Modern And Contemporary Arts Of Africa

Stuart Hall defines identity as an ‘already accomplished fact, which the new cultural practices then represent’. We should think instead of ‘identity as a ‘production’ which is never complete, always in process, and always constituted within, not outside, representation’ (Hall 1994 p.392). An individual’s sense of belonging to a particular group, thinking, feelings and behaviour can also be referred to as identity. One’s cultural image can construct identity; such features as hair, skin tone and height. History shapes our identity.

Identity is anything that can provide us with a way of answering what we are. I believe that there is a core basis of

In his 1971 paper “Personal Identity”, Derek Parfit posits that it is possible and indeed desirable to free important questions from presuppositions about personal identity without losing all that matters. In working out how to do so, Parfit comes to the conclusion that “the question about identity has no importance” (Parfit, 1971, p. 4.2:3). In this essay, I will attempt to show that Parfit’s thesis is a valid one, with positive implications for human behaviour. The first section of the essay will examine the thesis in further detail and the second will assess how Parfit’s claims fare in the face of criticism.

Royal Arts of Africa show traditional work from the most historic tribal civilizations. Throughout centuries, African Art has enriched royal stature, authenticated noble influence, and honored past and present rulers. The Kom of northwest Cameroon, included in these historic tribal civilizations, molded statues symbolizing their very own royal families and prestige attendants of their kings’. The “Royal Figure” is a prime example of this kind of artwork that has lived through the Kom Kingdom’s history. This piece is constructed out of multiple mediums including wood, Indigo beads, raffia cloth, and iron, but beneath these materials lies a much deeper meaning. Symbolism, daily functions, history, and culture were all brought forward when

On October 9, 2015 I went to the Smithsonian, National Museum of African Art along with attending the Million Man March down in Washington D.C. The experiences were wonderful and I was very excited to be at both events. While at the museum I took two tours one at 10 am that was led by a woman named Nkechi Obi. She talked about docent African Arts. The next one was shortly after at11 am that was led by a teen ambassador named Nicholas Stewart, who was very intelligent. He talked about numerous pieces throughout the museum that had some significance to younger minds so I found that very helpful. After the tour I spent some time down at the mall in DC in which faced the Capitol. This was the Million Man March that was a very popular event that brought out many people. I would describe both events as lectures that were powerful and time put to good use.

In philosophy, the issue of personal identity concerns the conditions under which a person at one time is the same person at another time. An analysis of personal identity

In addition to this, when we look at the African diaspora it fits in many different categories. The African diaspora is one of the most complexes for they have different genealogies and several occurrences in history. Thus, this imposes who are the people that make up this culture. The author Paul Tiyambe Zeleza who is the author of New African Diaspora suggests, “There are at least four main constructions of Africa: Africa as a biology, as a space, as memory, and as representation- that is, African identities and cultures are mapped in racial, geographical, historical, or discursive term”(Zeleza, 34). Furthermore, this idea sheds light on the complexity includes multiple identities and has many pieces to

In a freezing class, two brilliant minds unlocked the fiery passion that is their talent one an artist the other a writer. Bringing to light a history long forgotten creating abstract thoughts arbitrary to our own. Komi Olaf the artist and Okey Ndibe the writer not only enlightening the class but also the world with each brush stroke and each word. Every creation stemming from the hands of these masters tell of issues at the heart of Africa from colonialism to existential dilemmas. Thru spoken word, hip-hop, art, music, poems and literature issues close at heart to the artists and to Africa are portrayed. This paper will focus on the art exhibit by Komi Olaf and Foreign Gods inc by Okey Ndibe as spoken by them during their discussion in the class on October 13th. Where the talks focused on the key course objectives being stereotypes, post-colonialism, youth culture, and resistance.

While I was unable to attend the museums in New York I was able to go to the Museum of Fine Arts in Boston and The Smithsonian Natural History Museum in Washington D.C. While I was at both museums I saw that both African art collections had a number of bronze heads of leaders and kings. I noticed that both museums had almost the identical bronze head of the king, so I decided to dedicate this paper on the bronze heads of the Benin kingdom, and the Edo peoples.

Heart of Darkness by Joseph Conrad has been depicted as “among the half-dozen greatest short novels in the English language.” [pg.1] Chinua Achebe believes otherwise. In Chinua Achebe’s An Image of Africa: Racism is Conrad’s Heart of Darkness he simply states that, “Joseph Conrad was a thoroughgoing racist” [pg.5]

In Amin Maalouf’s book “In the Name of Identity” Maalouf emphasizes that we should not judge people on one singular identity. He argues that, “Identity can’t be compartmentalized. You can’t divide it up into halves or thirds or any other separate segments. I haven’t got several identities: I’ve got just one, made up of many components in mixture that is unique to me, just as other people’s identity is unique to them as individuals.” The essence of Maalouf’s argument is that one should not define another based solely on a singular component of their identity but rather their identity as a whole.

African art has played an important role in the culture of the world. The sculpture is the most common traditional culture expression for the African art. The different sculptures are shown by their local styles and they serve for the specific functions, such as religion. From some of these old art pieces, we figure out this kind of traditional culture expression already existed in the African for such a long time. In this paper, the art piece I am going to analyze is the Female Figure with Child and it made by Akan-Asante people. The Akan people of Ghana have been recognized for their various and attractive culture and it located in what are today Ivory Coast and the republic of Ghana in Western African. The Akan people are combined by different groups, such as the Anyi, Akawpim, Akyem, Aowin and Asante, and these people have their own dialect, but they share a lingua franca, which called Twi. The sculpture I choose could effectively reflect its own distinctive culture, because of the social connection reflect on the royalty, the comparison with other local art pieces, like Akuaba fertility dolls and its specific art form.

Identity is what evolves us, it is what makes us think the way we do, and act the way we act, in essence, a person’s identity is their everything. Identity separates us from everyone else, and while one may be very similar to another, there is no one who is exactly like you; someone who has experienced exactly what you have, feels the way you do about subjects, and reacts the same to the events and experiences you have had. This became prevalent to me as I read through many books, that everyone goes through the process of finding who they are. A prevalent theme throughout literature is the idea that over time one develops their identity through life over time, in contrast to being born with one identity and having the same

In this course we have learned about all of the different cultures and their musical traditions. My favorite so far has had to be the west African music culture. They have a variety of different music, instruments, and dances to contribute to the reasons I liked this music culture so much. So, I have taken it upon myself to further my research on this particular musical group. I will compare and contrast a variety of different videos from the west African music culture and I will analyze how they connect to this culture.

During the mid 19th century up until the Great War of 1914, European countries began to heavily colonize and come into contact with African nations. This was called "new imperialism". During this contact, European culture was influenced by Africa. The influence of the African people can be seen in the European society of the time. In the 19th and 20th centuries, modern artists embraced African art for its lack of pretension or formal qualities.