Moonlight Film Analysis

“Steel Magnolias” is a story about the close-knit relationships between six eccentric Southern women living in a small town in Louisiana. The film has a home spun, unpretentious feel to it. The plot alternates between humorous, everyday events with good-natured quips and the seriousness and heartaches to life’s unexpected crises. Through the laughs and tears, the six women learn to endure hard times and emerge from the struggles with grace and dignity. The film is set in the 1980’s with a tight knit homespun atmosphere. The Southern belles who are goofy on the outside but strong enough inside to survive any challenge that life deals them. Friendships help with a

The film Moonlight was released October 21, 2016. Moonlight is all African American cast, and was awarded over 25 awards including the Academy Award for best picture. This film is a coming of age story that follows the dramatic ups and downs of the life of Chiron, a young Africa American man growing up in Miami. The plot begins from the time he is in elementary school to the time he reaches adulthood. The plot is structured in three stages of the life of Chiron and touches on the topics of the struggle of dysfunctional households via socialization, sexuality and sexual identity, physical and emotion abuse, and the process of accepting ones self.

This is a criticism of Moonlight, a film directed by Barry Jenkins. It is a coming-of-age story, telling the journey of a young gay black man named Chiron. Through linear character development the film follows a young Chiron from adolescence into adulthood while growing up with alpha males in Miamis black ghettos. The Story is told in three parts, with a different actor playing the lead role in each section: a young Chiron named “Little”, as a teen named “Chiron”, and an adult named “Black”. Despite a compelling lead performance by Mahershala Ali and Naomie Harris, and its great soundtrack, Moonlight falls flat and never gets out of the shadow of its typical cliche plot, all the while, the film continued to never overcome the obstacle of

The movie Before Night Falls directed by Julian Schnabel offers viewers a glimpse of how the homosexual community in Cuba was being mistreated under Fidel Castro’s regime. The true story is told in the eyes of Cuban poet Reinaldo Arenas. The film depicts Arenas life in Cuba and all of the awful experiences that he had to deal with as a homosexual. Eventually he was arrested for false accusations of being a molester, however, he was actually under arrest for being a homosexual. Between the 1930s and 1990s, the Communist Cuba was abusive to the LGBT community as shown in their actions of harassment towards homosexuals, imprisoning the homosexuals, or sending them to re-education camps.

“Here’s Johnny!” A famous line from The Shining, when Jack Torrance goes mad and is hacking at the bathroom door with an axe to mutilate his wife, Wendy and son, Danny into many little bloody pieces for disobeying him. The Shining is a 1980 psychological horror film directed by Stanley Kubrick. Jack Torrance played by Jack Nicholson, quits his job as a school teacher and takes a job as caretaker at the isolated Overlook Hotel in Colorado during the winter, hoping to cure his writer 's block. He moves in along with his wife, Wendy portrayed by Shelley Duvall, and his telepathic son, Danny played by Danny Lloyd. Danny is later told that he has an special telepathic ability called shining, hence the title.

One of the most important symbols found in the story is the pattern of the wallpaper. “But no one can get through the pattern -- it strangles so; I think that's why it has so many heads” (Gilman). The wallpaper pattern symbolizes the oppression woman went through because of how society used to see gender roles in the 19th century. “Then I peeled off all the paper I could reach standing on the floor. It sticks horribly and the pattern just enjoys it! All those strangled head and bulbous eyes shriek with derision”(Gilman ). The tearing of the wallpaper is symbolic of the narrator going crazy trying to free herself and the women from the roles they are forced to fill. “It must be very humiliating to be caught up creeping in the daylight” (Gilman).The narrator uses the moonlight to creep, symbolizing that no one is who they appear to be on the outside. During night time, people tend to do things they would be embarrassed about in day time, and during that period of time, people were embarrassed and felt it was seen wrong to defend women’s rights. Moonlight has also many connections with women, those include the moon cycle relation to a woman’s menstrual cycle and the greek goddess Artemis, who was the goddess of chastity, virginity, the hunt, the moon, and the natural environment. “ By daylight she is subdued, quiet. I fancy it is the pattern that keeps her so still” (Gilman). The Daylight, however,

One of the main elements that literature with merit must exemplify is symbolism. As soon as an author introduces a symbolic reference, a premade notion that the reader constructed could be affected. Not only would a symbol alter the meaning of a message, but it would also add an emotional element to the story. Throughout All the Light We Cannot See, a series of symbols were inaugurated. The first, and most predominant symbol that was recurrent throughout the book was vision. The two protagonists, Marie-Laure LeBlanc and Werner Pfennig, both play a contrasting role when it comes to the symbolic meaning behind vision. On one hand, Marie-Laure is physically unable to see due to her blindness. Therefore, she does not experience the world in the same way as the other leading character, Werner Pfennig. Instead,

