Moll Flanders: Fact or Fiction

She was wishing for a more luxury lifetime, rather than being appreciative. At the beginning of the story, Madame Loisel emanated a materialistic perspective. The narrator stated, “She suffered constantly, feeling

To analyze the impact of women in the picture, one must examine Philip Marlowe, the hero and epitome of masculinity. Throughout the novel, Marlowe displays the admirable qualities of a man: intelligence, strength and justice. Additionally, Marlowe’s role as the hero of the film creates an example to which all men should strive. He represents the goals and desires of men, and as such his behavior helps define the position of women. Women constantly throw themselves at Marlowe, allowing him to pick from a fairly wide selection. His choice of Vivian holds considerable weight in determining the traits that make a woman popular. Marlowe’s interactions with all women help reveal the complexities of 1940s feminine attraction.

Middleton and Dekker collaborate to write The Roaring Girl, which concentrates on a real-life London woman named Moll Cutpurse. Moll was reputed to be a prostitute, bawd, and thief, but the playwrights present her as a lady of great spirit and virtue whose reputation is misrepresented by a small, convention-bound civilization. In the play, as in reality, Moll dresses in men’s attire, smokes a pipe and bears a sword representing a colorful and in the underworld life of Moll Cutpurse. She stood London on its head with her cross-dressing and gender-bending behavior, and illegal pursuits. Her defiance of women in this play is exceptional. Also, she is perhaps one of the only players to be scrupulously true to herself; some of the other characters display very hypocritical aspects. Such unorthodox and unconventional role, Middleton and Dekker implies, leads to her spotted standing. She is a roaring girl; An audacious and bold woman-about-town. But beneath this absence of femininity, is a courageous, high-principled woman. Moll interposes in the central plots and is associated in skirmishes with many of the characters, consistently showcasing her ability to stand up for the downtrodden and wronged. Therefore, Moll creates a 'third space ' that identifies her as importantly freed in her navigation of space and social relations.

Scene 1: Mary Fitzgerald visits her love Sebastian, dressed as a sempster. They were betrothed and something has happened to stop the marriage. Sebastian tells Mary about Moll, whom he's pretending to love to trick his father.

Statement of intent: The purpose of this piece of writing is to engage the audience through writing an essay about the novel The Things They Carried by author Tim O’Brien. I have chosen to talk about the importance of storytelling throughout his novel and how it is able to make the text more successful. In the captivating novel The Things They Carried written by Tim O’Brien, many complex situations are created through the use of storytelling such as decision making, the importance of fact and fiction and horrific experiences that soldiers went through at the Vietnam war. These situations make his novel successful as he is able to get the audience to relate to him and to see deeper meanings that are behind the stories that he tells throughout.

This is contrasted by Moll's internal narrative in which she scoffs at the innocent bystanders who she deems stupid enough to warrant her theft, and whilst this can be viewed as merely a coping mechanism for Moll to rationalise her illegal behaviour, when it is coupled with the declaration in the Preface, Defoe's intended purpose for Moll Flanders seems far more layered than the bold and uncompromising declaration of his 'editor' narrator. Whilst Moll is punished for her crimes, there are no permanent repercussions. Even the scenes in which Moll is arrested and brought to Newgate, the place of her birth, only offer a temporary consequence for her actions that is quickly relieved upon her release - but the psychological impact of Newgate and its use as a motif in contemporary literature are both important when considering how Defoe approaches the concept of redemption and penance in his female

Madame Loisel had changed for the better in the end. In the beginning, her desires for expensive possessions were proven multiple times by details such as, "She had no gowns, no jewels, nothing. And she loved nothing but that. " Not only did she sought after the high-class lifestyle, she felt entitled to be in it. "Mathilde suffered ceaselessly, feeling herself born to enjoy all delicacies and all luxuries."

The young narrator, while seeming naïve to reality, was very well aware to all the hardships surrounding his neighborhood. He never had any intention to defy the guidelines of his neighbors and friends. But when his days of being a juvenile Sherlock Holmes were interrupted by a revelation of simultaneous truth and lies, Christopher chose to leave a promising future of high placement classes, for

In Flanders FieldsIn Flanders fields the poppies blow Between the crosses, row on row,That mark our place; and in the skyThe larks, still bravely singing, flyScarce heard amid the guns below.We are the Dead. Short days agoWe lived, felt dawn, saw sunset glow,Loved, and were loved, and now we lieIn Flanders fields.Take up our quarrel with the foe:To you from failing hands we throwThe torch; be yours to hold it high.If ye break faith with us who dieWe shall not sleep, though poppies growIn Flanders fields.     

