Mona Lisa and Last Supper

Rogier van der Weyden produced the “Deposition” circa 1435. This work of art falls in to the religion matrix because Jesus Christ is in the central focus with a cross in the background. Weyden painted the entourage with

The Purpose of the paintings of the “Last Supper,” by Ugolino di Nerio and Leonardo da Vinci, were to portray the betrayal of Jesus Christ by of one the twelve apostles, as they are having the last meal. Jesus Christ mentions to his apostles that there is going to be a betrayal amongst them. All twelve apostles had mixed feelings of anger, fear, and surprised. Later on, it turns out that Judas, one of the twelve apostles, had told the authorities about Jesus so he can be arrested then later crucified. The paintings show a dramatic scene after the claim by Jesus Christ. The paintings give us insight to get the reader interested in the painting of “The Last Supper,” how the cultures that produced those paintings change the way we paint today, and how both paintings influenced the Renaissance era.

The space, too, shows signs that this painting is from the Renaissance. There is clearly a recession in space, although it is seen mostly in the landscape beyond the main subject. But even in the foreground, the use of diagonals to create architectural

The two depictions of the Last Supper are very different due to a number of outlying factors. There are different purposes or functions that each of the

One of the most celebrated paintings in the Robert Lehman Collection, this jewel-like representation of the Annunciation is set in an architectural interior constructed according to a rigorous system of one-point perspective. The panel was almost certainly commissioned as a private devotional image, not as part of a larger structure. While the identity of the patron is not known, the work was in the famed Barberini collection in Rome in the seventeenth century.

Da Vinci’s “The Last Supper,” was painted during his time in Milan, which was from about 1495 to 1498. “The Last Supper” is a tempera and oil mural on plaster. He created this painting for the refectory of the city’s Monastery of Santa Maria delle Grazie. Also known as “The Cenacle,” this painting is about fifteen by twenty nine feet and is the artist’s only surviving fresco. The painting depicts the Passover dinner, in which Jesus Christ addresses the Apostles and says, “One of you shall betray me.” One of the painting’s most vivid features in the painting is each Apostle’s distinct emotive expression and body language. When the French in 1499 (invaded Milan) and the Sforza family fled, da Vinci also escaped. He was possibly the first to Venice and then to Florence.

This painting was created by the artist Parmigianino in 1534–1535 during the Renaissance & Mannerism time period in Florence, Italy. The painting is oil on wood. The painting portrays the Virgin Mary placed on a high pedestal in extravagant robes, holding a very large baby Jesus on her lap. Next to her are a few angels showing interest in the baby Jesus. In the lower right-hand corner of the painting shows the emaciated figure of St. Jerome. A representation of St. Jerome was required by the administrator because of the saint's relation with the adoration of the Virgin Mary. The Madonna with the Long Neck is a portrayal of the Virgin Mary who seems to be very disproportioned.

The work presented is St. Lucy Altarpiece, painted by Domenico Veneziano. It was created in Florence ca. 1445-47 A.D. This composition of tempera on a roughly 6 x 7 foot wood panel displays a horizontal scene of Madonna and Child with attending saints and bishops. Designed as an altarpiece, with the intentions of its being displayed before the public, St. Lucy Altarpiece stresses the importance of it’s main characters; Madonna and Child. Veneziano stresses his motives of bringing attention towards Madonna and Child by using physical light and darkness, space, perspective, and even the subjects within the painting to communicate their importance.

The painting, ‘Virgin and Child with Donor’, by Antoniazzo Romano, despite painting a similar scene, possesses several differences. The most notable difference is the fact that the work of art was crafted on an entirely different medium, which was the ‘Tempera and gold leaf on wood’, according to the museum’s description. The painting is similar to Rogier van der Weyden’s work in its depiction of the Virgin Mary with very soft, blended features. The facial expression of the Virgin Mary is also very like that of Rogier van der Weyden’s painting as well, conveying a sense of peace and

The Last supper represents the first celebration of this sacrifice that is now a key part to every mass. That is why it was so important to show Jesus twice in these paintings.

The Last Supper measures 460 cm × 880 cm (180 in × 350 in) and till this day covers an end wall of the dining hall at the monastery of Santa Maria delle Grazie, a church and Dominican convent in Milan, northern Italy.

Although, the way Leonardo allows its viewers to depict the scene from a specific point in the Bible adds to the importance and significance of the painting in which no other artist could even compare. He does allow the viewer to recognize this scene by the gestures of both the Lord and the Apostles. The Lord sits ever so quietly while the Apostles rise in reaction to what the Lord had just announced. It is rather obvious that Leonardo chose the critical moment after the Lord had stated, ‘Verily I say unto you that one of you shall betray me,' because of the emotions that evolve in this specific scene (Matt. 26.21).

As we all know the Last Supper is the last dinner that Jesus shared with his Apostles before he was betrayed and crucified. Although this theme occurs in many works, The Last Supper by Leonardo da Vinci is the most famous and has been a subject of many discussions.

Tintoretto began The Last Supper in 1952 and completed it in 1954 (Pallucchini). It is an oil painting on canvas located in the Church of San Giorgio Maggiore (Pallucchini). This painting is absolutely gorgeous, so I am glad it is displayed near the altar of a church for everybody in Venice, Italy and tourists that visit there to see. I would love to be able to take a trip to Italy and experience seeing this work of art for

Leonardo Da vinci painted the “Mona Lisa” in 1503. The artist portrays a young woman, which acquires the concept of feminine youth and more essentially the concept of elegance. In relation to Agnolo firenzuola’s novel “On The Beauty Of Women” , the portrait attributes to major physical characteristics in which is considered to be genuine beauty by the modern man. Seeing the female portraiture of the italian renaissance, Firenzuola implies a specific interpretation by analyzing the modern woman. Through the famous paintings illustrated by Leonardo da Vinci, the Mona Lisa specifically supports the arguments and claims made by the poet’s correspondence to the beauty of women. Along with Da Vinci’s sticking features, the artist paints Firenzuola’s ideal beauty in comparability to the appearance of definitive grace. With his analyzations being extremely aesthetic, Firenzuolo activates criticizing aspects of the proportions of the figure, the placement of the figure’s position and the importance of the half length portrait of the feminine nature in relation to the portraiture of Mona Lisa.