Layla Cruishank quote “The truth does not always please us and it is not always easy, but there is no compromise for what is right and good” connects to the book Montana 1948 because they both talk about truth and how even when the truth is bad it's better than a lie. Throughout the book there is one secret that David's family that they have lied about and kept quiet for what the book makes out to be many years. The secret is that David's uncle Frank has been sexually assaulting Indian girls since he was very young. When David's father has always seen this as not that big of a deal because of his racist and opinion of Indians and never took any lawful actions. Know David’s father is Sheriff and needs to decide if he's going to do what his father
After dinner one night, Wes suggested that David and his mother go for a walk as he wanted to talk to Marie again. But they didn’t go far, they went to their backyard. David decides to ask his mother what was going on, even though he already knew. She reply’s with saying that there may be possible trouble with the Indians. He asks his mother many questions about the Marie situations, but she gives him vague answers.
This attitude is important in showing the lack of communication between husband and wife. He fails to see her psychological issues for what they are and his actions to mediate her supposed problem only make it worse. The narrator even questions the treatment prescribed by her husband and brother in saying "Personally, I disagree with their ideas. Personally, I believe that congenial work, with excitement and change, would do me good" (Gilman 833). However even though she can question her treatment she is powerless to change it. Gilman uses this to again show the inferiority of women to men of this era.
TOPIC 2: Racism is the perception the colour of one’s skin determines how they can live. Indian are mistreated and misunderstood in the novel Montana 1948? Discuss
The environment people grow up in influences their character. Your decisions and the views you have shape your character. The setting influences the characters decisions and views in Montana 1948 and A River Runs Through It.
Unlike many other romance novels, Grace Metalious’ Peyton Place has aroused a plethora of academic debates ranging from the aggressive promotion of the author’s image to the themes contained within the actual narrative. Arguably the most interesting, yet elusive, theories on Peyton Place are centered on how the novel fits into the social fabric of postwar America. Many average readers, as well as literary experts, are prone to identify elements in Metalious’ novel which suggest that this cross-dressing housewife was out to subvert dominant 1950s ideology, while others will argue that the book can do nothing else but support the dominant patriarchal structure under which it was created. A closer look,
During the nineteenth and twentieth century there was a number of changes made in America. Woman were looked at as less than back then and to a certain degree they still are today. There was a number of women that died or went insane because of the standards that they had to meet in order to be considered good women. In this research paper I will talk about the experience of the narrator of The Yellow Wallpaper and Blanche DuBois from the story A Streetcar Named Desire. It will be shown within these pages how the moral and societal standards for women were far different than they were for men, and how the standards changed over the years. Furthermore it will be shown how this effected the women of those two stories.
In the novel Montana 1948, by Larry Watson, we witness this through the eyes of David a 12 year old narrator, the sickness and death of his beloved caretaker Marie Little Soldier by the doing of his Uncle Frank whom he has always looked up to. An important character central to the story is David’s father Wesley the sheriff of Bentrock who is brave, courageous, conflicted and, protective of his family. A message Wesley helps us understand a thought-provoking message that it is difficult to choose between family and doing the right thing.
