Moby Dick Essay

Whatever expectations that Ishmael may have had for his journey, it seems that another, perhaps divine force, has other plans for him. It is clear from the very first chapter of Moby-Dick – aptly titled “Loomings,” which is a word that inspires a feeling of fear and smallness – the only appropriate expectations are that Ishmael is headed

At the end of the novel Ishmael is no longer the naïve man he once was, as he informs the reader, "a whale-ship was my Yale College and my Harvard"#. The beliefs he possesses at the point of his rescue by "The Rachel" seem reminiscent of transcendentalism, an idea that was prominent in 1836 and one that inspired not only Melville himself but also Henry Thoreau.

    One might say we are presented with two fish stories in looking at Ernest Hemingway's The Old Man and the Sea and Herman Melville's Moby-Dick, a marlin in the former and a whale in the latter.  However, both of these animals are symbolic of the struggle their hunters face to find dignity and meaning in the face of a nihilistic universe in Hemingway and a fatalistic one in Melville.  While both men will be unable to conquer the forces of the universe against them, neither will either man be conquered by them because of their refusal to yield to these insurmountable forces.  However, Santiago gains a measure of peace and understanding about existence from his struggles, while Ahab leaves the

Taking into account, the effects of storytelling and conversation in Ishmael’s life, it is clear his grandparents play a crucial role. Firstly, they provided him with many excellent stories, which led to him feeling compelled to re-tell them and in result regained peace at heart. In fact, his grandparents, especially his grandmother, are more or less associated with oral stories. She always told him and other children stories that were morally powerful and with no doubt memorable. For example, much of Ishmael’s life, or we had better say his

Throughout it all, Ishmael leads his pupil through his trials with wit and wisdom, even while leading him towards solutions for world hunger and environmental destruction. Makes one wonder how it is that Quinn, as he claims, arrived at all of the conclusions in the book by simply going to the library and doing a little research. Part parable, part myth, and totally compelling, Ishmael leaves one hungry and wondering, waiting for the next chapter of humanity's tale to play out. As any good book does, Ishmael leaves readers with more questions than answers, and demands that the reader figure out the solution for himself.

Throughout his novel, Moby Dick, Herman Melville will often devote entire chapters to the thoughts and actions of specific characters. Two specific examples of this type of chapter are Chapter 36, The Quarter-Deck, and Chapter 42, The Whiteness of the Whale. The first of these chapters depicts Ahab addressing his crew for the first time in order to convince them to hunt down Moby Dick. The second offers insight to the fear that is brought upon by the mere mention of Moby Dick The significance and effectiveness of each of these chapters are enhanced by Melville’s use of rhetoric and style respectively.

Moby Dick, a book about the voyages and pursuance of a white whale, was imagined by an incredible man. Herman Melville was a talented writer who wrote many fantasies and adventures, including Moby Dick. He’s most infamous for his work about the tale of the white whale and known less for his works of Typee: A Peep at Polynesian Life and Omoo: A Narrative of Adventures in the South Seas. (“Herman

In literature, the truly memorable characters are those special individuals that arouse powerful emotions in the reader. Herman Melville’s Moby-Dick presents a man who is undoubtedly among the unforgettable characters of literature: Ahab, sea-captain of the whaling ship the Pequod. At first, Ahab is a mysterious figure to Ishmael, the narrator of the tale. Despite the captain’s initial reclusiveness, Ishmael gradually comes to understand the kind of man that Ahab is and, most importantly, the singular obsession he possesses: finding the white whale, Moby Dick. The hunt for Moby Dick (and, correspondingly, the idea that Moby Dick represents) is the critical component of Ahab’s personality, and Melville makes that all-important idea known to

A vengeful man, a native, and a man seeking enlightenment board a whaling vessel; this isn’t a joke, this is the United States of America throughout history and the members of the Pequod. Moby Dick is not just a tale about a whaling venture gone awry, it is a metaphor for what America was and is. The Pequod represents the country and government, while the 30 crew members (Melville 430; ch. 126) represents the United State citizens. This would have not been possible to consider in Melville’s time, but it is a true testament to literature being a living text. Melville wasn’t only writing about America in the 1800’s, he was writing about the natures of humanity, and the future of our society.

