back living with her mom. Misty also started dance. When Misty was told that she had the perfect ballerina body she tried dance. She started dance at the age of 13. She started at the Boys and Girls club and eventually made her way to San Pedro Ballet. She

Debbie Allen was born to Vivian Ayers and Arthur Allen on January 16, 1950. At age three she started dancing and at age four she knew she wanted to be a professional dancer. Her parents divorced in 1957, and her mother was Debbie and her siblings were encouraged to be creative and independent. In 1960, Vivian Ayers took her children to Mexico. When they came back to Texas, Debbie auditioned for the Houston Ballet School but was denied because the color of her skin. A Russian teacher at the school saw Debbie perform and secretly enrolled her. When she was sixteen, she auditioned for the North Carolina School of the Arts but was rejected because her body was “unsuited” for ballet. While she was in high school she put her studies first and went

"I quit" (Copeland 34). Those were the first words out of Misty Copeland's mouth as she walked out of her first ballet class when she was only thirteen years old (Copeland 34). This quote illustrates just how hard Misty Copeland has had to work to achieve the greatness she has accomplished. If one would watch Misty Copeland today he/she may not believe this. The clean lines along with the stretched fingers would leave the viewer to think she has been doing this her whole life. Copeland, being black, has had to overcome many barriers the common ballerina would normally not have to deal with. With her being only thirty-four years old, she has worked many stressful hours to earn her spot in today's dance world. She was born on September 10, 1982 and grew up with six siblings (Biography.com). She moved often during her childhood due to her mother having multiple boyfriends and husbands. Although her family did not stay in one place long, the one constant thing in her life has always been dance. Dance, being her only outlet in her life, enabled her to focus extremely hard on her training. Every decision she made revolved around her dance career, even at the age of thirteen. Her unstable childhood and life events may lead the reader to question: what qualities did Misty Copeland obtain that enabled her to become a significant person in the dance

The New York City Ballet conducted a dance performance titled “New Beginnings” on the 57th floor of the Four World Trade Center in New York. The performance took place September 12th, 2013 and was intended to commemorate September 11th, 2001. A tragic event, such as September 11th, tends to leave a bitter taste in one 's mouth. The public is generally heartbroken, angry, and distressed. This performance seeks to influence the general US audience by using dance as a means of changing the perception of the aftermath of disaster. By following a narrative structure, the dance performance begins by setting the scene of New York City. The performance is then followed with analogies through dance designed to provide moments of action, climax, and resolution. The New York City Ballet uses pathos and an instance of logos through movements to enforce their attempt to alter one’s perspective. There is plenty of pathos used throughout the dance performance in order to motivate a change in thinking from the audience. I believe this strategy was extremely effective because by influencing how the audience emotionally reacts to the performance there is more likely to be a change in audience perception. The ballet incorporates inductive reasoning by taking the specific situation of September 11th and implying that, after tragedy, we will ultimately have a “new beginning”. I believe the logical appeal of this implication is effective because the audience is naturally inclined to believe if

One of the many reasons Misty Copeland inspires me is how she doesn’t let anything knock her down. Being a dancer is hard, you see all the “perfect ballerinas” and it can really bring peoples self-esteem down. Dancers start to second guess even if they should dance, but Misty Copeland didn’t compare herself to anyone else on the dance floor. It wasn’t just her dance life that inspires me, her home life when she was younger is a big impact in many as well. Misty grew up with six siblings, her mom had several boyfriends and husbands, with her family constantly moving. At one point she was in a one room apartment with her family. After all of this happing to her she continued to carry on her personal life as Misty Copeland and broke all the barriers that tried to stop her. Instead of having her emotions take over and breaking her happiness, she continues life and that is one of the reasons why she inspires me.

“Go within everyday and find the inner strength so that the world will not blow your candle out” (A Quote by Katherine Dunham 1). Once one of the most successful dancers in both American and European theater, Katherine Dunham, a dancer, anthropologist,social activist,and educator, continues to inspire people throughout the world. Named America’s irreplaceable Dance Treasure in 2000. Dunham remains a name heard regularly in dance schools across the world (“Katherine Dunham Biography” 4). She is known for always trying to make a difference and in the process she has become of the world’s greatest humanitarians (Osumare 5). Katherine Dunham’s work in African American rights in the dance world and her creation of new styles of dance makes her an important figure in American dance History.

E! News spoke with Misty about her day following her triumphant accomplishment as well as what her achievement means for the future of ballet.

At the time of discovery, Misty was drill team captain at her middle school, when her coach noticed her special talent. She told Misty to take a free ballet class at the Boys and Girls club in San Pedro. Reluctantly, she went, feeling embarrassed, considering she knew nothing about ballet. The ballet instructor, Cindy Bradley, who taught the class, noticed her special talent and encouraged her to take more class. Eventually, Misty began to learn more and develop her skills faster.

“I'm 5'2", I Started When I Was 13, I'm Black, But I've Made It Happen. I'm Very Lucky To Be Where I Am... It's Possible," said American Ballet Dancer, Misty Copeland (Racine). To get to where she is today, Misty Copeland went through a rough childhood of living in a motel, accomplished her goal of becoming the first African American principal dancer at American Ballet Theatre, and has become influential to women and the diversification of classical ballet (“Discover Misty’s Journey”). I’ll start with where her story began.

Imagine with me, a ballerina who dances in classical ballets with a professional company, and then “retires” to start a ballet school and mentor young dancers in order to give them training in the arts. She and her students are actively involved in serving children in inner cities and poor areas in America, as well as mission trips and providing children in impoverished nations the opportunity to experience dance themselves. This is my dream as a dancer; to not only experience the gift of dance with a professional ballet company, but to give others the chance to experience that gift for themselves. I have been training with Affirmation Ballet Performing Arts for seven years, and dance has grown into more than just a hobby that I enjoy. Dance is one of my most important passions and a way that I worship my Creator. This beautiful art form has become a dream that I hope to pursue for the rest of my life.