Domesticity has been portrayed throughout the story; it shows the effects of marginalization towards female characters who do not adhere to the typical socials norms and roles. Mrs. Fullerton, is an individual who does not fit in with her new, younger neighbors. Jane had explained to Mary, “‘I asked her to babysit for me once and she practically spit in my face. She is not exactly a charming old lady, you know’” (Munro 72). Mrs. Fullerton is viewed differently by her neighbors as she is not the typical stereotype. They based her role to her age, therefore, they thought she would be the typically loving, and caring grandma figure for the community that would babysit their kids. They realized that she does not carry herself in that manner, this triggered the community to flip on her and put her in a unimportant perspective by ostracizing as she is useless to them. In general, the suburban women of the community are the ones who organize events, parties, compete with each other based on looks, and gossip (68). Munro illustrates their domesticity when she describes: “most birthday parties were attended by mothers as well as children. Women who saw each other every day met now in earrings, nylons and skirts, with their hair fixed and faces applied” (69). It is seen as meaningless compared to a male’s work/day and, therefore, socially acceptable for a woman. Edith was put in a powerless position compared to her husband, because as “she was surrounded in her kitchen by the ruins of the birthday party — cake and molded jellies and cookies with animal faces” (68). He would be outside “working around their houses” (67). This shows that Edith’s position compared to her husband is unimportant, as she can only work from inside the household, while he works outside maintaining their home. Therefore, being marginalized by her spouse as she is alienated from the hardships of the
I thank my luck stars for being born in Missoula, Montana on March 2, 1997. A time when phones didn’t rule our lives and no one cared about how many like they got on their Instagram. Growing up in Montana I never understood what an equine experience my childhood was until I came to college. I had always thought every kid had spent their summer afternoons romping through the woods or wreaking havoc in their neighborhoods until the sun set in the west. But when I would share stories of these times with kids my age and younger I would always be struck by the same astonished and longing look on their faces, like I was telling them stories out of a children’s book. For many of these kids they grew up in a much different world then me. One where
In the 20th century, the average home life in rural Oklahoma was full of hard workers in the pursuit of the picture-perfect home surrounded by plentiful land. The sun rose over the land, signaling the commencement of the day ahead. The farmer had already been awake since before the sun broke the horizon, preparing his little equipment and his animals for his land’s work. The farmer’s wife was in the kitchen, cooking her husband a warm breakfast as a sign of her gratitude. Their children woke and soon were running into the kitchen, bellies growling. After gobbling up the breakfast, they ran outside to play and do chores of their own. The rest of the farmer’s wife’s day was spent cleaning, cooking, and looking after the kids until the sun went down and it was time for bed. Set in this time, The Grapes of Wrath, by John Steinbeck, holds contrasting female characters. Some characters show the defiance of the gender roles at the time, while others adhere to them. In some instances, a female character can surpass the expectations set upon her by the patriarchal society in which they live she lives, setting her free to use a voice she never was allowed.
Two characters, Elisa Allen and Mary Teller, struggle with the idea of being accepted into the society of the 1930s. Women’s rights were not fully accepted in the 1930s, and these two characters were set in the common day view of men and women. In the 1930s, “[Society has] assigned to white women such roles as housewife, secretary, PTA chairman, and schoolteacher. Black women can now be schoolteachers, too, but they are most prominently assigned to such domestic roles as maid, cook, waitress, and babysitter” (Chisholm 123). These assigned roles have impacted women around the world, including the two characters in these short stories - “The Chrysanthemums” and “The White Quail”. Not being activists in women’s rights, these women conformed to society and lived their lives as any typical housewife in the 1930s. Their passions and choices during this time affected their way of living and relationships. The two stories reflect similarities of the women’s love for gardening and lonely marriages, but also reflect their different viewpoints on the world they live in.
June Cleaver of Leave it to Beaver television fame set the impossible standard for women in the mid twentieth century. She cooked, cleaned, mothered, and submitted to her husband’s whims and wishes, all with grace, poise, and a smile. Cracks could be found in neither her dining room table nor the veneer of her polished life. The women of Stockett’s Jackson clearly held themselves to a similar standard, on the surface at least.
During the 1940’s, a lifestyle as a woman had presented more work opportunities yet still contained many gender stereotypes. The novel, Farewell, My Lovely written by Raymond Chandler, helps convey these opportunities and stereotypes of woman to the readers that the 1940’s held. The novel’s depiction of women gives them more power than what might be first be perceived yet continues to demonstrate how the stereotypes are shown. Normally females were considered as weak and dainty, and that stereotype still lives on now in our current generation, but in Farewell, My Lovely, they hold an underlying and complex power within the overall plot.