Montano Painting & Decorating Analysis

Upon arrival at the MacLaren exhibition center in Barrie Ontario, I was very surprised to be surrounded unusual art that have been all created by Canadian artists. Their was a wooden granary on the floor resembling world war 2 and and some unique maps that were written in words. Many of their painting and sculptures resembled to the history of Canada going back towards the first nations and both world wars. The MacLaren Art Centre has been made to honour Maurice MacLaren, a famous artist who bequest Throughout looking at every piece, you could see the messages they portray to the audience and how much of impact it has within our canadian history. Approaching an interesting piece, it was Bison skulls skillfully fabricated together by exhaust parts, stacked high like a mountain.

On Painting by Leon Alberti is, in essence, a book of guidelines for novice painters. Alberti explains that since paintings are meant to represent things that are seen, they need also be approached this way. In his theory, he breaks up the way of painting into three important components circumscription, composition, and the reception of light. Within these three are guidelines for the portrayal of subjects, spaces and emotion.

Raymond Pettibon art work, Untitled (The bright flatness), on page 535 fig 25-35 shows a tiny surfer in an enormous wave in a California landscape. The subject matter is a large wave that a surfer is riding. The content of the artwork could be how people are a small compared to the big world we live in. I think this piece of art was painted on with watercolor and a type of paper. These lines in the artwork is very loose and free. These lines in the artwork reminds me of Vincent van Gogh, The Starry Night lines in his artwork which are loose ,but the viewer can tell what the meaning of the picture is. In the artwork Untitled (The bright flatness) colors mostly used were the primary colors blue and red. The surfer is red and the waves of the ocean is blue. The wave color could be a local color that the viewers know the ocean color is blue. The blue color has different tints from dark blue to light blue. The wave in the art is three dimensional it represents the wave as if it was being seen in an ocean. In the picture, there is a highlight where the ocean has lighter white spots throughout the wave. Another highlight would be

reated in New Spain (Katzew 2004 ———. 2004. Casta painting. Images of race in eighteenth-century Mexico, New Haven: Yale University Press.

The colors that are used in Falguiere’s oil painting help to create a mood using an intense earthy color palette with various analogous colors. The analogous colors that are used in the work of art vary between yellow and red, they are more natural to represent colors skin tone and dark clothing and a more idealistic space. The colors have a great intensity with the red being very deep and even the yellows and browns of the flesh are very bright. The bright colors bring focus to the foreground and the darker more muted colors are in the background. This is done by the artist to add focus to the composition. The pattern with color is that the foreground is lighter and brighter so lighter colors are used, with the audience they are more muted

Thomas Merton once said "Art enables us to find ourselves and lose ourselves at the same time". This is completely true. Throughout the semester we have gone through almost as many as 300 pictures we view, learn, decompose into the criteria it meets and talk about the controversial things it has, while we do this we don't recognize that we also identify the form, content, iconography, and context. All four areas are what the paint, picture or sculptures identity is. I was lucky enough to visit my buddy out at WIU. There are many works in the art gallery, around the union and even outside walking around, but one that did catch my attention and had me thinking about it for quite some time. It was a painting called Memorialized by Tyanna Buie, was made in 2011 and measures 38’’x50’’. The content it has is beautiful, the form is wicked, context is superb and iconography is permanent. It reminds me of artwork we've gone through the semester. The painting was being showed at the art gallery in end of March. It’s now May and I can still picture it in my head so detailed, without even looking at a picture of it. It’s a piece of work I have connected to, yet lost myself in.

Marla is a talented artist but, is not a prodigy. She can not explain parts of her painting, video footage of Marla painting are different styles and her family may be helping her with her paintings. When Stuart Simpson explains how he saw a door and the baby's head. Marla not only says she did not see it but also cannot explain what goes into her paintings. Simpson is in an expert in this field as an art critic. If an expert can see it should not the creator be able to see something. Another reason Marla is not a prodigy is she has a different painting style in the ones we have footage than the ones Amir did not videotape. In the Backyard Painting, Marla is shown just swiping paint around into what looks like a flowers and Suns. While in Zane

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During the 19th century, the en plein-air paintings were introduced to many artists. Since that，natural light became particular important to the Hudson River School. Also, art and literature were constantly entwined, such as American Romanticism. Significant individuals became familiar with one another’s work, resulting in inspiration that led to creative works that pay homage to another artists’ work. For instance, Asher Brown Durand’s Landscape-Scene From “Thanatopsis” was inspired by the romantic poet William Cullen Bryant, whose work was influenced by the multifaceted cultural creations. Both Bryant and Durand investigated the themes of men, nature, individualism, and the inner and after lives. Through detailing natural elements that emphasized the life cycle, Durand created literary art by paying tributed to Bryant’s “Thanatopsis”.

The first two art pieces shown for this course were very interesting, The Royal Acquaintances Memi and Sabu and the Statue of Gudea. They are very interesting to observe at the very least, because they have such a rich history from a time period that not many artifacts survived from. Looking at the dates of the objects they are actually about 500 years in difference, but the common person probably wouldn't have guessed that just by looking at them.

In France and Spain Paleoartists rendered imagery which imitated their natural surroundings in the grottos of Chauvet and Altamira. An understanding of physical form rendered in profile view assist in the assertion of natural value of the animals characteristics. In the Chamber of the Lions, the Paleoartist’s painting technique is displayed as they dragged sticks (acting as extensions of their own limbs) across the wall of the grotto- in some places a single stroke lasts up to six feet and illustrates a spectacular display of the animal kingdom, thirty thousand years ago. An otherwise monochromatic color scheme, portions of the cave are interrupted by bold displays of red amongst varying tones of black and white. Local availability of pigment

The artifact that I choose was a painting done during the nineteenth century in Tibet. The painting is called Thangka, because that is the technique that the artist used to paint it. In the painting Sakyamuni Buddha is blessing the souls in Buddhist Hell. Thangka paintings have numerous different uses. One place they are used is in Buddhist temples for worship and meditation. In addition, they are also used to serve as a record of different events. Furthermore Thangka painting is used during the 49th day memorial service. Lastly, they can also be used as a decorative object in Buddhist shrines. Equally important to the uses of the artifact is the culture and history of the painting, Tibet, and the nineteenth century.

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Leonardo Da vinci painted the “Mona Lisa” in 1503. The artist portrays a young woman, which acquires the concept of feminine youth and more essentially the concept of elegance. In relation to Agnolo firenzuola’s novel “On The Beauty Of Women” , the portrait attributes to major physical characteristics in which is considered to be genuine beauty by the modern man. Seeing the female portraiture of the italian renaissance, Firenzuola implies a specific interpretation by analyzing the modern woman. Through the famous paintings illustrated by Leonardo da Vinci, the Mona Lisa specifically supports the arguments and claims made by the poet’s correspondence to the beauty of women. Along with Da Vinci’s sticking features, the artist paints Firenzuola’s ideal beauty in comparability to the appearance of definitive grace. With his analyzations being extremely aesthetic, Firenzuolo activates criticizing aspects of the proportions of the figure, the placement of the figure’s position and the importance of the half length portrait of the feminine nature in relation to the portraiture of Mona Lisa.