Modest Mussorgsky Analysis

Shostakovich’s compositions were literally a matter of life or death. Under Soviet rule, composers whose work was not seen as towing the party line could be liquidated, a fate met by many of his colleagues. One of these cases was a Jewish friend of his, actor Solomon Mikhoels, and he feared the same would happen to him. Despite his need for perfection, Shostakovich was known to write at an astonishing speed, and his Festive Overture was no exception. One of his most popular pieces, Festive Overture was written for a concert in November 1954 for the 37th anniversary of the Russian Revolution. The story behind its creation is quite astonishing; Shostakovich was visited in his apartment one day in autumn 1954 by

Many artists were drafted into service to fight the wars and killed. Because of the political movements in Italy and Germany, some composers fled their native lands mainly to the United States. Those composers found the employment in American colleges and schools of music (Zorn and August 2006). The changes in the commercial aspect of music distribution along with new means of music communication occurred in this period. There were many organized concert series in large and small urban centers. Music for motion pictures became one of the important music outlets. Yet writing music for the new musical genre, films was on the periphery if the musical mainstream, films reached the biggest number of audience. Begging in the first half of the twenties century, recordings and radio became a big deal. Those were heard in all kinds of surroundings; at home, the market, the office, the factory, the playground, and even the sports field (Wold, Martin, Miller, and Cykler 1990,

Peter Ilyich Tchaikovsky is the author of six symphonies and the finest and most popular operas in the Russian repertory. Tchaikovsky was also one of the founders of the school of Russian music. He was a brilliant composer with a creative imagination that helped his career throughout many years. He was completely attached to his art. His life and art were inseparably woven together. "I literally cannot live without working," Tchaikovsky once wrote, "for as soon as one piece of work is finished and one would wish to relax, I desire to tackle some new work without delay." The purpose of this paper is to give you a background concerning Tchaikovsky's biography, as well as to discuss his various works of

In this essay I will be discussing the extent that Dmitri Shostakovich adhered to and rebelled from the conventions and traditions that were normalized in classical music and I will offer varied examples of the many times Shostakovich has obeyed and dissented within music throughout his career. The career span of Shostakovich extends from 1926 when he presented his first major work, Symphony No.1 to 1970 when he presented Quartet No. 7.

Igor Stravinsky was third of a family of four boys. He grew up hearing his father practicing his opera and attending local ballets. He also started taking piano lessons when he was 9 years old and continued on with musical notation and composition instruction. All throughout his early life he studied music. However, although he had been brought

Dmitri Shostakovich was born in 1906 and showed an aptitude for music at a young age. In 1919, he enrolled in the Petrograd Conservatory where his abilities mesmerized the head of the institution, Alexander Glazunov. Shostakovich was never politically naïve; he imitated his parent’s ideals who initially

During the latter part of his life, rumors emerged of Tchaikovsky being a homosexual. This effected how his works were received, mainly in the Western part of the world. According to Poznansky, “His music began to be criticized as sentimental, romantically excessive, charged with many imperfections and even pathological” (Poznansky, 2012). It is now known that although Tchaikovsky was married to Antonina Miliukova in July 1877, their marriage lasted less than three months. Tchaikovky admits to having homosexual escapades in 1861 and even to falling in love with a student, Losif Kotek. It is quite obvious that these events have no bearing on the popularity of his work now.

The Cold War was a worldwide conflict from 1948 to 1989 which put socialist states against communist states around the world. This was a time of political hatred and for musicians this was a time of uproar and crackdowns by the government. One of the largest communist states at the time was the Soviet Union (U.S.S.R.) and within this state there was the Central Committee of the Communist Party of the Soviet Union. Although this group were not law makers they did hold a great deal of power within the state. “The Central Committee’s membership was elected by the party congress in which this membership ordinarily went to the holders of the most important positions in the Soviet government and economy, thereby enabling the committee to serve as the party’s chief tool within the government” (The Editors of Encyclopedia Britannica). In 1948, this group had made a special resolution to music which criticized many famous Soviet composers. Through this resolution there would now be strict criteria for which music was acceptable including the music had to use traditional harmony, should not be too discordant, should include folk and popular idioms, should have words, and many others. These criteria would keep the music in line therefore keeping the artists and from there the people in line. We have seen through this course that music is a very powerful motivator for not only the artist but also for the audience.

