Modernism Vs. Modernist Modernism

Modernism Modernism begins with World War I and the Great Depression and is the rejection of tradition. Writers in this time era began to question the authority and tradition that seemed to be the foundation of America. Modernists destroyed the American Dream. The modernist group ask themselves three questions. Who are we?

Our cohort is nearing the end of its secondary education and therefore it is important that we reflect on the ways in which it has shaped our attitudes, values and beliefs. For example, over the past five years, we have read, analysed and evaluated various literary works such as novels, plays, poems and films in our English studies. These texts have expressed various ideologies, explored interesting themes and introduced us to fascinating characters. These elements have left a lasting impression on our attitudes, values and beliefs. In addition to this, English literary texts have provided us with historical knowledge as well as a thorough understanding of the role that aesthetic devices

British modernism, the period that begins around 1880 and extends to around 1945, breaks from conservative forms of literature and delve deeper into modern forms. Mortality, colonization, darkness, and seclusion are a few of some circumstances that create tenants such as man’s dark heart, inherent selfishness and corruption of man. Encountering unpleasant scenes, being capable of destruction, and adapting unfitting behavior can lead to character flaw. Occurrences like these can result in undesired character or outlook change. Values that a person once thought would linger forever will collapse along with innocence. In British modernism writings, loss of innocence is depicted through the

JAMES HURST Adapted from: Elements of Literature: Third Course. Austin: Holt, Rinehart and Winston. 2003.

Literature is an essential part of the center of a person’s life. It provides a certain assurance and “feeds the soul” of one. Whether it be a book, TV, or even an advertisement, literature exists everywhere. A person is able to develop many skills by studying literature, and expand the horizon of their learning. An immeasurable amount of insight and knowledge can be gained from the study of literature which contributes in providing readers with an understanding of the past, and a philosophical assimilation of the moral behind a writing piece.

Throughout this semester, we were introduced to varying degrees of literary styles and themes. From the epiphanies discovered through American Realism, to the skepticism explored through Literary Modernism, to the conflicts of social conformity and individualism approached by a Post-Modernistic America and its writers. We have had the great opportunity of being exposed to individuals who questioned and pushed the boundaries of creativity and expression. Tennessee Williams was an author and playwright who balanced the enigmatic, macabre, and often cruel disintegration of his characters with a poetic grace. He became the keystone of a style that is known

"The only thing we have to fear is fear itself.’’ Everyone has their own personal fears but despite the differences in what we fear, we all collectively share one thing. The fear. The dread. And the uncertainty. Even long after the great war was long ended, there was always a sense of uncertainty amongst the people. Doubt and distrust of what is to come feeling betrayed by the governments that overpowered them. This lead to the Modernism Movement, a movement entirely powered by the fear of a next war, driven by the innermost feeling of uncertainty and doubt. The Modernist movement, occurring between the 1920’s and 1960’s, attempted to change existing perceptions of reality as well as undermine and disregard grand narratives such as religion

Modernism means a style or movement that aims to break with traditional forms. Fitzgerald wrote during the time period of modernism. Modernism partook primarily in Europe from the early to mid twentieth century. Modernism symbolizes the introduction of new ways to express oneself as well as the separation from traditional ways. One major idea that was corroborated throughout many written items during this time period was the idea of self awareness. Self awareness also known as self consciousness, is when one is extremely aware of their own actions, feelings, and thoughts. One of the biggest driving factors for this belief of self consciousness was the devastating effects from World War One. Many artists and authors were striving to cut ties with the previous beliefs and traditions in their specific field. They wanted to stand out and start new trends. In the Victorian age there was a massive increase in the overall knowledge of the general population due to education reforms. This increase in knowledge led to a constant hunger for more and more knowledge. One way people cured this craving was with literature.

Design in 20th century is influenced on modernist and postmodernist philosophies. Before development of Modernism, taste was dictated to the wealthy classes by the whims of the king or other élite figures (emperors come to mind). Tradition was the dictated rule and deviating from that resulted in ridicule. The idea of Modernism was the basis for 20th Century design, fashion and art. It still affects us today.

Modernism was a movement that was developed during the late nineteenth century and early twentieth century. Modernism developed due to the changes happening in societies at the time. Around the late nineteenth century and early twentieth century there was a rise in the industrial society’s where there were advancements in technologies and machines, and a rapid growths in cities. This lead to a change in cultural trends and philosophies, which is known as modernism. Modernism was well known for the rejection on traditional way, such as the arts and beliefs. It rejected the idea of realism and religious beliefs. During these years modernism could be distinguished by two aspects, High and Low Modernism.

Sigmund Freud's revolutionary ideas have set the standard for modern psychoanalysis in which students of psychology can learn from his ideas spread from the field of medicine to daily living. His studies in areas such as unconsciousness, dreams, sexuality, the Oedipus complex, and sexual maladjustments laid the foundation for future studies. In result, better understanding of the small things, which shape our lives.

The period of the twentieth century, specifically the nineteen-twenties, was a historically significant event in history due to the dramatic changes politically and socially. In this time period there was many altercations between two specific groups who had completely different outlooks on change. Modernists, or people who tended to be in favor of new ideas, styles and social trends, embraced the idea of change during this time period whereas traditionalist, or people who are opposed to change, had deep respect for long held cultural and religious values that they believed should not be broken under any circumstances. The disputes between the traditionalist and modernist over religious beliefs made way into the woman’s lives leaving pop culture to rise rapidly.

There are people bustling, merchants selling, Anglo-Indians watching, and birds flying overhead. How many perspectives are there in this one snippet of life? They are uncountable, and that is the reality. Modernist writers strive to emulate this type of reality into their own work as well. In such novels, there is a tendency to lack a chronological or even logical narrative and there are also frequent breaks in narratives where the perspectives jump from one to another without warning. Because there are many points of view and not all of them are explained, therefore, modernist novels often tend to have narrative perspectives that suddenly shift or cause confusion. This is because modernism has always been an experimental form of

Modernism sociologically, is a discipline that arose in direct response to the social problems of "modernity" (Harriss 2000, 325); the term most generally refers to the social conditions, processes, and discourses of 1438-1789 and extending to the 1970s or later (Toulmin 1992, 3–5). Modernity may also refer to tendencies in intellectual culture, particularly the movements intertwined with secularization and post-industrial life, such as Marxism, existentialism, and the formal establishment of social science.

The Austrian neurologist Sigmund Freud (1865 – 1939) had been a tremendous cultural influence during the twentieth century, especially during its first half. Freud’s path-breaking work The Interpretation of Dreams came out in 1900, at the fag-end of the Victorian period. Subsequently, Freudian theories and ideas were employed to trace novel interpretations of pre-existing as well as newer literary texts. In the 1970s Freud’s thought was revised by Jacques Lacan from a linguistic standpoint. It was also during this time that the deconstructionist approach – the strategy employed by the poststructuralist school – was popularised by Jacques Derrida. This approach proposes to read a text against itself, bringing out its inherent