Modernism And Its Impact On Art And Architecture

Modernism as defined by (Wiki source) is a philosophical movement that, along with cultural trends and changes, arose from

When he moved from Belgium to the Netherlands, most of his most famous works are from then because the wet weather allowed him to work on them and he had a lot of time on his hands. When he was a younger artist, he sketched things such as nature and landscapes. When he was in Italy, he decided to draw things that didn’t form naturally. 2 examples of his famous works during this period were “Drawing Hands”, where 2 hands are popping out of a paper and look like they are drawing each other, and “Relativity”, where there is a building with many different staircases which confuses your brain because you don’t know which way is up or

It’s inventor was the same person that painted the Mona Lisa and the Last supper, Leonardo da Vinci. He was an extremely creative person and it showed. Art historian Helana Gardner, says “The scope and depth of his interests were without precedent in recorded history, and his mind and personality seem to us to be superhuman, while the man himself mysterious and remote.” He was considered the prime example of the “Universal Genius’, and “The Renaissance Man”. He, in fact, drew the first sketches in 1508.

By analyzing various articles that provides various viewpoint on the phenomenon of Modernism and its relationship to modernist architectures during the 1920s and 1930s, linkages, similarities and differences between how each author define modern architecture can be observed. These varying viewpoints encourages not only the identification of ‘Traditional’ and ‘Art Deco’ movements but also the critical understanding of modern architecture’s evolution and its relation to the societal beliefs, authority, resource and function during the Interwar Period.

“Modernism was the answer to the world’s woes.” (Heller, 2012). In a way, this was true. The modernism movement in graphic design started after World War 1, influencing the world after a time of war and hardship - just when it was vulnerable and needed it most. Modern artists of the time had the opinion that art and design should echo life in the consitutional revolution and communicate with a modern audience through deeper ideas and values in their design and art works. The Modernist movement broke away from traditions in thinking, society and art. A new era was starting. The Modernism movement eventually developed into two parts - the “high” modernism and the “low” modernism. High modernism represents the intellectuals and low modernism was based to the everyday person. Low modernism also focused on mass production and accesibility whereas high modernism focused on the ideas and values they were trying to communicate and influence through their work. The movement was moving away from traditional thinking in art and society, giving a new beginning to the world of design. This was because design was needed to relate to the every day audience as well as having a deeper meaning, so two streams were created. Modernism ignored the previous tendency to only use realism in art, deeming it unnecessary and irrelevant. In fine arts high modernism was mostly geometrical abstraction and expressionism whilst low is the practical set of guides for new influences on society. But which

Modernism is a cultural movement that generally includes art, architecture, music, literature, and design which emerged before 1914. It was a movement of artist and designers who rebelled against late19th century historicist traditions, and

The year was 1919. World War I had just ended, and new beginnings were arising. Day –to-day life no longer revolved around the fear of the outcome of World War I. The German youth began to see potential in this at the same time that architect Walter Gropius decided to make a huge decision. After some struggle to break stereotypes, he opened a school, called Bauhaus. With its three locations in Germany, the Bauhaus School of Design was able to produce modern art, train diverse artists, and push the limits.

“An inclination to subjective distortion to point up the evanescence of the social world of the nineteenth century bourgeoisie.”

Modernism is to make something new; to destroy all previous beliefs. This is what people like Hemmingway, Stein, Picasso and many others did because they felt this way and expressed it in their own artistic ways. The modernist movement made a big change to the art that was being produced at the time the movement took place. These men and women that were a part of the movement might have been seen as strange to outsiders looking in, but they achieved marvelous success and became famous for their work. In today's world, there are many artists and creators that are doing things now that nobody has ever done. These risky works of art are being made and displayed for everyone to see. The artists are making powerful statements on how they feel about

Modernism was a movement that was developed during the late nineteenth century and early twentieth century. Modernism developed due to the changes happening in societies at the time. Around the late nineteenth century and early twentieth century there was a rise in the industrial society’s where there were advancements in technologies and machines, and a rapid growths in cities. This lead to a change in cultural trends and philosophies, which is known as modernism. Modernism was well known for the rejection on traditional way, such as the arts and beliefs. It rejected the idea of realism and religious beliefs. During these years modernism could be distinguished by two aspects, High and Low Modernism.

During the nineteenth and twentieth centuries, changes in the dynamics of society caused intellectuals to question the traditions of everyday life. From religious views to the arts of literature, traditional values and forms were rejected, thus defining a line between the two time periods, which can be considered as the start of the Modern era. Also known as Modernism, the modern era used literature as an outlet for expressing the thoughts and feelings of the time. Modern texts use city life, industrialization and globalization, and ironic and satirical themes to showcase their bleak outlook on life post both world wars. The nature of these events are aspects of society

Modernism began arguably in the early 20th century when the industrial revolution was reaching an ever increasing height. It was a time when man searched for a new look, a new way of doing, due to being ‘enlightened’. Man had come to know what was not yet realised before. This led to an inner struggle amongst artists, designers and most dramatically influential: architects; to search for and establish a new way of doing, due to being enlightened. Man had come to know what was not yet realised

How did Modernism impact the world we see today? The industrial revolution defined the world as we see it today, bringing cultures together like it had never been seen before. Towns took on their given trade, and built up to now be known well for these trades around the world. Whilst this was taking place, Modernism took over the art that was being produced.

Modernism is defined in Merriam-Webster's Dictionary as "a self-conscious break with the past and a search for new forms of expression." While this explanation does relate what modernism means, the intricacies of the term go much deeper. Modernism began around 1890 and waned around 1922. Virginia Wolf once wrote, "In or about December, 1910, human character changed." (Hurt and Wilkie 1443). D.H. Lawrence wrote a similar statement about 1915: "It was 1915 the old world ended." (Hurt and Wilkie 1444). The importance of the exact dates of the Modernist period are not so relevant as the fact that new ideas were implemented in the era. Ideas that had never before been approached in the world of literature suddenly began emerging

During 1919-1928, German American architect and educator Walter Gropius, as director of the Bauhaus had a major influence on the development of modern architecture. Much of his work, was in collaboration with other architects. Which included the school building, and faculty housing at the Bauhaus from 1925 at the Harvard University Graduate Center, and the United States Embassy in Athens.