Monomyth: Hero and Family Versus Loyalty Essay

In a traditional story, characters that are presented within the story is usually defined certain unique feature. One of those unique features being their strengths and weaknesses. The main character of the story usually doesn’t reveal their strength and weaknesses at the beginning but instead reveal it overtime throughout the novel. The character can either embrace their strength and try to overcome their weaknesses or they could deny it and run from the problem. If the protagonist is going through Joseph Campbell’s Hero Cycle then it is most likely that the protagonist will eventually face hardship and overcome the challenge and his weakness, while at the same time learning something about him/herself. Some story however does not follow the cycle and

During the course of this World Literature class, several stories have been covered that accurately describe Joseph Campbell's mono-myth, or basic pattern found in narratives from every corner of the world. The Hero's Journey in it's entirety has seventeen stages or steps, but if boiled down can be described in three; the departure, the initiation, and the return (Monomyth Cycle). Each stage has several steps, but the cycle describes the hero starting in his initial state, encountering something to change him, and this his return as a changed person. To further explain this concept, there are a few stories covered in this class that can be used.

The call to adventure can take multitude way of form it can be a message, announcement, a storm, a villain, or even worse the death of someone. It might take the hero multiple calls before the hero realizes that he must take that task. Majority of the time the hero needs to choose between two conflicting calls. The second call is the refusal of the call. The hero refuses the call because of either fear or insecurities.

The reading “The Stages of The Hero’s Journey” talks about all the stages and/or obstacles that a typical hero goes through in stories or movies. To begin with, the first stage is the ordinary world stage. This is where the hero is introduced so that the audience can identify him or her. This is also the part where the audience is aware of the situation or environment the hero may be in.

Although Sartoris ended up going out on a limb and bursting out the secret of the barn, he in the end feels sorrow. Even after doing what seemed at that present time to be the right thing to do. Faulkner says, “The grief and despair now no longer terror and fear but just grief and despair.” (Faulkner 156)

In the article, The Writer’s Journey, there are twelve stages a hero encounters on their journey according to the author Christopher Vogler. For instance, the first stage is the Ordinary World that allows for the reader to identify the hero before the journey starts. Such as, unique characteristics or problems before disrupted by the Call to Adventure that presents a challenge that has to be defeated. The call comes in different forms like: a message, death, or even the arrival of a villain. The journey continues on to the Refusal of the Call, which is, when the hero tries to prevent the challenge because of fears and insecurities. Most times the hero rejects the call to stay in the safe Ordinary World. Before giving up on the challenge, the

There are 12 stages to a hero’s journey, along with the characters that go along with this journey. The first stage to a hero’s journey is called the Ordinary World. The ordinary world is what the hero is generally comfortable with. It also helps the reader connect to the Hero as it shows us where he is coming from, making us understand what drives them. The ordinary world is also disrupted by the central dramatic question which forces the hero to enter the special world, to uncomplicate the problem. The next stage is the Call to Adventure, where the Hero’s ordinary world has become compromise and a quest arises that he must take. There are times where there must be stakes to encourage taking the quest or a succession of calls. The

Monomyth is a term coined by Campbell from the author James Joyce. Monomyth describes the series of events often found in stories that make up the hero’s journey. Campbell divided the journey into three main parts: the departure, initiation and the return. Each part of the journey is further divided into smaller more detailed sections. The basic structure outlined by Campbell’s Monomyth has become a template used for most stories centered on a hero. Many stories and blockbuster films follow Campbell’s Monomyth. This keeps the monomyth still relevant in story writing and useful in the analysis of films.

The monomyth is a story plot that grabs the attention of viewers or readers. It is still studied because it reveals things about culture and has many things to offer. We read and watch the same story over and over again because the audience is attracted to heroic stories about how the hero saved the world and killed the bad guy.

In the end, the self-confidence and bravery to complete his journey to the bazaar was a tough lesson on his behalf and gave him self growth.

Every story ever written has a very similar path to Campbell’s Monomyth. In the film Extremely Loud and Incredibly close, we see this young boy named Oskar take on an incredible journey to find a lock that belongs to a key he found on his father closet. We see him face many trials and test that he must undergo, his call to adventure and begging his self-discovery journey and also his return to his family after his journey is completed. These are just some task through the journey of Campbell’s Monomyth that connects with the film and the whole story itself. Along the way Oskar’s will see his separation from the world he knew and begin his called to adventure, he would also come across his initiation to become the person he is looking to become and his return as he transforms into the person he wanted to become, like a caterpillar to a butterfly.

What is Kick-Ass? For some it’s just a silly comedy; however, it’s a real hero story. This story is about a normal high-schooler, David Lizewski, who likes to read comics. One day he thinks to himself that there are so many people who need help and he wonders why no one has tried becoming a superhero. After, he gets robbed by two villains, following that he decides to become a superhero and fight for the people of New York.

Multiple times you have read or seen a story and possibly recognized a certain repetition within the plot, like an encounter of the one character that helps the hero throughout the story that helps the hero through tests whether mental or physical. Or perhaps the ending, where the hero returns significantly transformed after their journey. Then like in multiple stories, chances are you have come across the “Monomyth” theory by Joseph Campbell. The Monomyth theory can be seen in hundreds of thousands of story plots, thus the title of Joseph Campbell’s book The Hero with a Thousand Faces. The Monomyth theory applies to many archetypes in these stories, contributing to their purpose, meaning, and effect to the Hero's Journey. One archetype that

In his renowned work, The Hero with a Thousand Faces, Joseph Campbell defined the essential stages of the Heroic Journey, using examples from a wide range of myths and stories. His objective was not only to establish the framework for hero tales, but also to convey why these elements of the monomyth prevail in so many different works. Campbell’s view states that “the hero myth is really written about every human being: we are all heroes struggling to accomplish our adventure” (Whomsley, 185). From this perspective, it seems justified that these patterns continue to appear in so many stories adventure and heroism; we all want our

The monomyth, or Hero’s Journey, “provides a conceptual roadmap for confronting life’s challenges” (Robertson and Lawrence). Basically, it is an outline or pattern of events that a hero may follow in a story or movie to achieve something. This so-called pattern takes place in two locations: the ordinary world and the supernatural world. Joseph Campbell was the first person to notice this outline and actually research it. Osmosis Jones is just one example of a movie which follows the monomyth. This movie also serves as a great lesson of perseverance because even throughout the trials and tribulations, Jones never gives up and in the end is rewarded. As Jones ventures through the stages of the monomyth, the theme of perseverance is developed and he is considered a hero.