Mobile Lovers by Banksy Date

“In contrast to government-commissioned public art, street art is illicit and subversive in nature. Therefore, most street artists, including Banksy, use pseudonyms to avoid legal prosecution for vandalism.”(Chung 27) Banksy’s street art does not focus on competing with rival artists, but focuses on engaging with a broader audience in a deeper level. He provokes his audience by deeply expressing out various social practices that helps viewers to reflect and confront certain aspects together as a community. (27) The underlying message of Banksy’s art can lead towards an active involvement of street art within the community.

His satirical street art and subversive epigrams combine dark humor with graffiti done in a distinctive stenciling technique. Such artistic works of political and social commentary have been featured on streets, walls, and bridges of cities throughout the world.

Tom Tykwer 1998 film, Run Lola Run and street art ‘I love you’ by Banksy both explore distinctively visual elements though various film techniques and visual techniques. The two texts aim to manipulate the way in which we explore and interpret the images we are exposed to in our world. One main reason these pieces interrelate is because both texts utilise various techniques in order to create distinctively visual elements which explores the basic aspects of life-love, time and chance. Banksy’s street art, ‘I love you’ expresses the notion that there is a time restraint on love, this is similar to how Tykwer conveys the importance of time, chance and destiny and its impact on the individual though his unique tripartite structure and film techniques. Both the film and street art manipulate aspects of construction to create distinctively visual texts.

In the 1980’s the art world was gifted with the artist Jean michel basquiat. Basquiat, a man who lived two contrasting lives as street artist and “fine artist” in the art punk movement of the 1980’s. His work as a street artist was full of poetic and provocative messages painted in the streets of Manhattan New York, and his work as a “fine artist” did the same on gigantic canvases with looming figures in bold colours. Regardless of this dichotomy, his work in both of these practices has the ability to bring light to issues he and many others were facing and are still facing now. In particular, Basquiat’s work brought light to his personal experience with racism and struggle with otherness in and outside of the brutal art world. The next paragraphs will discuss how Jean Michel Basquiat delt and fought the oppressive systems of his time through his art.

Artist Drew Hamilton’s, Street Corner Project exhibits the transformation of the view of American art and aesthetics. What was once viewed as beautiful art has changed with out modern art. The artist chose to exhibit his very own Bushwick apartment over the neighborhood bodega in Brooklyn. The artist Drew Hamilton’s artistic choice to change the standard view on aesthetic artwork depicting a true view of the neighborhood through his mini model. Drew Hamilton’s creation of the mini model that mimics the scene of everyday life of Brooklyn residents. Hamilton refashions the basic norms of aesthetics by inventing a new form of imperfect perfection and reaming true to the actual view of his apartment.

In 1971 at the start of Nixon’s war on drugs, before the 0000s crack epidemic; before the advent of political tactics used to demonstrify ghetto neighborhoods succeeded in bastardizing its urban youth, Grand Master Flash and the Furious Five recorded what is considered one of the greatest urban narratives of his time. In his rap “The Message Pt. 2” Flash described the daily occurrences and harsh realities of his ghetto life in vivid detail. Now 45 years later in the midst of black lives matter, at a place in America where black lives must be affirmed through hashtags and protest, many are upset that the American art people have come to rely on, to tell the stories and narrate the experiences of being poor and black, only exist to valorize the crime, money, drugs and sex that come from being poor.

Jean-Michel Basquiat emerged from the punk scene in New York as a street-smart graffiti artist. He successfully crossed over his downtown origins to the international art gallery circuit. Basquiat’s work is one of the few examples of how an early 1980’s American graffiti-based could become a fully recognized artist. Despite his work’s unstudied appearance, Basquiat very skillfully and purposefully brought together in his art a host of disparate traditions, practices and styles to create a unique kind of visual collage. His work is an example of how American artists of the 1980’s could reintroduce the human figure in their work after the wide success of minimalism and conceptualism.

