Molière's Tartuffe

In Tartuffe, Moliere's use's plot to defend and oppose characters that symbolize and ridicule habitual behavior's that was imposed during the neo-classical time period. His work, known as a comedy of manners, consists of flat characters, with few and similar traits and that always restore some kind of peace in the end. He down plays society as a whole by creating a microseism, where everyone in the family has to be obedient, respectful, and mindful of the head of the home, which is played by the father Orgon. Mariane shows her obedience when she replies "To please you, sir, is what delights me best." (Moliere 324,11) Shortly afterwards, Orgon commands Mariane to take Tartuffe as her husband even though she is not interested in him at all.

        Moliere rocked the 17th century French world with his comedy "Tartuffe" in 1664. Although, religious factions kept the play banned from theatres from 1664-1669, "Tartuffe" emerged from the controversy as one of the all-time great comedies. Tartuffe is a convincing religious hypocrite. He is a parasite who is sucking Orgon, the rich trusting father, for all he is worth. Orgon does not realize that Tartuffe is a phony, and caters to his every whim. For instance, he reneges on his promise to let his daughter Mariane, marry Valere. Instead he demands that she wed Tartuffe, whom she despises. He also banishes his own son, Damis, from his house for speaking out against Tartuffe and

In Molière's Tartuffe, translated by Richard Wilbur, the central character, a man named Orgon, has been completely brainwashed and taken advantage of by the title character, a lecherous and parasitic "holy man." Tartuffe has made use of one of the oldest scams in human history to insinuate himself into Orgon's household; he appeals to Orgon's desire to be a good, upstanding, and pious man by appearing to be the same. Tartuffe's manipulations are evident to everyone but Orgon, and seem to the reader to be blatantly obvious. His use of religion to manipulate Orgon is consistent throughout the play. In his religious zeal, Orgon is blind to the truth about Tartuffe's character. As a result,

The seventeenth century play Tartuffe, by French writer Molière, is essentially governed by the central theme of reason. Molière illustrates the importance of reason and logic by highlighting it in some of the main characters, and exaggerating lack thereof in others. Like many other French works from the seventeenth century, he emphasizes the significance of having the ability to reason, and in doing so brings attention to the religious hypocrisy associated with this period of enlightenment. Although he focuses on this theme through most of the characters in the play, I feel that Dorine and Clèante are the two characters that essentially serve to represent or personify the voice of reason.

Jean-Baptiste Poquelin Moliere was one of the greatest writers of the seventeenth century, being considered by many the greatest author of French comedy. In his plays, called “comedies of manners”, Moliere satirizes the morals and social conventions of his contemporaneous human society by using stock characters. In Tartuffe, a comedy of five acts, the main topic is the analysis of religious hypocrisy and leader figures of the seventeenth century, portraying Tartuffe in contrast with personages like Orgon.

Throughout time, man has used many forms of deception to get what they want. Moliere’s play Tartuffe is a classical story about deception and how a “mask” is used to hide someone’s true intentions. Moliere applies the idea of a mask and a theme of deception to exploit the power struggles within a traditional household. The character Tartuffe employs deception so he can achieve social and economical standings while Elmire, Mariane, and Dorine use deception to defy the authority of Orgon over the entire household and to help bring back family harmony.

Moliere's Tartuffe is a satire based on religious hypocrisy. Every character is essential in Tartuffe. All of the characters play an important role, but it is easy to say that Tartuffe and Orgon are the main characters. First, we must know the definition of satire. According to the Merriam-Webster Online Dictionary, satire is defined as "literary work holding up human vices and follies to ridicule or scorn" ("satire"). In other words, a satire is defined as literary work that uses humor to point out the foolishness of a person or just in human nature. Religious hypocrisy can be self-defined as a false assumption of a person. What follows are examples of how I believe Tartuffe exposes humor

Jean-Baptiste Poquelin Moliere wrote Tartuffe during the beginning of the Age of Enlightenment. One of the main characteristics of the Age of Enlightenment was a push towards using reason over emotions to make decisions. The leaders of the enlightenment truly believed that the world could be made a better place if people did this. In Tartuffe, when the characters use their emotions to make their decisions they find themselves in undesirable situations. While those who let their emotions rule them find their lives spinning out of control, there are other characters in the play who try to approach them with reason and logic. Out of these characters the lady’s maid Dorine stands out as the voice of reason.

