Moonlight Film Analysis

“Steel Magnolias” is a story about the close-knit relationships between six eccentric Southern women living in a small town in Louisiana. The film has a home spun, unpretentious feel to it. The plot alternates between humorous, everyday events with good-natured quips and the seriousness and heartaches to life’s unexpected crises. Through the laughs and tears, the six women learn to endure hard times and emerge from the struggles with grace and dignity. The film is set in the 1980’s with a tight knit homespun atmosphere. The Southern belles who are goofy on the outside but strong enough inside to survive any challenge that life deals them. Friendships help with a

The film Moonlight was released October 21, 2016. Moonlight is all African American cast, and was awarded over 25 awards including the Academy Award for best picture. This film is a coming of age story that follows the dramatic ups and downs of the life of Chiron, a young Africa American man growing up in Miami. The plot begins from the time he is in elementary school to the time he reaches adulthood. The plot is structured in three stages of the life of Chiron and touches on the topics of the struggle of dysfunctional households via socialization, sexuality and sexual identity, physical and emotion abuse, and the process of accepting ones self.

This is a criticism of Moonlight, a film directed by Barry Jenkins. It is a coming-of-age story, telling the journey of a young gay black man named Chiron. Through linear character development the film follows a young Chiron from adolescence into adulthood while growing up with alpha males in Miamis black ghettos. The Story is told in three parts, with a different actor playing the lead role in each section: a young Chiron named “Little”, as a teen named “Chiron”, and an adult named “Black”. Despite a compelling lead performance by Mahershala Ali and Naomie Harris, and its great soundtrack, Moonlight falls flat and never gets out of the shadow of its typical cliche plot, all the while, the film continued to never overcome the obstacle of

The movie Before Night Falls directed by Julian Schnabel offers viewers a glimpse of how the homosexual community in Cuba was being mistreated under Fidel Castro’s regime. The true story is told in the eyes of Cuban poet Reinaldo Arenas. The film depicts Arenas life in Cuba and all of the awful experiences that he had to deal with as a homosexual. Eventually he was arrested for false accusations of being a molester, however, he was actually under arrest for being a homosexual. Between the 1930s and 1990s, the Communist Cuba was abusive to the LGBT community as shown in their actions of harassment towards homosexuals, imprisoning the homosexuals, or sending them to re-education camps.

This movie based off of a southern family living in Memphis, Tennessee will show you a true taste of southern hospitality. In every film you have your list of characters along with their personalities and most importantly their motives. Along with the certain qualities of every character comes the ethos, pathos, and logos. Ethos which stands for the goodness of a film and/or ethics goes hand in hand with the sender of a film, Pathos which is the passion and emotions of a film which goes hand in hand with the receiver, and lastly the logos which is the logic/information that sends a message. Each rhetoric sends a message and surely puts a movie together.

“Here’s Johnny!” A famous line from The Shining, when Jack Torrance goes mad and is hacking at the bathroom door with an axe to mutilate his wife, Wendy and son, Danny into many little bloody pieces for disobeying him. The Shining is a 1980 psychological horror film directed by Stanley Kubrick. Jack Torrance played by Jack Nicholson, quits his job as a school teacher and takes a job as caretaker at the isolated Overlook Hotel in Colorado during the winter, hoping to cure his writer 's block. He moves in along with his wife, Wendy portrayed by Shelley Duvall, and his telepathic son, Danny played by Danny Lloyd. Danny is later told that he has an special telepathic ability called shining, hence the title.

Barry Jenkins’ Moonlight depicts the coming-of-age of a young black boy as he struggles with and endures abuse for his sexuality, causing him to hide his internal conflicts. The life of the protagonist, Chiron, is split into his three main stages of life, with each part focusing on the physical and emotional abuse he endures due to his homosexual orientation. When the viewer first meets Chiron, he is running from bullies. As he ages, the bullying follows him, causing him to harden and avoid vulnerability in his adult life. Jenkins uses climactic scenes in Chiron’s life to portray how prejudice against black sexuality forces him to conceal his true identity. In Moonlight, Jenkins’ cinematic style illustrates Chiron’s public and private

Through the depiction of Chiron and his struggle in the film Moonlight Jenkins shows that the system one lives in and the internal self results in domination against oneself. Chiron the protagonist of the film is considered weak and fragile in comparison to his classmates and the people in his community and thus Chiron is targeted by his peers and even within his own household. In Frantz Fanon’s Black Skin, White Masks it is argued that the black man plays a part in their own domination by constantly viewing themselves as less than the white men.

