Modern Society as a Reflection of the Picture of Dorian Gray by Oscar Wilde

“England is bad enough I know, and English society is all wrong” (Wilde, 145). The Picture of Dorian Gray and The Importance of Being Ernest are both ingenious literary works by the witty Oscar Wilde. The lead roles Dorian Gray and Jack Worthing are the perfect examples of how the Victorian society was phony. Although one is tragic and the other comedic both works by Oscar Wilde offer a social comment on the hypocrisy of the Victorian Era. Through the protagonist’s superficiality, deception and consequence of living a double life such comments are presented. While their superficiality and ability to deceive people are quite similar their consequences for their actions differ a great deal.

The Picture of Dorian Gray, a novel laced with sin, treachery, and raging battles of inner conflict, is Oscar Wilde’s sole novel. Considered immoral and scandalous upon publication, the book centers around a young man named Dorian Gray, who does not age or reflect the darkness of his heart outwardly, and instead a portrait of him bears the damage his destructive life wreaks on his soul. However, the meaning of the story extends past the simple fact that Dorian lives a life of immorality—he walks the path that takes him there with his two friends, Basil Hallward and Lord Henry Wotten. The two attempt to guide and influence Dorian throughout the novel in their own ways, and are a vital piece of Dorian’s tale. Basil and Henry act as character foils as well as a symbolic angel and devil for Dorian Gray’s character, and also contribute themes of choosing one’s own fate.

In the book, The Picture Of Dorian Gray by Oscar Wilde, there is a character named Lord Henry Wotton. He is the story's antagonist and whom critics often think most resembles Oscar Wilde. Wilde remarks "Basil Hallward is what I think I am: Lord Henry what the world thinks of me: Dorian what I would like to be-in other ages perhaps." Within the preface of The Picture Of Dorian Gray, there lie the lines "Those who go beneath the symbol do so at their peril. Those who read the symbol do so at their own peril." From Wilde's statement, we can assume that there is a part of Wilde represented in each of the main characters, but how they represent him is up for the reader to decide.

Many individuals are taught from a very young age about ethics and morals, and begin to develop them to their own standards throughout their time growing up. Many people tend to have their code of ethics and morals set and in practice by the time they reach adulthood. However, sometimes outside factors have the ability to influence an individual to adjust and revise their personal code. This is the case with Mr. Dorian Gray, in the novel by Oscar Wilde titled, The Picture of Dorian Gray. This title character is influenced by outside persons and experiences that cause him to modify the outlook he has on the world and the effects of his actions. Whereas, other characters, such as Basil Hallward, are exposed to the same influences as Mr. Gray, like Lord Henry, but remain stable in their set codes. This occurs because of Dorian’s ability to be influenced and corrupted by new and unethical ideas that he has never thought of before. Many characters in this novel, though of the same age range and surrounding temptations, seem to have different senses of what morality and ethics means. However, each of the main characters live very different lifestyles from one another. For example, Basil Hallward is a painter who spends the majority of his time working in his studio. Lord Henry is a man of the upper class who spends the majority of his time partaking in high class social functions where the only factor contributing to your character is your wealth, or with Basil in his studio,

Throughout his life Oscar Wilde had many strong influences exerted upon him. During his early childhood his mother influenced him and into college some of his professors and certain philosophers left a substantial impression upon him. Into adulthood these influences leaked out in his writing. These influences gave him ample ideas for writing The Picture of Dorian Gray. Wilde's study of the Hellenistic ideals of Epicurus, his coddled lifestyle as a child and his devotion to the movement of Aesthetics and Moral Ambiguity have produced one of the most astounding works of horror fiction.

He is even told by Lord Henry he is far too charming to go into philantropy. This remark may be the beginning of the flattery that opened Dorian's mind up to his corruption. Dorian is being moved by Harry's speech about cherishing youth and enjoying it. His mind was being challenged by the thought of his own passions until the point when he proclaimed "stop! You bewilder me. I do not know what to say. There is some answer to you, but I cannot find it. Do not speak. Let me think. Or rather let me try not to think". Dorian allows himself to be corrupted. He begins to fear aging and begins to think that everything will be loss with the loss of his youth and beauty. Dorian goes from no worries to this thought as Harry speaks. He was convinced that this "new Hedonism" was the way. This shows the weakness of his mind in his youth it is also the begginning of his fate. With this flaw of character, Dorian seemed to write his fate unknowingly. When Basil Hallward, the painter, rewarded Dorian with the portrait he replied "If I were to be the one always young, and the picture grow old! For that-for that-Iwould give everything!…Iwould give my soul for that!". This was just a plea at the depth of his sorrow, a remark made totally through whim.

Every single book is essentially the same. However, every book is written in a different and unique way. When writing their books, each author borrows from other authors to make their book a masterpiece. Thomas Foster, author of How to Read Literature Like a Professor, explains in great detail the differences between books, but also their connections. Foster writes “There is only one story . . . Whenever anyone puts pen to paper or hands to keyboard . . . They all take from and in return give to the same story” (Foster 185-186). One book that is a part of Foster’s story is Oscar Wilde’s The Picture of Dorian Gray. In this essay, Thomas Foster’s methods regarding both symbolism and ¬¬¬¬heart disease from his book, How to Read Literature Like a Professor will be discussed and applied to one of Oscar Wilde’s novels. Throughout his novel, The Picture of Dorian Gray, Oscar Wilde uses the portrait of the young protagonist as a symbol of many things, one of them being a mirror. Wilde also uses Gray’s death to not only signify suicide, but his true unhappiness through the stabbing and thus killing of his own soul.

