Monsoon Wedding Film Analysis

Princess films are beloved classics that range from the beloved Disney franchise, to live action films such as the Princess Diaries, to historical tales as those seen is polish films. No matter what the format or genre these films typically have a prince searching for his love the princess and contain recurring scenes. The film The Princess Bride offers a new comedic approach to this classic genre. While scholars have explored how princess films are able to succeed through the use ideas such as nostalgia or nationalism, The Princess Bride succeeds through the use of comedy. Through the use of comedic devices such as mistaken identity, absurdity, and good old-fashioned slapstick comedy, The Princess Bride is able to parody the traditional

When the audience thinks about the stereotypical wedding, they would expect happy, excited and perhaps nervous atmosphere, lots of bright, warm colors and people around with smiles on their faces talking about the fabulous ceremony and the two families being joined. This is why the situation is very confusing for the audience – it happens rather seldom, or does not happen at all, that the bride is cruelly beaten up during her own wedding, the whole thing does not meet the audience’s expectations regarding ‘a wedding’. This also effectively gets the audience to want-to- watch to look for an explanation – why did this happen? How did the situation get so bad that the bride is killed on her own wedding…?

“Dadi’s Family” observes what a “traditional” family in Haryana, India is like and the issues / concerns the family faces in “modern” times. In the documentary "Dadi 's family", the film explores the concept of family and the roles that a woman play in life. The roles are daughter, sister, mother, mother-in-law, daughter-in-law, and sister-in-law. These roles are portrayed to us via various members of Dadi 's family. In this family, we have Dada and Dadi (grandmother and grandfather) as the head of the family. We have the two older sons, Meherlal and Mohinder who are married to Darshini and Sita respectively. The youngest son, Rajinder gets married to Kanta in the film. Dadi and Dada also have two daughters Anguri and Saroj who aren’t shown too much in the film but are married in other villages.

Rarely has a film impacted an audience and held the test of time as the film Gone with the Wind. I have always been curious if director, Victor Fleming and producer, David O. Selznick and screenplay writer, Sidney Howard knew what they were creating a masterpiece and how this film would have such an enormous impact on audiences for years to come. Interestingly enough there were some who thought the film should not be made, as Irving Thalberg said to Louis B. Meyer in 1936, “Forget it Louis, no Civil War picture ever made a nickel” (Ten Films that Shook the World).

The Hindu people who are pictured in the video segment, Budanilkantha: A Hindu Wedding, are practicing a custom of many Hindu people. A custom is the frequent repetition of an act, to the extent that it becomes a characteristic of the group of people performing the act. Although not all Hindus participate in arranged marriages, the acts that occur during the marriage are very similar. Before the wedding takes place, the bride receives a jewel that marks the central part in her hair which is a signal of her marriage.

Rukmani is told that she will have a grand wedding and is going to be married to a rich man, but instead she is “married to a tenant farmer, who was poor in everything but love and care for me”. (Markandaya 8). Rukmani went from a very nice house with her parents to a poor farmer’s house to spend the rest of her life. In the prime of her life, she is having trouble becoming fertile. Rukmani visits a white doctor named Kenny and asks for treatment. After a couple years, Rukmani has six children, one girl and five boys. Rukmani is overjoyed with her fortune. The calm in the storm soon passed, and Rukmani started to face adversity. One of her sons are killed, another dies of starvation, and three go off to work. Rukmani’s only daughter, Ira, turns to prostitution to save her starving brother, but does not succeed, and the landlord of their farm wants to collect rent. Rukmani’s life could hardly get worse. Soon, monsoons come and replenish the land, and their crops are plentiful. Rukmani could have chosen to give up, but instead she fought hard to provide for her

In the film Monsoon Wedding, Indian culture is illustrated in the practices of the traditional Punjabi wedding. The wedding in the film was arranged as is the norm in Indian culture. Thought the wedding was rushed it was not forced. Aditi wanted to be married having realised the uncertainty of her previous relationship with a married man.

An analogy has been drawn about how she was in the past and how is she now. She was a carefree person, demanding love in her life, wanting to take care of her children and become a house wife and now she works as a schoolteacher, has become a responsible person concerned about her husband and child, struggling for her son’s life, bearing tantrums of her sister-in-law and living in a small house in a small city. On the other hand, Komal, sister-in-law of Anjali is a character shown who seems to be frustrated from her life from the time she has lost her husband. The book has depicted another face of an Indian woman, who lives her entire life following the customs that the society has decided for a widow. Anjali tried to make her first marriage successful by taking care of small things like making her husband, his favorite cardamom chai and best of meals while Prakash’s second wife Indu was never concerned about any of his likings and gave priority to her own personal

Jayanti chooses to disregard her uncle which shows that all she wants is everything to happen the way she imagines.

Monsoon wedding”(2007), an award winning movie, directed by mira nair. Features widely known Indian actors, such as Vasundhara Das, Naseeruddin Shah and Vijay Raaz.

Moonlight is an American drama film that chronicles the life of African-American male Chiron, who is being raised by a careless mother in a harsh Miami neighbourhood. Its most prominent themes are love, stereotypes and identity. The filmmakers create meaning from these through combining different elements of aesthetics (the style or look of a motion picture). Aesthetic effect refers to the practise of using different elements of a film (mise-en-scene, sound, cinematography and editing) to generate film form.

Nair's Techniques in film "Monsoon Wedding" Mira Nair directed the 2000 film 'Monsoon Wedding' with the intention of making it a Bollywood film on her own terms. Through watching the film, it becomes evident that this was mixing traditional ideals of Indian Bollywood together with the modern elements of the West, such as those depicted in particular in Hollywood films, the Western equivalent of the Bollywood film industry although on not so large a scale. Nair spent the latter part of her further education in the United States of America, attending Harvard University, where her more modern ethics, compared to the conventional Indian principles she was brought up with, were developed and thus came

Monsoon Wedding, a Bollywood film directed by Mira Nair and released in 2001, earned just above $30 million at the box office [1]. The film brilliantly depicts romantic entanglements during a traditional Punjabi wedding in Delhi, while delicately handling sensitive issues such as child-abuse, pre-arranged marital infidelity, growing old and striving to be different as an upper middle class Indian boy, or being a flirtatious, bored but basically settled NRI (non-resident Indian) housewife. The film won the Golden Lion award and received a Golden Globe Award nomination, achieving a total of six wins and ten nominations [2].

Crawford (2012) described many difference characteristics in mate selection which may potentially lead to marriage. She first describes marriage as being institutionalized because the laws (and certain religions) tells you who you can and cannot marry, when you can marry, and the responsibilities to each other while married. Yet people are infatuated with the ideology of love and romance. People choose their partners as individuals and expect to live their marriages according to their own needs and wishes (Crawford, 2012). Something that can explain why people choose to get married can be the marriage gradient. The marriage gradient states that women have the tendency to “marry up” and men tend to “marry down” (Crawford, 2012). This came

In my opinion, Deepa Mehta is a courageous and bold director to produce a movie ‘Water’ which is intended to affront the tradition and living style of Indians back then. She displays how every character brings up almost perfectly similar kind of stance which is because of the doctrine and beliefs that have been set in their minds for a long period of time. The practice inherited from one generation to another generation which later becomes the tradition of Indian community. I could see how every widow refuses and rebuffs changes; which they are forbidden to marry again as a result of believing in they themselves bring unluckiness or bad luck to others. In fact, other women either married