Monologue Othello

The moon is melancholically moving towards the horizon and the sun is rising mechanically. A beam of light suddenly shined Duncan’s body as if it knew what happened last night. The dense air is penetrating the room. I couldn’t barely move nor breathe.

To some people, power is authority, and to some, it is capability. To all, it is a metaphorical concept that is individually assigned by one's own view of a situation. George R.R. Martin targeted this concept precisely in A Clash of Kings when he wrote, “Power resides where men believe it resides. No more and no less.” This quote ties in nicely to Othello by William Shakespeare. Power seems to be a relevant theme in this story, although the question of who help the power is also very prominent. The insightful quote from Martin helps us determine this. To defend this quote with evidence from Othello, one must first understand how to obtain ‘power’, then understand why the characters thought Othello was the one in power, furthermore, one may

Roderigo: I've been paying you to help me win Desdemona's love and see no results. Why didn't you tell me she married the Moor? Do your loyalties lie with him?

Thank you for taking an interest in the role! I really appreciate it. — So I have some background for the Emilia role, but it's open to creative freedom. She, Brandon (me) and the Kit all grew up on the bad side of town (I haven't picked a location yet, as I wanted everyone's input once I got the group together) She and Brandon are very close, almost like siblings, and he's very protective of her; they have a relationship like Dom and Mia from Fast and the Furious.

      Shakespeare's tragic hero, Othello, was a man whose gifts far outnumbered his weaknesses. On the battlefield, he was accomplished; in his profession, he was highly ranked; and, in his life, he was blissfully married. Despite these great advantages, however, Othello's destiny was ruin. Everything he had so carefully made for himself would be destroyed by one flaw: his fear of remaining an outsider. He feared this fate, yet he harped on it continuously, tearing himself between his identity as a foreigner and his desire to live as a normal citizen. Even so far back as his first public speech, perturbations caused by this internal unrest surfaced, and it was unrest that would ultimately lead to his horrible and

In the play Othello, jealousy is shown to be very evident through the actions of the characters. Jealousy is an emotion that everyone shares, and it is ultimately responsible for the tragic ending of the play. Everyone feels jealous at certain times of their lives, and this feeling can cause people to do irrational things. This human emotion also shows people to be weak in the sense that they are never happy with what they have. Shakespeare shows through Othello, Iago, Roderigo, and Brabantio that jealousy is the most corrupt and destructive emotion.

I awoke to beams of a dozen spotlights, my vision gradually adjusted to the brilliant white light which illuminated everything around me. The realization that I had fallen asleep during rehearsal caused my eyes to widen in utter shock and confusion.

The air reeked of alcohol, the intoxicated breaths of young people colliding together over drunken slurs to create one distinct scent. She kept her head low as she made her way through the maze made by the seemingly endless crowd. Full of regrets, she was doing all she could to get out of there, the distraction turning out to be nothing more than a few drinks with people who didn't even know when her birthday was. The song finished abruptly, followed by simultaneous cheering. She kept moving, weaving in and out of people with fierce determination until she walked right into him. She murmured a quick apology and went to continue when the familiarity of the figure in front of her hit. She hesitantly looked up, heart dropping into her stomach at the mere sight of him.

Nothing was heard, only the water droplets that drops from the crack ceiling. Making a small puddle on the ground, having mice roaming around the place.

I took a deep breath as I walked through the doorway. The door was stuck open, hanging on just one of its hinges. It was clear that no one had been near this place in a long time. As I entered, a stench hit me. It smelt sickly sweet, almost like rotten fairy floss. I looked around the room at the faded and ripped wallpaper, and the broken furniture. The air was so thick with dust it was almost impossible to breathe, and everything was thickly covered with dust. The little light there was came from the cracks in the yellowed blinds.

The definition of a tragic hero is that an individual who has a mixture of admirable qualities and a tragic flaw which proves fatal. This suggests Othello is a tragic hero, though qualities such as nobility in thoughts or actions do not consistently portray Othello throughout the play. Despite his brave reputation as a soldier and characteristics of trusting and caring initially with Desdemona, his weaknesses in both his own character and his vulnerability to Iago¡¦ s lies, and the decision of killing Desdemona at last do not make Othello sufficiently noble in thought or action to attain the status of a tragic hero.

As of late, I have been pondering as to what I should do with thee and thy family. After many a days and long, sleepless nights, I have found my resolve. In the bitter end, my thoughts have concluded not to petty arguing but to a vehement brawl. Only a low-born fool would deny a challenge to defend his household! Is that what thou art? A low-born fool, petty, unmuzzled, and ill-nurtured. Why might I make such a rash decision to fight thee, one may ask. It should be as clear as the day is lively! This matter runs much deeper than futile loathing.

Critics have debated the significance of Othello’s race in terms of portraying his identity for a long time. The negative connotations of “blackness” have led to the creation of many racial constructs associated with the “Moor”; this denigration has infused the opinions of many critics, such as Albert Gerard, proposing that Othello’s “negroid physiognomy” reaches down to the “deepest levels of personality” and that he is a “barbarian”. However, many other critics like Edward Berry and Martin Orkin believe that colour is merely a “surface indicator” compared to the outward virtue of beneficence, defining identity. Beneficence could be defined by the will to practice good acts, in conjunction with the aversion of practicing evil, and the prevention and removal of evil.

saying he will “tear her all to pieces” and he tells Iago to let him

Write a speech to a hsc student about human condition in Othello. Give reference to one character and one theme.