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Modernist's Rejection Of Modernism, AndMake It New?

Decent Essays

Modernist’s rejection of conventional Victorian realism and the call to ‘make it new’ were responses to what an emerging, lost generation saw as the strangeness and urgency of the new twentieth century. And what newness it was! - new machines, new industrialisation, new capitalism, in short; a whole new world. Society felt as if it has ‘disembarked from the quaint old horse and buggy and re-embarked on the hurtling steam train of progress’ stated literary historian Michael Parker. This may have been exhilarating but it was also frightening, unnerving and alienating. The advent of such upheavals like the Great Depression and First World War uprooted the world from its sense of universal order and submerged societies into a sense of chaos and disillusion. To add to this collective disillusionment, people lost faith in traditional values like courage and masculinity and chivalric notions of patriotism.

Modernism is hallmarked by its refusal to submit to convention – it rejected mimesis (realism) and pioneered new ways of expression, on a quest to find meaning in the chaotic and subjective human condition.

The 1913 poem In the Station of the Metro by Ezra Pound and 1954 poem Thirteen Ways of Looking at a Blackbird by Wallace Stevens embody the notion that modernism reflected the times of uncertainty.

Uncertainty is an ambiguous concept that is difficult to restrict to a single definition - it is generally understood to be a lack of certainty - a state of having limited

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