Monomyth In The Iliad And The Odyssey : Character Analysis

Joseph Campbell dedicated his whole life researching patterns that appear in almost every hero story or movie. He discovered that there are a few basics stages that just about every hero character goes through. This cycle is called “the monomyth” or more commonly known as “the hero’s journey.” This paper will compare and contrast Beowulf and Shrek and how each fits into the monomyth. Every story that involves a hero will subsequently follow the concept of the Heroes Journey.

Joseph Campbell’s term monomyth can be described as a hero’s journey. Many heroic characters follow the monomyth, no matter the time period or culture the literature was created in. The poem Beowulf is known to follow the adventure of the hero described in Campbell’s monomyth . The hero’s journey consists of three rites of passages: separation, initiation, and return. Beowulf endures each of these stages throughout the epic poem, so his journey does follow Campbell’s monomyth.

“As is the generation of leaves, so is that of humanity. The wind scatters the leaves on the ground, but the live timber burgeons with leaves again in the season of spring returning. So one generation of men will grow while another dies” (6.146-50)

Since long ago, people carried an image of what it means to be a hero. It is evident in some great books one might even say. As in The Epic of Gilgamesh, Antigone, and The Iliad, heroism is displayed and exalted, but what does being a hero mean? Overarchingly, in regards to these works, the heroes earn their titles as heroes by notably doing what is right when the time is right, with humane purpose, and an everlasting message. However, Gilgamesh, Antigone, and Akhilleus, being different in their purposes, everlasting messages, type of heroism as whole, can not compare in regards to heroic status.

During the course of this World Literature class, several stories have been covered that accurately describe Joseph Campbell's mono-myth, or basic pattern found in narratives from every corner of the world. The Hero's Journey in it's entirety has seventeen stages or steps, but if boiled down can be described in three; the departure, the initiation, and the return (Monomyth Cycle). Each stage has several steps, but the cycle describes the hero starting in his initial state, encountering something to change him, and this his return as a changed person. To further explain this concept, there are a few stories covered in this class that can be used.

The stories of epic heroes remain important to many cultures, the Greeks in particular. These tales of heroic men not only entertain, but they teach people about morals and values that most epic heroes exemplify, such as intelligence and bravery. To be an epic hero, characters are usually highly born, favored by the gods, perform great deeds, and have flaws. These tales are told in heightened style and occur in grand settings. Odysseus, the King of Ithaca, meets these traits and is considered a prime example of an epic hero. His story is told in Homer’s The Odyssey and The Iliad. However, Odysseus’s journey sets him apart from other epic heroes. Most heroes follow the hero’s journey, in which a hero begins in the ordinary world, is called

Throughout humankind, many heroes have impacted world’s history. Some are true stories while some have become legends. These storied are retold over and over due to the hero, which shows a common

In 1949, Joseph Campbell published his book “The Hero with a Thousand Faces.” It details his theory of the “monomyth,” a theory that illustrates how many heroic mythological stories have similar outlines and archetypes. During his discussion of the second chapter of the monomyth, Campbell says that the monomyth can “serve as a general pattern for men and women” in their everyday lives (121). In many circumstances, comparisons can be made between normal situations throughout life and the monomyth. When a challenge of task is encountered in life, it can be analyzed under the three main stages of the monomyth: the departure, the initiation, and the return.

Hero stories like The Odyssey have been around for millions of years. Joseph Campbell says, “all heroes go through basic stages.” Campbell looks at these varieties of heroes as one hero “with a thousand faces.” The heroes will go through the three stages, the departure, initiation, and the return. In The Odyssey, Odysseys starts from his departure leaving Troy to go back home, he then goes through the initiation where Odysseys’ true character emerges, and then returning home as his new self.

Abstract: Myths are symbolic representations of the innermost aspects of life and the spiritual underpinnings of the religions. Numerous mythological stories depict the journey of self, both inwardly and outwardly. Myths preserve that journey of ultimate destiny of every individual which reveals timeless truth. Mythologies of different cultures speak about the hero’s journey both inwardly and outwardly which lead to spiritual growth. The hero departs from this world and goes through the wilderness of unconscious and returns to the society of being strong and self-aware in spirit. This research paper describes the set of concepts known as “The Hero’s Journey” drawn from the depth of psychology of Carl G.Jung and mythic studies of Joseph Campbell. It tries to relate those ideas to contemporary story telling which evolve from our innermost selves and our most distant past. Joseph Campbell described the hero’s journey as monomyth in his book The Hero with a Thousand Faces (1949). Hero’s journey is a hand book of life which gives instructions in the art of being human. It is not an invention but an observation. It recognizes a set of

Throughout history it becomes apparent that all the great stories: The Odyssey, Great Expectations, The Adventures of Huckleberry Finn are all founded on a similar theme. The same plot line, a hero, most often the protagonist, faces danger and adversity to the highest extreme but always comes out on top. He is depicted as the pinnacle of human triumph and in essence, demonstrates a fundamental strength that all men should strive to achieve. These stories were, “ full of darkness and danger. And sometimes one did not want to know the end; How could the world go back to the way it was when so much bad had happened? In the end, it is only a passing thing. A new day will come. And when the sun shines it will shine out even clearer. Those

The Hero’s journey, or in its more correct terminology the Monomyth is an object from the area of comparative mythology. Its definition in the most basic of forms, it is a pattern or outline that is used in storytelling, usually the myth. This pattern is found in many famous pieces from all around the world. In the book The Hero with a Thousand Faces from 1949 by author Joseph Campbell, this pattern is described in detail. Campbell describes that numerous myths from different times and areas of the world seem to share an identical structure in their storytelling. He summarized this with a well-known quote found at the intro of his book:

The hero’s journey has evolved with literature over time, and remains the basis for character development today. So why are there so many stories of the hero in mythology? Campbell answers this question in his interview with Bill Moyers by saying, “Because that’s what’s worth writing about…. A hero is someone who has given his or her life to something bigger than oneself” (The Power of Myth 151).

In his book The Hero with a Thousand Faces, first published in 1949, esteemed American mythologist Joseph Campbell outlines the fundamental structure every archetypal hero follows during his or her journey in the "world of mythologies." Campbell coined the term “monomyth" to describe the stories that follow this structure. The monomythic cycle, commonly referred to as "The Hero 's Journey," is divided into three primary sections known as the Departure, Fulfillment, and Return. These sections posses a total of twelve elements that the hero will encounter through his story arc. This basic structure is common amongst many mythologies, but has particular pertinence when discussing the story arc of the Medieval novel

The classical hero is a timeless description of human beings all around the world. Not only is it part of some human’s nature; it is used as a source of entertainment for people as well. The classical hero is seen both in the Iliad, as we have discussed, and in today’s world every day and in most cases everywhere. Heroes are seen today in TV shows, novels, movies, sports, in politics, and on the news, etc. As an audience, we love to study the classical hero whether we’re watching something or reading a novel or story about one. It always seems to be exhilarating because it’s part of our nature. The story of the hero motivates individuals to want to be like that person and strive to help