Montreal In The Mosel Valley

The next piece is that of artist Henri Rousseau, born on May 21, 1844, in Laval, France. Rousseau’s painting “Suburban Scene” is termed a landscape painting. This painting was chosen particularly because the subject of a housing community and the artwork represents our world of real estate. The painting depicts a peaceful neighborhood, showing a lake and people fishing, as a real estate company we are matching individuals to communities as portrayed in the portrait.

Throughout history the unique and changeable Australian landscape has inspired a diverse array of artistic responses. Impressios of its power and beauty, expressions of individuals' responses, symbolic religious orientation, the range of landscape art works extends onwards. A great example of the vast variations of styles can be seen in the artworks of Glover, Drysdale, Berkowitz and Reid.

The illustration in #7.16, Trestle Work, Promontory Point, Salt Lake Valley by Andrew J.Russell is an image of a railroad track connecting two paths with men working on the site. Russell believed that the west was a great location to conduct his work because of the openness and freedom that was out there. Also to observe the natural scenery that it has to offer, which many have traveled to obtain such freedom and visual aspects of nature. As for #7.17, El Eaches or Three Brothers by Carleton E. Watkins is a description of a landscape winter forest by a lake, his purpose for this image was to capture the viewer's attention with the richness and the detail of the forest. For an individual to absorb the composition of the mountains in the picture

3. Even though Krieghoff 's primary work was based on genre paintings, while he lived in Quebec City landscape paintings with subjects of waterfalls and autumn scenery such as St. Lawrence River and Chaudiere Falls become more prominent. His paintings of landscapes were perceptual meaning they are based on the retinal image of things and places, but prominent in his work is the evidence of the close observation of the way a form can be perceived only because it reflects or absorbs light, showing Krieghoff 's concern for truth to nature. This is shown in the turbulent waters at the top of the falls. The only reason it can be told that the waters are moving are by how Krieghoff captures the light in the water. According to Charles C. Hill, Curator of Canadian Art at the National Gallery, "Krieghoff was the first Canadian artist to interpret in oils... the splendour of our waterfalls, and the hardships and daily life of people living on the edge of new frontiers"1. His colourful landscapes were painted in a detailed, romanticized, anecdotal style that was unsurpassed by other contemporary artists of the time.

All for one and one for all, united we stand divided we fall.― Alexandre Dumas, The Three Musketeers. Individuals who become independence or leave their group could not develop activity as they are in a group, which is because group give your support and maximize one's advantages, let alone groups being accompany with you when you feeling depressed or go through failure. The power of a group is spectacular, whereas individuals only could be a “great” person without a group expressing his idea. A simple example will display the essence of this idea which is called “group effect” in psychology that individuals will stimulate them and make them be well-being. Similarity, as a country, it needed to be a whole to present its best side. Quebec the

Early Landscape photography used the same principles as painters in order to create pieces of art. Before the 18th Century, artists used landscapes as backdrops and as a frame for the principal subject. Towards the later part of the century, however, artists such as Nicolas Poussin started to romanticize the environment, instead using it as a principle subject in paintings.

It is believed that there is a possibility that the landscape may not have been a real location in the first place. Another author by the name of Webster Smith agrees with the fact that the Mona Lisa was not actually painted in the scenery that has been placed in the background, but rather the scenery was placed there before hand with some deep representational meaning to help support the picture of the woman itself. “The harmony of figure and landscape in the Mona Lisa has been thought to be an expression of the

1978)-have been unable to bring the local economy up to parity with the rest of

The City of Red Deer will be upgrading their existing content management system, TerminalFour SiteManager, from version 7.4 to version 8. Version 8 is substantially different from version 7; it will require a newer operating system and a newer version of SQL server among other resources. Microsoft Server 2012 and Microsoft SQL Server 2012 have been selected as the operating system and relational database management system for the upgrade, respectively. To support and maintain the existing environment the new version will be deployed on a development server independent of the existing architecture. The external website, www.reddeer.ca, and the internal site, thebridge.reddeer.ca, will be migrated onto the new

To recap, Champlain is retelling the story of when he took an expedition through Canada and Newfoundland. Throughout his journey, he explores the Canadian wilderness, lakes, and rivers, and he collects data to help create his maps. Champlain uses imagery to describe the landscape and its inhabitants when he writes, “In it are many beautiful low islands covered with very fine woods and meadows with much wild fowl and animals to hunt, such as stags, fallow deer, fawns, roebucks, bears, and other kinds of animals which come from the mainland to these islands” (first paragraph second sentence). Champlain uses this imagery and detail to help create his maps of Canada, which are later published in his book Voyage and Les Voyages de la Nouvelle France occidentale, dicte Canada and are copied by other mapmakers during that

Ivan Eyre painted it in the angle of God or so called “bird's-eye view” (Winnipeg Art Gallery Website, 2017)—overlook from sky. Its panoramic perspective “create a map-like description of a landscape” (Winnipeg Art Gallery Website, 2017). This angle is interesting because you will be able to take in everything at a

• The focal point of the painting is the sun-drenched valley and river. The emphasis comes from the diagonal of the tree to the left that directs the view of the scene down the valley toward the farmland.

He looked at landscape as a way to create his own vision of nature and his close observation with nature and the sky is evident in the

It is the first modern landscape in Western art. Though the humans seem to be the main focus, the landscape is just as important.

Claude Lorrain was able to portray the world around him in a unique way and for him “This landscape was the constant inspiration of his art, and he revealed the beauty and grandeur of its changing light, its glittering seas, its distant plains and majestic trees as through seen for the first time.” , giving the viewer the opportunity to look at the world around them in a new and exciting way. Proust’s belief that art is powerful because it gives one the opportunity to regain their appreciation for life is depicted by Lorrain in his Pastoral Landscape with the Ponte-Molle (Figure A). This landscape is based off of the Timber Valley, with the Ponte Molle accurately pictured in the background, even though it is not a topographically accurate work because Lorrain’s top priority was to capture the natural beauty of the scenery. The sun is shown low on the horizon to emphasize the soft lighting, accentuating the ambience of the tranquil setting. Lorrain’s placement of the sun allows for a soft light to illuminate the entire piece and the overlapping of colours in the skyline creates a sfumato effect that adds to mystical feel of the overall