Cinderella Man was an incredibly magnificent and uplifting film that followed the life of the “Bulldog”, later entitled “Cinderella Man”, starring Russell Crowe as James J. Braddock, the American heavyweight boxer. Primarily, Cinderella Man embodies strength and willpower as once-undefeated heavyweight fighter, Braddock’s loses started to rapidly accumulate, so bad that he was released from his boxing contract and was merciless impeded from fighting. Correspondingly, deprived of work the bulldog began to undertake hard labor during the Great Depression to counterbalance myriad bills and overdue payments. Moreover, Braddock and his wife Mae together had three children to nourish. Correspondingly, years later, Joe Gould played by Paul Giamatti, was Braddock’s old boxing manager and contracted him one last concluding fight, which he won. Hence, the Bulldog started to train again and James J. Braddock was reborn after countless winning comebacks. Ultimately, Jimmy undergoes a fairy tale rise from a poor local fighter to the heavyweight-boxing champion of the world.

“The most exciting moment is the moment when I add the sound… At this moment, I tremble.” (Akira Kurosawa) Sound is arguably the most important concept in cinema studies, being there ever since the beginnings. It can radically change the way a motion picture is looked at and it can render what the director may sometimes find hard to depict using only his camera. Looking upon silent cinema one discovers an era which wasn’t at all silent, but rich in sound of different forms, from the simple narration of the images shown on screen, accompanied by a piano, to the complex score later composed specifically for that film. An example of that complex score is shown in Sunrise, a film by F.W. Murnau, which lies at the border between silent cinema and sound cinema. Considered to be one of the first films with an actual score, Sunrise is a great example of the multitude of dimensions and effects sound can have.

Humans are constantly criticized for being “different,” so forming an identity within a judgemental and violent community proves to be mentally exhausting. Moonlight (2016) by renowned director Barry Jenkins, vividly depicts three different stages of the life of a boy named Chiron while he transforms from a young boy to a man who struggles with coping to find who he truly is. Living in a poor crime-ridden neighborhood in Miami, Florida, Chiron goes through many trials and tribulations throughout his life to find who he is in a society that gives no mercy to anyone in it. Throughout this story, Chiron battles with forming an identity for himself as he comes to terms with being a homosexual black male who is trying to conceal the utmost fragility of who he really is. Through clever techniques used within the diegesis and mise-en-scene, Moonlight illustrates the difficulties a low-class homosexual African American man must experience throughout his life to be accepted into society as a result of not always conforming to ideas surrounding gender and race.

Imagine if you go outside your front door and you look left. There are two people dealing cocaine. You look right and there is someone being robbed with a gun. The movie Moonlight tells a story about a kid named Chiron who was different from everyone else, because he is different he got picked on and got taken advantage by everyone else including his mother, Paula. When Chiron had an opportunity to start all over he pretended to be someone he wasn’t so he could survive and be respected by others. The film shows Chiron in the parts of his life, when he was a kid the others called him Little, throughout his teenage years he was called Chiron, and as an adult he was Black. The movie took place in Miami, Florida in the “hood” around the 1980’s

Identity is transitional. Not one identity is held constant throughout one’s life. Thus, the intersectionality of one’s identity conveys how complicated humans are. This complex nature of humans is brought to life in the movie Moonlight. Directed by Barry Jenkins, this coming of age film explores the many facets of identity in the main character, Chiron. Chiron is not the only fully thought character; every named character parallels people of all walks of life. Through the intricacies of the characters, stereotypes are presented and shattered. But, the film’s central point is not to counter stereotypes. Moonlight tells a story of reality where stereotypes are rooted in truth. Consequently, Moonlight plays into a majority of stereotypes of class, race, gender, and sexual orientation.

Film noirs describe pessimistic films associated with black and white visual styles, crime fiction, and dark themes. Sunset Boulevard is a 1950 film noir directed by Billy Wilder. Sunset Boulevard presents many themes that are common with the genre film noir, but also introduces some differences from the typical movie in that genre.

From the moment you turn on a Wes Anderson movie, you can easily recognize it’s his due to the unique style. Moonrise Kingdom is one of his most popular and stylized films to date. One scene in particular I want to look into is the scene when Scout Master Ward and the other scouts are introduced. (5:31- 8:39) This scene is important to setting up the rest of the movie. It introduces us to the antagonists for the first part of the film as well as showing that Sam ran away from the camp.

Theorist Vsevolod Pudovkin claims that narrative films are mainly a “product of construction” and cautious compilations of “selections of images that have been shot” (Renée).