More often than not, it is hard to face the consciousness of the inevitable. Everyone feels the distress of realizing that time is fleeting and they will soon grow old and wrinkly, no longer their youthful self. The Picture of Dorian Gray, by Oscar Wilde, illustrates this human condition specifically through the main character Dorian Gray. Mr. Gray captures the artistic imagination of artist Basil Howard, who constantly paints portraits of Dorian. Basil usually depicts Dorian as an ancient Greek hero or a mythological creature, but when he completes his first portrait of Dorian for who he truly is he is disappointed because he feels as though this painting reveals too much about his subject. Dorian on the other hand goes to the extreme when he sees this portrait. Worrisome, Dorian believes that one day the portrait will remind him of his former beautiful and young self. Out of anguish, he curses the portrait, ultimately selling his soul to spare himself of the burdens of age and infamy, allowing him to stay forever young. In his novella, The Picture of Dorian Gray, Oscar Wilde uses irony to exemplify an anomaly between the aging process of Dorian Gray in contrast with that of the portrait of himself, particularly in a society that prizes beauty and youth.

In chapter 20 of The Picture of Dorian Gray by Oscar Wilde, Dorian reflects on his past crimes and wonders whether he will ever change and retrieve his innocence again. Throughout the final chapter of the novel, the elements of Gothic novel that Wilde explores conveys the idea of the pursuit of individualism. Dorian’s wild, racing emotions clearly show how much he is driven by his readiness to fulfill his desires under any circumstance. Through this, the use of specific words and punctuation markings highlight Dorian’s personal yearning of removing himself from his past.

The term gothic fiction implies a British literary genre from the late eighteenth, and early nineteenth century. The modernized term seems to have been generalized into anything that is dark, gloomy, or depressing. Gothic novels often time posses an emphasis on portraying the terror, a prominent use of supernatural circumstances, the presence of highly stereotyped characters, and the attempt to display techniques of literary suspense. There are also other parallels among this vastly popular genre. Gothic novels often time describe the city of London in corresponding ways. Also a common theme amongst gothic literary works is the duality of human nature, or the quality or characteristic of being twofold. These mutual themes are apparent in

In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.

In Oscar Wilde’s Popular nineteenth century novel, the Picture of Dorian Gray demonstrates the importance of the aesthetic movement in Victorian England. This suggests youth and physical attractiveness is emphasized and are valuable additions to society. Therefore, what matters to Dorian, is not the internal goodness an individual possesses but the appearance they present. Consequently, Dorian is able to forget the violent acts he commits as long as he appears beautiful on the outside. Since external beauty is valued, Wilde argues that people tend to lose their individualism and conform to society’s expectations. With this in mind, Dorian gray grows more corrupt, self-centered as he focuses more on the pleasure for himself as he becomes more vulnerable to his own misgivings. He loses his individualism, because he is conforming to society’s form of asethics. I agree with Wilde’s arguement about Dorian Gray, that individuals lose their sense of idenity when conforming to society’s influence, such as in today’s beauty standards portrayed on social media, racism described through facism, and LGBTQ rights violated by intolerant individuals. (too wordy)

Hedonism is the “pursuit of pleasure as a matter of ethical principle” (Dictionary.com). In Oscar Wilde’s, the Picture of Dorian Gray, the story revolves around a young lad named, Dorian Gray. Throughout the story, three recurring characters appear which are Basil, Dorian, and Lord Henry. The three begin a discourse on philosophy whilst Basil refutes Lord Henry’s hedonistic philosophies. Gray damns the picture, stating that whatever ailments of age may affect him may be put onto the picture. Basil pleads Dorian not to be influenced by the figure Lord Henry, yet Dorian is so infatuated by his ideals that he cannot resist the temptation. Later on, Gray begins to act more and more selfishly, committing many atrocities such as, leading young men away from diligence, slaining an actress, and murdering the artist of the picture, Basil. Guilt consumes Gray as his actions alter the picture into a horror. Planning to end it all, Gray gives the picture one last stab, unknowingly reversing the curse the picture held and unleashing his own knife upon himself. In Wilde’s, the Picture of Dorian Gray, hedonism is an attribute that inevitably precipitates consequence and is proved through literary devices, epigrams, and themes to ultimately discourage the audience from succumbing to fleshly desire.

In the novel The Picture of Dorian Gray by Oscar Wilde the eponymous character Dorian follows the lifestyle of New Hedonism. This lifestyle advocates a complete abandon to your impulses, and does not believe in following social dictates or morals. The book illustrates the long-term effects of new hedonism, showing the destruction and death Dorian creates due to following this creed, eventually leading him to complete madness and his own destruction.

Art, what is Art? It is an ambiguous matter: without an exact form, an exact meaning. Does it have any rules or restrictions? However, it can be a great influence on the lives of people. In the novel, The Picture of Dorian Gray, two lovers have fell in and out of love due to Art!