Modernism and the Modern Novel
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The term modernism refers to the radical shift in aesthetic and cultural sensibilities evident in the art and literature of the post-World War One period. The ordered, stable and inherently meaningful world view of the nineteenth century could not, wrote T.S.
Eliot, accord with "the immense panorama of futility and anarchy which is contemporary history." Modernism thus marks a distinctive break with Victorian bourgeois morality; rejecting nineteenth-century optimism, they presented a profoundly pessimistic picture of a culture in disarray. This despair often results in an apparent apathy and moral relativism.
In literature, the movement is associated with the
…show more content…
(Barth, "The Literature of
Replenishment" 68)
Modernism is often derided for abandoning the social world in favour of its narcissistic interest in language and its processes.
Recognizing the failure of language to ever fully communicate meaning
("That's not it at all, that's not what I meant at all" laments
Eliot's J. Alfred Prufrock), the modernists generally downplayed content in favour of an investigation of form. The fragmented, non-chronological, poetic forms utilized by Eliot and Pound revolutionized poetic language.
Modernist formalism, however, was not without its political cost. Many of the chief Modernists either flirted with fascism or openly espoused it (Eliot, Yeats, Hamsun and Pound). This should not be surprising: modernism is markedly non-egalitarian; its disregard for the shared conventions of meaning make many of its supreme accomplishments (eg.
Eliot's "The Wasteland," Pound's "Cantos," Joyce's Finnegans Wake,
Woolf's The Waves) largely inaccessible to the
Modernist literature began between 1915-1935, writers mainly wrote fiction this is because they started to question what the future was going to bring since they were living through both World War. Modernists wrote their stories in first person which made their stories seem like a stream of consciousness, irony and satires. This type of literature was mainly written in English and became well known due to the increase of globalization, which was more about how the people felt about the events going on and how the people were affected in other words it spoke from the inner self of the writer. Many famous writers including Ernest Hemingway, Langston Hughes, and F. Scott Fitzgerald believed that the increase in new technology was leading to the decrease in civilization which was making individuals lonely.
Authors wanted to revolutionize arts and audience worldwide. This was done by the creation of tools that helped excel the “American Dream”. Some of the major authors in this time included T.S. Eliot, James Joyce, Ezra Pound, and Gertrude Stein (Modernism). There are two different groupings of modernism, which are modernism and post modernism. In the beginning, “early modernists used elements of experimentation, freedom, radicalism, and utopianism” (Modernism). After the war, “post-modernists, however, rebelled against many modernist elements and instead depicted disillusionment and elements of dystopian ideas—dehumanized and fearful lives” (Modernism). Many different historical aspects influenced the upcoming of the modernist movement such as publications of scientific theories, technological inventions that globalized society, Sigmund Freud’s change in the discipline of psychology, new concepts of ethics, morality, and ideals, and artistic movements (Modernism).
Modernism is when writers proclaimed a new "subject matter" for literature and the writer feels that its new way of looking at life required a new form, a new way of writing. The writers of this period tend to pursue more experimental and usually more highly individualistic forms of
Modernistic authors can be described as ones who embraced the nontraditional ideas being introduced into American society during the twentieth century, challenging long standing traditions concerning racism and socioeconomic status determining an individual’s future or success. Emancipation: freedom from restraint, control, power of another, or from any controlling influence was a major theme of the modernistic era. Another term commonly associated with modernism is juxtaposition: defined as two images that are otherwise not commonly brought together appear side by side or structurally close together, thereby forcing the reader to stop and reconsider them meaning of images, ideas, motifs and common practices or expectations associated with society. (There are many other terms associated with modernism.) Two authors, Ralph Ellison and Harper Lee both demonstrate many examples associated with emancipation and juxtaposition.
At one point or another in one’s lifetime, people let go one thing to try and move on to something bigger and better, whether it’s a new job or new way of life. In its entirety, modernism is similar. It can be defined as moving away from the traditional creations and activities towards news tasks formed by the individualism and freedom within a man or woman. For instance, in the poem “One Art” by Elizabeth Bishop, the speaker eventually moves on from his previous set of ideas to something new. Similarly, in “anyone lived in a pretty how town” by E.E. Cummings, the main character doesn’t feel comfortable with the repetitious structure of the society he’s placed in. This leads the main character to form his own opinion, uncommon to his society,
The literary modernism time period was a movement in literature that started in the early 1890s and was very eventful. During this era there were many considerable events taking place such as The Great War (also known as “World War One”), which started in 1914. This War lasted for four years and finally ended in 1918, but its effects lasted much longer. The financial instability of Europe and death caused by this First World War gave people a sense of patriotism that unified them. It made people think of not only the society as a whole, but themselves as individuals ("Modernism."). This new individualist mindset made people think more about their thoughts and actions than they had ever previously done before. Because individuals thought
The birth of the modernist movement in American literature was the result of the post-World War I social breakdown. Writers adopted a disjointed fragmented style of writing that rebelled against traditional literature. One such writer is William Faulkner, whose individual style is characterized by his use of “stream of consciousness” and writing from multiple points of view.
