Moral Conflict In Ex Machina

Have you ever read a book that continued to keep you interested in what's going to happen next? You get lost in the book trying to figure out what's going to happen before reading on. This happens often in novels that have a lot of suspense like Richard Connell’s “The Most Dangerous Game” or Tobias Wolff’s “Hunters In The Snow.” The fact that they both have suspense is often the only similarity people can think of. There are many similarities and differences in them both that get ignored such as similarities and differences in the plot, theme, and characters.

The 1960 Alfred Hitchcock classic thriller, Psycho and the psychological thriller novel, The Talented Mr.Ripley by notable American author Patricia Highsmith both challenge the audience’s perception of the noir protagonist through pronounced exploration controversial themes via the. Through the use of a range of stylistic features, the authors aim to blur the line between innocence and guilt in order to develop a false sense of empathy for the protagonists Tom Ripley and Norman Bates (Anthony Perkins). Characterisation of both of these protagonists, used in a way that forces the audience to connect with them and adopt an controversial point of view, transforms the audiences perception of how the murderer of a psychological thriller should behave. Hitchcock uses

Suspense is a detail that many horror writer use to catch the attention of many readers and keep them holding on till the end. Just as W.F. Harvey does when creating suspense in his story August Heat. Mr. Harvey used three methods to create his suspense for his story, foreshadowing, withholding information, and reversal. With these three methods he is able to make the reader feel like, “ We may even hold our breath without realizing it as we read on eagerly to find out how the story ends”(Source 1).

Stephen King wrote the short story “Why We Crave Horror Films” explaining why our mind gets so excited during horror movies. He continues to make the statement “the horror film has become the modern public lynching” (paragraph 6) showing that no matter what generation a person is in the excitement of gore will always exist. King proves this statement discussing emotions and psychiatric points in his work.

Ex Machina is a film about a scientist named Nathan who has selected an employee of his, Caleb Smith, to be flown out to his estate for a week. When Caleb arrives Nathan tells him that he has been selected to be part of a Turing test. A Turing Test is when you have a human and a computer interact with each other and if the human doesn’t know that they are interacting with a computer, then the test is passed. But Nathan has already completed that part of the test so now he wants Caleb to actually see her and have a one on one conversation with her see if Caleb still feels that the robot has consciousness. So, it turns out that Nathan has created a humanoid robot with artificial intelligence and her name is Ava. Ava appears with a robotic body but

“Why we crave horror movie” is a type of mini review written by Stephen King in playboy 1981 in which he had discussed, various features of the horror movies. Stephen King is an American writer well famous for writing the horror movies and is popular in the world of literature as Richard Bachman. In this mini-review King had used an ethical approach to delineate the differences between the some of the horror movies and to highlight certain psychological factors responsible for people’s craving for the horror movies. In this piece of writing, King had spotted certain emotions that become reason for this psychological drive. Moreover, he by using his straightforward approach

King begins this article with the attention grabbing statement, “I think that we’re all mentally ill: those of us outside the asylums only hide it a little better—and maybe not all that much better, after all.” (King, 2013, p 641) Even if his readers immediately disagree, he has accomplished capturing their attention. Next he describes a few crazy behaviors that are common to most people: talking to oneself; making faces when no one is looking; and giving in to irrational fears of snakes, the dark, tight places, and things lurking where we cannot see them. Most people can relate to these behaviors and can reason this is true. He then moves on to explain how we face these fears and give our emotions a break by watching a horror movie. He likens this to a roller coaster that is a mixture of fun and delicious terror as it takes its participants by surprise with a 360-degree loop or, “plows through a lake at the bottom of the drop.” (King, 2013, p 641) The next example pulls on the emotion inside his readers to measure up to the perfect standard of beauty. He says horror films tend to make people feel more normal because the comparison is so grotesque that the readers know, “we are still light-years away from true ugliness.” (King, 2013, p

Do you enjoy watching murder, the paranormal, and any other morbid scene which makes the hair on the back of your neck stand up, your palms sweat, and your adrenaline surge? Why people enjoy watching murder, tragedy, and carnage in their spare time has been a mysterious phenomenon. If these gruesomely horrific scenes would not be enjoyable in real life, why is watching a recreation of it so riveting? Stephen King, a world-renowned horror novelist, wrote “Why We Crave Horror Movies” to give insight as to why horror movies, although gruesome and morbid, captivate audiences. King also aims to persuade readers to continue to watch horror movies, arguing that they are a crucial part of keeping sanity. King delves into this psychological aspect of humans and believes that the desire to watch horror films is a normal tendency of humankind. “Why We Crave Horror Movies” includes appeals to emotion, logic, and author credibility in order to convince readers of the positive, normal desire to watch horror films, why it is important to watch them, and why the reader should believe what the author is saying. King utilizes the rhetorical devices—pathos, logos, and ethos—in an effective way through the use of metaphor, logic, humor, and emotion to persuade readers that watching horror films is normal.