Aboard the Pequod, as the ship is bustling with activity, Melville describes the scene as the crew performs the grueling task of processing a whale. Large, bubbling try-pots of oil blubber fill the deck of the ship and a heavy smoke blankets the air as harpooners and sailors work regardless of the conditions. Through this familiar scene, Melville layers the setting and characters to build up a distinct mood for this passage. Specifically, he pulls dark romanticism into his writing by paralleling Ahab’s monomania and the deterioration of the crew. To establish an ominous atmosphere and describe the impending doom of the voyage, Herman Melville combines many forms of figurative language like sinister similes and the eerie personification of the Pequod with suspenseful imagery.

Herman Melville’s novels, with good reason, can be called masculine. Moby-Dick may, also with good reason, be called a man’s book and that Melville’s seafaring episode suggests a patriarchal, anti-feminine approach that adheres to the nineteenth century separation of genders. Value for masculinity in the nineteenth century America may have come from certain expected roles males were expected to fit in; I argue that its value comes from examining it not alone, but in relation to and in concomitance with femininity. As Richard H. Brodhead put it, Moby-Dick is “so outrageously masculine that we scarcely allow ourselves to do justice to the full scope of masculinism” (Brodhead 9). I concur with Brodhead in that remark, and that Melville’s

Moby-Dick is considered to be one of, if not the, best novels in American history. Harper & Brothers first published it in 1851 in New York. In England, it was published in the same year under the title, The Whale (“Moby Dick”). Melville explores topics and themes that were scarcely spoken of and never even seen in a novel. In the novel, the Pequod, which is the ship, is named after a Native American tribe that was exterminated when the white settlers arrived. It is a symbol of death and doom and foreshadows event that occur later in the novel. Melville brings some very controversial themes to light in the novel. Revenge is one of the main themes of Dark Romanticism and Melville uses it to drive every action taken by Ahab. This is seen early on in the novel as Ahab explains to the crew why he has a peg leg and that he wants to enact his revenge on Moby Dick (Melville 160-161). “Moby Dick is, fundamentally, a revenge tragedy. It’s about one man’s maniacal obsession with vengeance. It’s about finding an object on which to pin all you anger and fear and rage, not only about your own suffering, but also about the suffering of all mankind” (“Moby

His most famous book, Moby Dick, features the observant narrator, Ishmael, aboard the Pequot, a ship captained by the menacing one-legged Captain Ahab. Having lost his limb in a previous voyage to an enormous sperm whale named Moby Dick, Ahab scans the seven seas in manic search of revenge against the giant. Queequeg, Ishmael’s menacing best friend, and the rest of the crew are subjected to extreme jeopardy and later death due to Ahab’s monomaniacal disregard for bad omens and danger. The whale slices the boat clean in half and none survive to tells of its greatness except Ishmael.

Herman Meville’s novel Moby Dick delineates the audacious journey of Captain Ahab and his crew aboard the Pequod as they hunt for the infamous White Whale. With Ahab at the helm, the quest is one of revenge, as Ahab’s leg was taken by Moby Dick some years prior to this fateful voyage. However, throughout the journey, the crew of the Pequod questions the rationality of pursuing the most viciously lethal creature to ever inhabit the sea. Since Ahab knows fully well of his inability to slay Moby Dick without the help of a crew, he utilizes his immense rhetorical skill in order to convince them to continue on the path to their watery graves. His usage of hyperbole, diction, logical fallacies and personification allows the mad captain to reassure his crew that their journey will be a profitable one.

Herman Melville, in his renowned novel Moby-Dick, presents the tale of the determined and insanely stubborn Captain Ahab as he leads his crew, the men of the Pequod, in revenge against the white whale. A crew mixed in age and origin, and a young, logical narrator named Ishmael sail with Ahab. Cut off from the rest of society, Ahab attempts to make justice for his personal loss of a leg to Moby Dick on a previous voyage, and fights against the injustice he perceived in the overwhelming forces that surround him. Melville uses a series of gams, social interactions or simple exchanges of information between whaling ships at sea, in order to more clearly present man’s situation as he faces an existence whose meaning he cannot fully grasp.