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Modern Music Research Paper

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In Greek mythology, the genius, of poets, musicians, dancers, and artists is said to be inspired by a sisterhood of nine mythical female deities, each of whom act as the wellspring of cultural life, energy, and inspiration. Accordingly, these female gods purportedly dominate the creative moments of any artist's imagination. In turn, artists use their inspiration to create the various elements of culture such as music and literature. Because music is a temporal commodity, culture can be captured and made to serve God in Christian worship; however, God can never be captured and made to serve culture. This fundamental truth constantly eludes the thinking of pastors and church leaders today. Today's Church no longer ministers in Elizabethan territory, yet churches stubbornly feed off the Elizabethan animal even though it is now just a carcass. Consequently, there has been so little recent evolution of the historical context of modern hymnody! Is not Eric Clapton's gift of music the same gift that God gave Beethoven? Does not God work out his purpose most powerfully in Christian worship within the norms of the host culture? Isn't music temporal and thus constantly in transition....and disposable? Habitualists will argue incessantly that older hymns, no matter how obsolete, …show more content…

Around the turn of the Twentieth Century, out of the loose partially improvised music sung by blacks, the Blues was born and subsequently evolved into the smorgasbord of musical styles indigenous to today's culture. This new genre spawned the rhythm section (i.e. guitar, bass, keyboard, and percussion), which continues to anchor every other form of modern music. Each of these musical languages commands a large and loyal following. Each form, in union with the others contained in the contemporary musical landscape, represents a realistic and fitting alternative to classic

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