Monsters In Frankenstein

Victor Frankenstein worried about everyone else and playing God, rather than trying to do right, morally. Victor had to go through a lot of steps and difficulties to create the monster. After the creation of the monster, everyone including Victor abandoned him. Victor refused to create a girl creature to avoid a lot of problems, but he did not realize the hell the monster would end up causing him. Victor regrets trying to play God because his action would cause him great troubles and consequences.

The monster notices that humans are afraid of him because of his appearance, he feels embarrassed of himself, as humans do when they don’t seem to be accepted. He admires the De Lacey Family that lives in the cottage, he also learns from them, and hopes to have companion as they do. The monster is like humans, as mentioned, in the way that he wants someone to listen and care about him. He is discovering the world and his capacities, he seeks knowledge and understand plenty aspects of life by learning how to speak and read. “The gentle manners and beauty of the cottagers greatly endeared them to me; when they were unhappy, I felt depressed; when they rejoiced, I sympathized in their joys” (Shelley 47). The monster developed feelings and emotions as humans. The creature is different from humans also, since he never got to grow up as a normal human, and

In the story the main speaker is Victor Frankenstein, who is the creator of the monster and describes the monster throughout the novel. The first descriptions given to the creature are based on the physical features of it; the first impression he has is “His yellow skin scarcely covered the work of muscles and arteries beneath… his shrivelled complexion and straight black lips.” (Shelley 58) This shows that the monster does not look anything close to a human being, and these traits represent how his first impression defines his destiny through the story. On the other hand, when the monster tells his story, he expresses himself with “I have good dispositions; my life has been hitherto harmless and in some degree beneficial; but a fatal prejudice clouds their eyes, and where they ought to see a feeling and kind friend, they behold only a detestable monster.” (Shelley 159). He expresses how he faces prejudice from other people, and how they are afraid that the monster might hurt them. The consequence is that many people that

“With great power comes great responsibility.” As cliché as this popular Hollywood quotation may sound, it is extremely fitting to describe the situation where Dr. Frankenstein finds himself. When one has the ability, knowledge and power to create another living, breathing and thinking piece of flesh, a burden is immediately presented to whomever holds this invaluable control. Will this power be used to create horrible monstrosities that will be a form of destruction on society? Or will this knowledge be used for the betterment of the populace? Vast knowledge is extremely dangerous, because if someone believes that they have immense power, but is unable to harness it, there is the possibility that events can

A little girl screams in fear for her parents as she envisions a green, three-eyed monster lurking under her bed, waiting to get her until she finally closes her eyes. A little boy scares fellow trick-or-treaters as he’s dressed as a vampire for Halloween brandishing his pointy teeth with blood dripping out of his mouth. Both of these examples of monsters focus on the physicality of a creature and undermine the weight which the word ‘monster’ actually carries. In Shakespeare’s play, The Tempest, and in Mary Shelley’s novel, Frankenstein, there are characters that perfectly fit the description of a tangible monster. However, monsters are more than their somatic features. Monsters are created within based on circumstances, decisions that are

In Mary Shelley´s Gothic novel, Frankenstein, the Monster once claimed, “The fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am alone.” Frankenstein, since the 1910 film adaptation, has known a series of several adaptations that changed drastically, not only the plot but one of the main characters, the Monster, from stealing its creator´s name to being portrayed as a cold villain. Though, in the original storyline, the biggest threat to society is the creator itself, the one pretending to play as God, Victor Frankenstein. This essay will discuss the nature of the main characters of the novel and conclude who is the “real monster” in the end.

Throughout the novel, “Frankenstein,” the “monster” was seen as hideous. As a result, many including the creator himself did not give the “monster” a chance and portrayed him as evil. Rather than looking at his personality, they looked at his outward appearance, which scared them off and made them assume he was a “monster.” When readers, including myself, read this story, we feel disappointed about how during this time everything revolved based upon looks and not on what really mattered like charisma. Overall he is portrayed as an evil, scary creature. When Victor describes him he is so harsh and cruel it makes him seem to be a monster. “He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws opened, and he muttered some inarticulate sounds, while a grin wrinkled his cheeks,” (Shelley 59) this phrase proves how when Victor describes the monster he did not care to think about what the monster was trying to say because he was too scared of his horrible looks.