Modernism in general, signified the struggle that many have experienced with the way those new thoughts challenged their previous lives throughout a period of time when tradition didn't appear to be so significant any longer. This literary movement produced writing that reflected the real lives of people as well as experimentation with point of view in writing to create a unique style that signifies the change of traditional culture under the forces of modernity.
According to Peter Childs he said, “It is experimental, formally complex, elliptical, contains elements of recreation as well as creation, and tends to associate notions of the artist’s freedom from realism, materialism, traditional genre and form, with notions of cultural apocalypse and disaster…” (Childs, 2). This suggests that modernism was a way of revolutionizing the old ways of writing and constructing works. Modernism is the movement leaving tradition behind and forming a new style. Modernism is a term typically associated with the twentieth-century reaction against realism and romanticism. Modernism is believed that the world is created by how we perceive it. We interpret the deeper meaning of the world. Modernism allowed the reader to think outside of the box and stretch boundaries never thought of before. Modernist writing bent the rules and regulations of what was traditional and allowed for ideas to push the seams like never before. There is no such thing as an absolute truth or definition; All things are relative. Hemingway and Eliot used this writing to allow the audience to make their own interpretation of the
During the nineteenth and twentieth centuries, changes in the dynamics of society caused intellectuals to question the traditions of everyday life. From religious views to the arts of literature, traditional values and forms were rejected, thus defining a line between the two time periods, which can be considered as the start of the Modern era. Also known as Modernism, the modern era used literature as an outlet for expressing the thoughts and feelings of the time. Modern texts use city life, industrialization and globalization, and ironic and satirical themes to showcase their bleak outlook on life post both world wars. The nature of these events are aspects of society
The modernist period, stretching from the late 19th century to approximately 1960, is a very distinct phase in the progression of American literature, employing the use of novel literary techniques which stray away from the traditional literary styles observed in the time preceding the period. Modernist writers explore new styles themes, and content in their compositions, encompassing issues ranging from race (Kate Chopin) to gender (H.D.) to sexuality (James Baldwin), as well as many others. The Modernist movement, however novel and unique, did not develop spontaneously. A few writers leading up to the movement exhibit obvious modernist views in their writing. These include male writers Ralph
Rolling into the late 19th and early 20th century, modernistic literature became the style of writing. Modernistic thinking was a rebellion against realism, in which the literature was very abstract. The writers of that time period were experimental and used unusual techniques. There were four sub-categories of modernism: surrealism, cubism, existentialism, and dadaism. Surrealism and existentialism were the most popular of the four. Surrealism was very dreamy-like writing, such as the work done by an artist named Daly. Existentialism dealt with the belief that the human existence had free will- there were no gods and humans had control of there own philosophy. Writers such as Camus were existentialists. The final literary movement that will be discussed is postmodernism. Postmodernism was an attempt by many artists to arrive at a united, global culture. Postmodernists had optimistic views that things could get better. Instead of concentrating on the fragments of destruction, they gathered all of the fragments together and made an optimistic outlook.
The end of The Hollow Men can only be the beginning of a deep and long reflection for thoughtful readers. T.S. Eliot, who always believed that in his end is his beginning, died and left his verse full of hidden messages to be understood, and codes to be deciphered. It is this complexity, which is at the heart of modernism as a literary movement, that makes of Eliot’s poetry very typically modernist. As Ezra Pound once famously stated, Eliot truly did “modernize himself”. Although his poetry was subject to important transformations over the course of his
What further contributed to the rise of modernism was the First World War, which shell-shocked many. People lost their sense of certainty and it made them change their points of views. It made modernists question civilisation. This is seen in T.S Eliot’s poem “The Wasteland” which questions
Modernism, in literature, can be seen as a shift in focus to the unassociated introspective reflection of characters in such texts as Go Tell It On The Mountain, by James Baldwin, Miss Lonelyhearts, by Nathanael West and The Catcher in the Rye, by J.D. Salinger. This is a revision from the previous focal point of exterior events and places in correlation with the character’s reflections. Emphasis is placed on review upon feelings and thoughts, and even conversations with oneself, as opposed to the more directly event-driven reflections in texts of the pre-modernist era.