In the first scene of the sequence, Moll has just arrived in London and is seeking employment. She is dressed modestly and appears innocent as the woman in front of her looks her over. This woman is actually a brothel keeper named Mother Needham who gives her attention in the hopes of grooming Moll for prostitution. Moll’s facial expression suggests that she is flattered by the woman’s attentions (McCreery). The horse in the background has upset this stack of pots, which might be foreshadowing to Moll’s fall. There’s also a trunk in the right side of the foreground that has Moll’s initials on it. It appears to be coffin-like, which could also be foreshadowing for the end of the

Mr. Loisel was obviously excited the day that The Chancellor of Education had invited them to an exquisite dinner. Surely he thought that this was finally a way that he could provide an outlet for Mathilde's deepest desires. Unfortunately, instead of being thrilled as he had predicted, Mathilde acted like a spoiled child, throwing the invitation on the table. "She had no decent dresses, no jewels, nothing. And she loved nothing but these; she believed herself born only for these" (5). She couldn't have been more manipulative than when she began to cry about not having anything to wear. Of course Mr. Loisel suddenly fell into her trap and suddenly decided to give her all of the money in his savings account to buy her a new dress. Most would assume that she'd be satisfied at this point; her husband has just made a huge financial sacrifice for her. However, as time drew near to the night of the party, she became insecure and restless because she thought she would look poor if she didn't have any fancy jewels to wear; she thought she'd look like a beggar. `I'd almost rather not go to the party (30)", she said.

Her persistent mindset of wanting and needing more, is how her internal conflict developed. All of Madame Loisel’s issues relate back to her internal fascination with becoming incredibly rich and valued by her peers. The text states, “She had longed so eagerly to charm, to be desired, to be wildly attractive and sought after.” (1) Madame Loisel’s mindset was simply set on materialistic things and being respected amongst her peers. Even throughout the years, her idea of ‘perfection’ never changed a bit. The story reads, “But sometimes, when her husband was at the office, she sat down by the window and thought of that evening long ago, of the ball at which she had been so beautiful and so much admired.” (5) Ten hard and stressful years later, Madame Loisel is still under the impression that everything she has must be beautiful and valued. This situation expresses irony because although she is beautiful, she still feels a desire to receive expensive things. The text states, “She was one of those pretty and charming girls born, as though fate had blundered over her, into a family of artisans… She suffered endlessly, feeling herself born for every delicacy and luxury.” (1) Although she is beautiful

Among countless disparities present in 17th century England, one of the most prevalent differences was in gender roles. As a woman, Moll seemed to be troubled with more burdens and pressures than men. What remained constant was having females be subordinate, no matter if they were in a position of poverty or prosperity. This is why in Defoe’s novel, Moll Flanders, the protagonist would have experienced greater difficulty if she had been male. Nothing controlled a community more than money so when men take the central role in a community they become in control of most of the money. Women had their beauty while men had their assets. While Moll may have gotten blessed with beauty and natural talent, she was never looked to as a provider for others and had the luxury of being selfish with her wealth.

Madame Loisel is a very stuck up character in the beginning of the story. She sees no value to money. She believes she was meant to live a wealthy life, and has high hopes for an elegant and luxurious life. This is shown in story when it says that “She suffered constantly, feeling that all her attributes of a gracious life, even luxury, should have rightfully been hers.”

But he said: ‘Very well. I will give you four hundred francs. And try to have a pretty gown’” (3). This generosity, in consequence, makes Madame Loisel become even more spoiled. Madame Loisel’s unhappiness, in turn, causes Monsieur Loisel to become even more adulating, as he not only pays for her dress, but also allows her to dance with other men while he sleeps in the anteroom instead of his own home. Finally, Monsieur Loisel’s suggestion to lie to Madame Forestier about the necklace causes Madame Loisel to become strong and hard-working in order to pay off their debt, “Thereafter Madame Loisel knew the horrible existence of the needy. She bore her part, however, with sudden heroism. That dreadful debt must be paid. She would pay it” (8). These mutual changes in response to the other’s flaws, such as Madame Loisel becoming more hedonistic as her husband becomes more sycophantic and Madame Loisel