There are different types of monsters in the world one could be afraid of. There are those real monsters that do look like a stereotypical beast and then there are those humans that act like a stereotypical monster, in regards of being emotionally impacted. In Frankenstein by Mary Shelley, the scientist Victor Frankenstein who creates the monster, is actually the real monster. “Frankenstein” is a frame story where Captain Robert Walton boat gets stuck due to an iceberg and see a man in the cold, science lover Victor Frankenstein. Frankenstein then meets Walton and tells him the story of how he ended up on the iceberg. Throughout the story Frankenstein’s experiment of trying to bring the dead back to life is showcased. Unfortunately, Frankenstein's

He was very pale in complexion and has gigantic hands and feet. This version of the monster would become a pop icon and the symbol that represents the monster Frankenstein for years to come. An important point to note is that in our modern day adaptations of the novel Frankenstein, the monster has now been given the name Frankenstein. He was never given a name in the original text because he was never accepted by Victor Frankenstein. Giving a name to a child is reflective of parenting and the monster was never parented by Victor

The article “A History of Classic Monsters: Frankenstein’s Creature,” by John Gaines and Megan Bingham states that Mary Shelley uses the characterization as one of the main differences for the other films. Instead

Discrimination is treating someone differently, often unfairly, because he/she is a part of a specific group, class or category of people. For instance, a girl named Wu Qing in China was discriminated against and could not find a job because how her body was a bit chubby and the scars in her face from an accident in her early childhood. Even though she was kind and used to be straight-A student, she had no friends. Now, she is looking for selling her kidney in order to pay the plastic surgery fee. Discrimination can change a person from innocent to evil is an important theme in the novel “Frankenstein” by Mary Shelley. Even though

Stories of monsters have captivated readers attention since the very beginning even though the definition of what a monster is perceived to be is complex and vague. The word monster and its meaning in today’s culture is very opinionated. Most people think of monsters in an evil sense because of what todays pop-culture has depicted a monster out to be. Shelley’s and Wilde’s intentions for monsters were not to be taken out of context from how they originated. Shelly and Wilde saw monsters in the people and in the world surrounding them. Upon viewing this they recognized the true fear of determining one's identity. Once they viewed this event through the eyes of the people, they deemed necessary that they should provide a lesson by writing Frankenstein and The Picture of Dorian Gray. The lesson of the two books are that if the creator can not handle the responsibilities of the creation process, then the creation will fail. If the creation fails, then ultimately the creator fails and the true colors of mankind are shown.

In the story the main speaker is Victor Frankenstein who is the creator of the monster, which he also describes the monster throughout the novel. The first descriptions he gives to the creature are mainly based on the physical features of it; the first impression he has is “His yellow skin scarcely covered the work of muscles and arteries beneath… his shrivelled complexion and straight black lips.” (Shelley 58) This shows that the monster does not look anything close to a human being, and this traits represent how his first impression defines his destiny through the story. On the other hand, when the monster tells his story, he expresses himself with “I have good dispositions; my life has been hitherto harmless and in some degree beneficial; but a fatal prejudice clouds their eyes, and where they ought to see a feeling and kind friend, they behold only a detestable monster.” (Shelley 159) He expresses how he is prejudiced by other people, and they are afraid that the monster might hurt them. The consequence

Mary Shelley’s Frankenstein portrays one of the darkest, most hopeless situations that could possibly occur due to the monstrous deeds performed by the main characters in the novel. When one thinks of Frankenstein, they generally think of Victor’s creation as being a monster, and the cause of the unfortunate events that occur in the novel. While Victor’s creation is indeed a monster, Victor is equally as monstrous in his actions. While both characters are initially innocent, they are being constantly corrupted throughout the story. Both Victor and his creation become monsters through their actions.

“People like to invent monsters and monstrosities. Then they seem less monstrous themselves…they feel better then. They find it easier to live” (Andrej Sapkowski). All human monstrosity possesses an underlying motive. Through the art of literary masterpieces utilizing themes, theories and devices in demonstrating the need for power and wealth in society, it helps discuss such destructive behaviours clearly. Macbeth decides to kill King Duncan with seemingly noble intent although this behaviour is illogical. In a like manor, Victor creates his being in an attempt to achieve perfection, but he soon realizes the true atrocity of his actions. Correspondingly, Lady Macbeth displays a truly malicious personality, in comparison to her innocent female exterior in 11th century Scotland. In accordance to that, the cottage family rejects the being, who unknowingly teach him and appear to be ‘perfect’, when in all reality they view him as a monster similar to everyone else. The present ideas showcase the truth that monsters are not born, but the world creates them. Therefore, the theme of monstrosity exemplifies the significance of power in society and the lengths people go to achieve it; due to the themes of noble savagery and appearance versus reality in the manuscripts Frankenstein by Mary Shelley and Macbeth by William Shakespeare.