Banksy, a street artist whose identity remains unknown is believed to have been born in Bristol, England, around 1974. He rose to prominence for his provocative stenciled pieces in the late 1990s. Banksy is the subject of a 2010 documentary, Exit Through the Gift Shop, which examines the relationship between commercial and street art. Banksy's artwork is characterized by striking images, often combined with slogans. His work often engages political themes, satirically critiquing war, capitalism, hypocrisy and greed. Common subjects include rats, apes, policemen, members of the royal family, and children. In addition to his two-dimensional work, Banksy is known for his installation artwork. Other pieces have drawn attention for their edgy themes or the boldness of their execution. Banksy's worldwide fame has transformed his artwork from acts of vandalism to sought-after high art pieces. Banksy's identity remains unknown, despite intense speculation. The two names most often suggested are Robert Banks and Robin Gunningham. Pictures that surfaced of a man who was supposedly Banksy pointed toward Gunningham, an artist who was born in Bristol in 1973. Gunningham moved to London around 2000, a timeline that correlates with the progression of Banksy's

The image presents an interaction between to males. The two men are naked and struggling with one another. They are placed on a ground that looks made out of concrete. There are cracks on it and it looks uneven; parts that are rougher than others. The texture of the ground and the ways the painter presents it suggest the two men are in an uncomfortable setting. The background is dark red, giving the background images no focus. There are two onlookers on the left side of the two men, there is a bat-like human creature on the center, there is a group of intertwined humans on the right side, and just below the group of individuals and two men, there is a man laying on the rough ground. The two onlookers are wearing drapes and observe the

Teju Cole’s phenomenally written original novel majorly takes place in New York City. Cole character was easy to relate to because of his Nigerian American decent being that I am a Ghanaian American. Cole is a Nigerian American. He was born and raised in Lagos, Nigeria and came to the United States in 1992 at the age of seventeen. Cole is also well educated and is a graduate student at Columbia University. I found it insightful how in the novel Cole met several various types of people, including other immigrants. He met and shared stories with a Haitian shoe shiner, at work in Penn Station; a Liberian, imprisoned for over two years in a dentition center in Queens; and a Moroccan student working at an Internet café. I enjoyed the fact that the narrator was well stocked minded. He touched on the topics of art, music, and interesting books. He had a very eclectic set of interest.

Throughout the course of time, Banksy’s street art is known for bringing a specific point across through his affective use of certain visual art that are very eye opening. For example, his signature use of black and white paints for the image itself and a very bold color such as red for magnifying the text. His art also brings up very controversial topics that most of his audience fail to realize or recognize. In one of his many famous pieces of art, he effectively uses the four rhetorical considerations and the two Aristotic considerations to convey to his audience that there are still many societies that have no interest in girls getting an education.

There is a beauty in every art that is exposed and society appreciates the art that Banksy has given. When people think of street art they automatically assume it is just a mural or graffiti on an empty wall at a stranded building or community. Banksy art movement brought unity through the surrounding of people that enjoy looking at his artwork. Banksy brought a new twist to the meaning of street art. The art movement that happened in October 2013 in New York was unforgettable and people of New York were the city to experience it first-hand.

The nature of Banksy’s work is iconoclastic in the way he blatantly designs images to rebel governmental authority or depict the failings of

“Untitled” by Paul Kuczynski also contains satire, however the author of this portrait uses satire to depict the theme of isolation, instead of misery, poverty, ruin and neglect. This simple, yet thought provoking picture, shows a man looking through a periscope that is shaped like the Facebook symbol, to see through a window above an open door. The door is not barricaded in any way, shape or form, so the man is able to walk outside and see what is going on in the world first hand. Instead, he chooses to stay inside by himself and view the world through Facebook. Through “Untitled,” Kuczynski conveys the message that social media interaction is overtaking physical interaction. People are more likely to go on social media to find out what is happening than to go out and experience it themselves. Kuczynski’s painting greatly showcases that even in its simplicity.

Banksy is a very renowned street artist who keeps his identity unknown. His artwork is portrayed by “striking images, often combined with slogans, [which] engages political themes, satirically critiquing war, capitalism, hypocrisy and greed” (“Banksy Biography”). He first started his bold street art in Bristol, his hometown located in London, but quickly spread to the United States of America. In the U.S., Banksy targeted the most populated cities; this was due to the fact that it was easier for him to spread his messages. With a crowded location, his lessons will extent over an audience much quicker.