Cinderella Man was an incredibly magnificent and uplifting film that followed the life of the “Bulldog”, later entitled “Cinderella Man”, starring Russell Crowe as James J. Braddock, the American heavyweight boxer. Primarily, Cinderella Man embodies strength and willpower as once-undefeated heavyweight fighter, Braddock’s loses started to rapidly accumulate, so bad that he was released from his boxing contract and was merciless impeded from fighting. Correspondingly, deprived of work the bulldog began to undertake hard labor during the Great Depression to counterbalance myriad bills and overdue payments. Moreover, Braddock and his wife Mae together had three children to nourish. Correspondingly, years later, Joe Gould played by Paul Giamatti, was Braddock’s old boxing manager and contracted him one last concluding fight, which he won. Hence, the Bulldog started to train again and James J. Braddock was reborn after countless winning comebacks. Ultimately, Jimmy undergoes a fairy tale rise from a poor local fighter to the heavyweight-boxing champion of the world.

“The most exciting moment is the moment when I add the sound… At this moment, I tremble.” (Akira Kurosawa) Sound is arguably the most important concept in cinema studies, being there ever since the beginnings. It can radically change the way a motion picture is looked at and it can render what the director may sometimes find hard to depict using only his camera. Looking upon silent cinema one discovers an era which wasn’t at all silent, but rich in sound of different forms, from the simple narration of the images shown on screen, accompanied by a piano, to the complex score later composed specifically for that film. An example of that complex score is shown in Sunrise, a film by F.W. Murnau, which lies at the border between silent cinema and sound cinema. Considered to be one of the first films with an actual score, Sunrise is a great example of the multitude of dimensions and effects sound can have.

Humans are constantly criticized for being “different,” so forming an identity within a judgemental and violent community proves to be mentally exhausting. Moonlight (2016) by renowned director Barry Jenkins, vividly depicts three different stages of the life of a boy named Chiron while he transforms from a young boy to a man who struggles with coping to find who he truly is. Living in a poor crime-ridden neighborhood in Miami, Florida, Chiron goes through many trials and tribulations throughout his life to find who he is in a society that gives no mercy to anyone in it. Throughout this story, Chiron battles with forming an identity for himself as he comes to terms with being a homosexual black male who is trying to conceal the utmost fragility of who he really is. Through clever techniques used within the diegesis and mise-en-scene, Moonlight illustrates the difficulties a low-class homosexual African American man must experience throughout his life to be accepted into society as a result of not always conforming to ideas surrounding gender and race.

Identity is transitional. Not one identity is held constant throughout one’s life. Thus, the intersectionality of one’s identity conveys how complicated humans are. This complex nature of humans is brought to life in the movie Moonlight. Directed by Barry Jenkins, this coming of age film explores the many facets of identity in the main character, Chiron. Chiron is not the only fully thought character; every named character parallels people of all walks of life. Through the intricacies of the characters, stereotypes are presented and shattered. But, the film’s central point is not to counter stereotypes. Moonlight tells a story of reality where stereotypes are rooted in truth. Consequently, Moonlight plays into a majority of stereotypes of class, race, gender, and sexual orientation.

Film noirs describe pessimistic films associated with black and white visual styles, crime fiction, and dark themes. Sunset Boulevard is a 1950 film noir directed by Billy Wilder. Sunset Boulevard presents many themes that are common with the genre film noir, but also introduces some differences from the typical movie in that genre.

From the moment you turn on a Wes Anderson movie, you can easily recognize it’s his due to the unique style. Moonrise Kingdom is one of his most popular and stylized films to date. One scene in particular I want to look into is the scene when Scout Master Ward and the other scouts are introduced. (5:31- 8:39) This scene is important to setting up the rest of the movie. It introduces us to the antagonists for the first part of the film as well as showing that Sam ran away from the camp.

Theorist Vsevolod Pudovkin claims that narrative films are mainly a “product of construction” and cautious compilations of “selections of images that have been shot” (Renée).