The focus of this paper will be to compare and contrast the works of two playwrights. The works that will be considered are Molière’s The Would-Be Gentleman and Beaumarchais’s The Marriage of Figaro. Both considered comedies, Moliere’s is a short play that tells the tale of Monsieur Jourdain, a tradesman who desires to become a gentleman. Beaumarchais’s play, second in the Figaro trilogy, follows the series of event prior to Figaro’s wedding. Figaro and his companions scheme to ensure that his marriage occurs smoothly. Furthermore, the plays are dated 100 years apart from each other, and they deal with the representation of social hierarchy, social mobility, and gender roles in various ways. With that in mind, they become good sources to compare and contrast the changes in society that occurred within those 100 years. This paper will compare both plays to examine how Molière further endorses the social values and ideas of his time, while Beaumarchais’s presents a shift in attitude towards those values and challenges them.

Jean-Baptiste Moliere, who was originally named Jean-Baptiste Poquelin, was one of the greatest and well-known comic dramatists. He was known as one of the greatest and famous comic writers mainly because his works challenged the imprudence of trusting reason for different life events. One of Moliere’s most famous works includes Tartuffe primarily for the amount of controversy it sparked related to satire. Tartuffe is a play that tells about a man named Orgon, who is a wealthy family man, who takes a stranger into his home named Tartuffe. He later indeed is discovered to be a religious hypocrite. He doesn't have any morals or indeed values religion. Tartuffe simply used religion as a disguise to manipulate people and do his crimes. He pretends to be extremely religious, but from his actions and behavior, it goes entirely against the morals of religion. For example, when Tartuffe sees Dorine in Act 3, Scene 2, he tells her:

In Tartuffe, Moliere's use's plot to defend and oppose characters that symbolize and ridicule habitual behavior's that was imposed during the neo-classical time period. His work, known as a comedy of manners, consists of flat characters, with few and similar traits, and that always restore some kind of peace in the end. He down plays society as a whole by creating a microseism, where everyone in the family has to be obedient, respectful, and mindful of the head of the home, which is played by the father Orgon. Mariane shows her obedience when she replies "To please you, sir, is what delights me best." (Moliere 324,11) Shortly afterwards, Orgon commands Mariane to take Tartuffe as her husband even though she is not interested in him at all. Orgon's command shows how men are dominate

Jean-Baptiste Poquelin Moliere's Tartuffe is an epic play of hypocrisy, betrayal, and the tale of a foolish mind. Moliere's choice of protagonist in this play happens to be the most blatantly ignorant character in the play. Orgon is naive to the villain Tartuffe's hypocritical ways, makes a complete dunce of himself by uplifting Tartuffe as holy, and failing to pick up the abundance of clues of Tartuffe being fake. Analyzing this character is rather interesting and at the same time frustrating to read of someone so ignorant that they fail to see the wolf hiding under the sheep clothing. A fool is a fool unless they open their eyes to see the truth, and it took Orgon the majority of the play to realize the truth.

In Moliere’s “Tartuffe,” although many things and behaviors are satirized, the play focuses mainly on the issue of religious hypocrisy. Whereas Tartuffe is the obvious hypocrite and

Moliere's Tartuffe is a satire based on religious hypocrisy. Every character is essential in Tartuffe. All of the characters play an important role, but it is easy to say that Tartuffe and Orgon are the main characters. First, we must know the definition of satire. According to the Merriam-Webster Online Dictionary, satire is defined as "literary work holding up human vices and follies to ridicule or scorn" ("satire"). In other words, a satire is defined as literary work that uses humor to point out the foolishness of a person or just in human nature. Religious hypocrisy can be self-defined as a false assumption of a person. What follows are examples of how I believe Tartuffe exposes humor

The context surrounding the period in which Tartuffe was written in, the 17th Century is remembered as being a time of extreme power for the French Monarchy. King Louis XIV and Cardinal Richelieu transformed France’s feudal monarchy to an absolute monarchy. What must also be noted about this time is the fact that the Catholic Church and Politicians had a great deal of power over authors and playwrights. In this time of social and religious persecution, Molière created Tartuffe , a comedy dealing with hypocrisy and to a great extent, religion and how religion can be used in a negative way, to mask sin. The play is known to be offensive towards the Catholic Church and religion in general. When it was first performed in 1664, it was censored,