If somebody asked me what my favorite type of movie is I would probably say horror. I would say horror because it provides a thrill in me that no other type of movie sparks within me. When reading Stephen King’s article I realized there is more to a horror movie than just thrill, there is anticipation, and even suspense shown. In “Why We Crave Horror Movies”, Stephen King uses a mysterious tone and pathos to successfully persuade his audience of kids and adults into watching mysterious horror movies that will let you re-establish your feelings.

In modern society, people tend to enjoy terrifying and horrific films and novels because of the anticipation and thrill of the character’s fear, in which they are not aware of. One of these common and popular genres is known as Gothic Horror. Although this entertainment is common in our society today, in past time periods, it was written during a mass transition. The age’s in which there are religious, cultural, and technological advances and changes, is a particular time when novels in this genre come to light. People are typically not comfortable with change, which is why these transitional times can cause anxiety, in which causes novels in this genre to be written. The short story, The Judges House, written by Bram Stoker is properly categorized

The reason being is so that Caleb will know, without a doubt that Ava is a robot, and not human. We learn about Ava along with Caleb through ‘sessions’ and that she likes to draw. Was that all a scheme just so Ava could do what she is programmed to do? Or does she actually have consciousness? I believe this revealed at the end of the scene when Ava kills Nathan, and leaves Caleb locked up in the house forever. At one point you would think it was to get revenge for being locked up but on the other hand, escaping, and acting like a ‘human’ is what Ava was programmed to do. Not only that but what Ava did was, in my opinion, an inhuman thing to do. She had only one concern, and that was escaping, and tricking people she was human. There was no concern or internal battle with herself when she basically killed two people and left her robot sister ‘dead’ on the ground. There was also no sense of emotion when she loses her own arm, so can Ava really have a conscious? Or was that scene created just to trick the audience as well? When it comes to Kiyoko’s betrayal against her God, it’s believed to be because of the abuse he treated her with. In my opinion I believe Ava reprogrammed her somehow when she ‘whispered’ in her ear, and then used her as a pawn to

Horror movies. The type of genre that gives a thrill of adrenaline, yet also gives nightmares late at night. Everyone has watched a horror movie at least once in their lives. And during the movie there is also a time in which the viewer just wants to punch the TV screen and call it quits. Whether it is because their favorite character just did something dumb, or because the ending was horrible, there is always a moment in which one thinks: I would have chosen a better option. I could have survived. In literature, it is often the same thing. Believe it or not, fear is a huge contributor to how the story goes; how it ends, and who dies. Fear either motivates the character to take action or, defeats them. But fear doesn’t act alone. Fear influences people, but what influences the fear? The answer is quite simple, no matter how shocking it can be. Just as love brings happiness, it also brings forth the poison of fear. Whether it is the fear of losing the person they love, or fear that they are no longer loved, both of them are huge contributors on how a character’s actions or decisions are influenced.

Further, King goes on to state that when we watch a horror movie, “we are daring the nightmare,” meaning we are almost begging to be scared. King also states there are multiple reasons for this, but one of the main points is “to show that we can, that we are not afraid.” He then appeals to the audience experiences by making his paper more relatable and comical when he compares horror movies to roller coasters. King states, they are both usually liked by the young, but once their age reaches to the forties or fifties, “one’s appetite for double twists or 360-degree loops may be considerably depleted.” Additionally, King uses his clever collage of comparisons to explain one of the horror genre’s many intentions are to show us right from wrong. Which might also provide some of us with “psychic relief,” throwing ourselves in a place where intensive questioning is unnecessary, giving people a small break from their complicated daily life.

Throughout cinema, there has always been space in our hearts for the gore and intrigue that come from horror films. Though they come with different plots, there remains “the monster”, the character that brings along disgust, horror, suspense, and even sympathy. In Alfred Hitchcock’s Psycho (1960), our monster is Norman Bates, the boy next door. This was one of the first times in American cinema that the killer was brought home, paving the way for the future of horror movies. According to Robin Wood in “An Introduction to the America Horror Film” (183-208), Bates follows the formula of the Monster being a human psychotic. This is conveyed through his normal façade portrayed with his introduction, the audience’s ambivalence, the use of

As a computer science major, it is only natural that I would have an affinity to science fiction films. However, Alex Garland’s Ex Machina is not just any science fiction film, it is a view into the human psyche and society’s subconscious fear of being replaced by something we perceive to be greater than ourselves. Ex Machina is a morally ambiguous story that is Promethean in nature, because “fire” or intelligence has been given to machines. Many of the characters in Ex Machina exhibit Jungian archetypes such as Ava being the dreamer, Caleb Smith as a positive animus, Nathan Bateman as a negative animus, and Kyoko as a positive shadow. However, some may have different perspectives on who would