Essay on Modern Street Art vs. Graffiti

Graffiti has been used many times in history to preserve and show political and religious ideas of the past. Street artists are preserving the history that is deemed “illegal” at this time. Graffiti itself is history, and it tells stories as well as preserving cities and adding a creative aspect to everyday life. The “...first forms of scripture and storytelling … were through drawings on walls. Stories passed through generations… were preserved on rocks or walls.” (Lloyd, Alexis). Now street artists are simply doing the same, whether it’s murals, tags, or people just messing around; They are preserving the unique cultures that we have today, or trying to make a name for themselves through art, or portray a political message. 85% of graffiti is just tags. (Akbar, Airfa). People's names or words made to look interesting. People trying to preserve their name through art. And this is considered a crime. Splashing your political views on a building through a mural to some people is offensive and the fact that this is illegal is a violation of the 1st amendment. Making graffiti or street art illegal is limiting an expression of people's ideas and religion.

Graffiti has been around for more than half a decade and practiced worldwide. However there is debate between whether it is a form of art or vandalism. Graffiti artists’ debate that many do not understand the reason most graffiti artist take the risk of incarceration, fines, injuries, and in some cases death to paint a wall. A graffiti artist can have the simple desire to become recognized, or to create a piece that speaks to their audience as a form of self expression. Because graffiti is associated with gangs and acts of destruction to some many cannot see the history and importance graffiti can have on a worldwide scale. Due to the fact that graffiti is usually produced illegally, meaning it is

Most people can argue that there is a fine distinction between what is recognized as art and vandalism. The individual is often faced with uncertainty when the topic of graffiti arises. The public often portray graffiti as a destructive act towards his or her surroundings however; graffiti can also be considered a form of self-expression. Many questions can be made pertaining to the graffiti movement, but the main question is graffiti a crime or an art? The answers lie in the complex phrase of “beauty is in the eye of the beholder”.

If you walk through almost any city, the buildings, bridges, and any other available spaces are seemingly filled with colors, picture, and words that are not part of the original architecture. This graffiti, which is a mix of tags, stencils, pieces, and freestyle, seems to have almost taken over cities across the world. Some of this graffiti, such as tags, are eyesores, but some pieces, such as the High Line “Love Is the Answer” and “Kiss” murals in New York City, are sites that have become iconic pieces of artwork. Unfortunately, pieces like these are also starting to be covered to a seemingly astronomical rate, which is causing outrage among those who visited to them.

By definition, graffiti is illegal. It is also considered vandalism because public or private property is intentionally destroyed, but in Alex Boyd’s blog “In Defense of Graffiti”, he clearly conveys his argument about how graffiti shows qualities of value and shouldn’t be criticized on impulse. Even though many people have seen graffiti as something to be condoned, punishable, and terrorizing, it is actually just another form of expression, communication, art, and point of view.

According to Boyd, through Graffiti is essential to understand as a form of art that crosses the boundaries of location, method, and motivation. He acknowledges that graffiti might include “racist remarks, empty slogans and illegal signatures.”(Boyd 251) Boyd’s piece is also very informative because according to the author, there are two methods for creating this form of art: murals and tagging. The most popular one is tagging because it can be found almost everywhere from fence posts to trains, street walls to buses. The main goal of graffiti writers is to put their signature tags in places to be recognized by their

The roots of graffiti started about 1971 by a Greek American who tagged “TAKI-183” in all New York subway system, he declared that he “used graffiti to create an identity in which he is certain about” (Fortuna 3), then it emerged all around America and the world. (David 72)

There are many associations with graffiti writing, Hip-hop being the first. Though the emergence of graffiti can be attributed to street gangs; which, they used to mark their territories (Chronopoulos 2011, pg. 79), graffiti began to merge with hip-hop culture in the 70s (Chronopoulos 2011, pg. 82). Ultimately, this combination promoted the public domination over public spaces in New York City through the use

While walking down Beal Street in Memphis, Tennessee, people watching and having fun, our group stood at a corner. Some flash of color caught my eye and I looked down to see more. As I stood and stared, one of the group, a girl, asked me what was so fascinating about “junk” on the sidewalk. Now, I’m not the type of guy that hangs around art galleries or for the matter, even looks at pictures in a book. I really like the bright colors and jazzy looking saxophone on the sidewalk and started looking for more. That’s how the conversation start on what is art, what is not, and just what is graffiti?

The cutting edge of the public art development, connected with the hip-hop society of breakdancing and rap music, began with African-American and Latino teenagers in Philadelphia and New York in the late 1960s (MacDonald 1). At that time graffiti to most, was considered to be a form of art work. Regardless of those that thought of it as art, there were and are still numerous individuals that loathe the graffiti movement. Works of art have been dependably charming for ages, as it is a method for self-expression and inventiveness. Artistic expressions have advanced in many ways, such as public canvases offering an approach to modern day unique artwork. Graffiti is progressively turning into a hobby. Although one of the major controversies of graffiti surround the statement that it is not art and considered vandalism, graffiti allow artists to display grateful meanings, skills and expressions to the public.

“It may be called art, but I don’t like it,” (DuBois, 2015). Most of these artists who haven’t been recognized by galleries, risk themselves on a daily basis. This is their job, expressing their pain or happiness on a piece. Each time you pass a piece on a wall just ask yourself, “What could they be going through?” Art is expressed in so many ways. Graffiti is spread all over the world.

In the 70s graffiti was just tags or small pictures but it quickly turned into and “art movement” (Eickmier). This means that the young and the old artist had finally found a way to express themselves and were spreading it around cities like wildfire. In other countries the amount of graffiti shock american tourists, it is seen as a good thing. “Instead of walls being used to separate people from each other, graffiti brings people together and keeps conversations going.” (Wark) Graffiti has value as art and it tells a story worth reading. (Wark) Most teens resort to graffiti as their last option, and most people see that as wrong, but it lets them express themselves in a really different

However, street art predecessor, graffiti, is less well-liked. With its history of being rooted in gang activity and vandalism, it is not hard to see why. As pointed out by student writer Matthew Powers, “Because graffiti is vandalism at its core, it quickly became popular with New York City’s gangs, and in turn became associated with crime…” (Powers). People often see the names scrawled on trains and park benches and only see the vandalism and gang activity, not the effort behind the writing and style. Despite this, there are still those who see graffiti and street art as a new form of art to capitalize upon. In the eighties documentary Style Wars, there were already investors in canvas graffiti. It seems that there is a sort of allure to the illegal nature street art and graffiti. Still, there are people who love the commissioned murals, but refuse to acknowledge that without graffiti, what is known as the legal “urban art” wouldn’t be the same. Artist Peter Ferrari put it into words the best, saying in an interview, “‘People hate the tags, but they want the murals,’…’I think there is a misunderstanding, and people don’t realize that it is all connected and all related. You can’t have the mural without the tag’” (Imam). On the opposite side,

The origin and history of graffiti is not what one might expect. Believed to have been created by a Philadelphia high school student named Cornbread in 1967, it was a bold effort to catch the attention of a girl (De Melker). In this same time period, graffiti sprung up in New York as well. It was “one among many forms of social protest” during

Graffiti has put a major impact on the way people look at their everyday life. It was not used so much here in the United States but was used overseas. Overseas, graffiti, or street art, was used or played as a sport, just like baseball is Americas sport. There are different laws that are put over there than what there are here. They can get away with some of the things that they paint or make over there. If we tried some of that type of work over here, we would get in trouble and possibly serve time for vandalizing someone else’s property. There are many biased outlooks on graffiti, but it should be considered art in all places because of all the time, effort, and design the artist put into their work.