The town ahead lit like a newly buffed spur against the musky, dusty plain. Folks think that going to this dust bowl will be exciting, that’s what my ma told me, but it is what it says on the tin, a bland plain. It just ain’t what they say it is, wagon drivers don’t tip their hat to you, they just as rotten as the folk who live and breath the saloon, and the sheriffs are just as fowl as them. I only live ‘ere to give ma-self the satisfaction that I turned a washed up drinker to the ol’ church. It ain’t always so bland, it ain’t fun to have bullets whizzing past ye noggin, ye filled with horror till the gent loses all ‘is ammo or ye pop a cap into him. It ain’t fun but ye gotta do it to stop the sin.

After Dvorak left the Organ School in 1859, he basically disappeared from the public eye for twelve years until 1871, which is when he emerged back into the public as a composer. For those twelve years he spent in seclusion, he was occupied with extensive writing in the classical form (8). To much grief and disappointment Dvorak’s first son died in September and his second daughter in October of 1877. These tragic losses were experienced within his grandiose oratorio “Stabat Mater.” For the next twenty years, Dvorak was invited to other European countries to conduct performances of his own works while enduring a struggling relationship with his publisher Hitherto Simrock (7).

ATchaikovsky=s music is not only one of the cornerstones of Russian musical society and world music . . . It is at the same time a creative and technical encyclopedia to which every Russian composer has reference in the course of his own work,@ commented Dimitri Shostakovich.1 This was a typical view held by Tchaikovsky=s contemporaries. He was well known and well respected, especially in his later years. In addition, Tchaikovsky was recognized as the most expressive Romantic composer in Russia.2 He was often idolized and put on a pedestal, particularly during his tour of the United States in 1891 when he conducted concerts of his own works in some of the leading concert halls. Tchaikovsky brought national attention to

During his years in Moscow, Tchaikovsky was able to teach, compose, write, travel, and associate with other composers of the time. With one of those, Balakirev, a member of a group of Russian composers known as "the Five", he formed a close friendship, and from him he gained the idea for the fantasy overture Romeo and Juliet. But the relationship between him and the Five soured, and he even later parodied in one of ballets their use of certain folk melodies over and over again. Although Tchaikovsky was enjoying life in Moscow among his composer friends, he found himself constantly in periods of deep depressions and unhappiness. The largest contributor to his bouts of depression and sadness was his self-hatred and guilt that he had from carrying a heavy secret: Tchaikovsky was gay.

Piano Trio in G Minor, Op. 15, is the first of several pieces of music to be inspired by a tragedy in Smetana’s life. Spurred by the death of his beloved daughter Bedřiška (1851-1855), “an extraordinarily gifted child, [Smetana was inspired] to compose [his] chamber work in 1855.” (Large 65) The trio starts with feelings relating to Smetana’s anguish, followed by a dedication to the memory of his daughter torn between her life and death, and ending with a movement that gives eventual closure to Smetana’s loss.

We will begin with an analysation of his family situation. Praskovya, his wife, had been a love constructed from the start of an economic and sociological expectation rather than that of a true courtship. The happiness therefore of the union was derived solely of a necessity to fulfill a desire on the part of others for a “success” of sorts, surely her desire as well. “Ivan Ilyich could have counted on a more illustrious match, but even this one was quite good. He had his salary, and her income, he hoped, would bring in an equal amount. (Tolstoy, 56)” Tolstoy goes on to make several remarks on the benevolent nature of the relationship between he and his wife. The arrival of his children creates no great marker in his life, and proves to be little more than a factor in his ever-lengthening retreat into his life of solitude and work.

Peter Tchaikovsky was a famous Composer from the 19th Century. He is known as the most famous Russian composer in history (“Pyotr Ilyich Tchaikovsky Biography”). Some historians think that he was Russia’s first truly professional composer ("Tchaikovsky Music's – Famous”). His music was performed during the late 1800s. He created many musical works throughout this time as a composer and many of these works are still listened to today.