Moral Development In Anthony Burgess's A Clockwork Orange

Through literature, many authors have attempted to represent the societies in which they live and what they think society may become in the future if things continue to be looked over such as political corruption. This is clear in F. Scott Fitzgerald’s novel ‘The Great Gatsby’. Fitzgerald tries to encapsulate the corruption that lay beneath the extravagance of society in the roaring twenties. In contrast, Burgess’s novel, ‘A Clockwork Orange’, depicts a futuristic society in which the novelist fears about mankind’s capacity for corruption are explored.

Though the family did not turn to violence like the Misfit, they still had their own set of issues. The other members of the family seem to be embodiments of society’s most self-interested and materialistic. O’Connor illustrates that with each generation of this family, there were no positive role models. Each generation had no effective parent to exhibit the correct way to function in society. Each generation then was stuck in

"You never really understand a person until you consider things from his point of view--until you climb into his skin and walk around in it." A quote by Atticus Finch a loving single father of two children in a novel by Harper Lee. The story takes place during the 1930s and the Great Depression, in a small (made-up) town called Maycomb Alabama. Scout now an adult is narrating what she experienced and felt in ages 6-9. She gives details of her family, school, and just everything she goes through. In the novel, To Kill A Mockingbird, she also talks about her brother Jem, who starts as a careless young boy that slowly starts getting more mature. Jem changing throughout the story helps show a little bit more of how the story develops and why character development is important in making a good novel.

In part one of the novel, we witness the ability of free will that Alex possesses and his ability to choose between good and evil through contrast presented by darkness of night and lightness of day. At the beginning of the novel, Alex and his droogs (friends), Pete, Georgie, and Dim are at the Kovova Milkbar, roaming the streets and committing violent acts during night. Alex and his droogs encounter an old man who is drunk and is singing a sentimental song. Alex instantly chooses the path of evil with the free will that he encompasses, and along with his droogs they beat the old man while laughing at his misery. The old man complains about the “stinking world” and says, “It’s a stinking world because it lets the young get on to the old like you done, and there’s no law nor order no more.” (Part 2, Chapter 2, Page 12) At night, Alex uses violence and chooses to beat, rape, and murder innocent people because it shows that he has freedom of choice and has authority and power in society. Alex’s interpretation of darkness and night is, “The night belonged to me and my droogs and all the rest of the nadsats (teenagers), and the starry bourgeois lurked indoors…” (Part 1, Chapter 4, Page 33). In contrast,

Lawrence Kohlberg was an American psychologist and educator known for his theory of moral development. He was a professor at Harvard University before he was a developmental psychologist. He later moved into the field of moral education. Jean Piaget (Swiss psychologist), John Dewey (American philosopher), and James Mark Baldwin (American philosopher and psychologist) all influenced Kohlberg’s theory of moral development, though Piaget 's work heavily influenced Kohlberg’s. Kohlberg ran tests to prove his theory.He tested 72 boys from middle and lower class families who were either 10, 13 or 16. Later in his research, he tested both boys and girls from different states and countries other than Chicago. Kohlberg found

Lawrence Kohlberg is known for his theory of moral development developed in 1958. His theory was dependent on the thinking of Swiss psychologist Jean Piaget and American philosopher John Dewey. It consists of three levels of moral reasoning: preconventional, conventional, and postconventional. These levels are based on the degree to which an individual accommodates to the conventional standards of society. Each level aquires two stages that serve as different standards of sophistication in moral reasoning. Overall, Kohlberg affirms that moral development is a process of maturing that emerges from thinking about about moral issues (“Kohlberg’s Moral Development”).

A moral: “To be concerned with the principles of right and wrong behaviour, and the goodness or badness of a character”. Harper Lee’s, “To Kill a Mockingbird”, evidently shows the importance of morals, and how Jem and Scout's development is affected and modified as the plot unfolds. In the novel “To Kill a Mockingbird”, there are multiple debatable morals induced by Jem and Scout, and both their ways of being. Scout was able to progress throughout the plot, exceeding herself along the way. Jem as well had an increase of growth as the novel developed.

Choice and free will are necessary to maintain humanity, both individually and communally; without them, man is no longer human but a “clockwork orange”, a mechanical toy, as demonstrated in Anthony Burgess’ novel, “A Clockwork Orange”. The choice between good and evil is a decision every man must make throughout his life in order to guide his actions and control his future. Forcing someone to be good is not as important as the act of someone choosing to be good. This element of choice, no matter what the outcome, displays man’s power as an individual.

Burgess' A Clockwork Orange, a critically acclaimed masterstroke on the horrors of conditioning, is unfairly attacked for apparently gratuitous violence while it merely uses brutality, as well as linguistics and a contentious dénouement, as a vehicle for deeper themes.

“What’s it going to be then, eh?” is the signature question in Anthony Burgess’s novel, A Clockwork Novel that not only resonates with the moral identity of the anti-heroic protagonist, Alex, but also signifies the essential choice between free will that perpetrates evil and deterministic goodness that is forced and unreal. The prison chaplain and the writer F. Alexander voice the most controversial idea in the novel: man becomes ‘a clockwork orange’ when robbed of free will and tuned into a deterministic mechanism.

as an evil trait, but his love for music symbolises his human side.  In the

Anthony Burgess's writing style in his most famous novel, A Clockwork Orange, is different to say the least. This novel is praised for its ingenuity, although many are disturbed by Burgess's predictions for the future. However, for many, it is close to impossible to comprehend without outside help. This is because Burgess created a language specifically for this novel, called Nadsat. This Russian-based language forms conversations between the narrator, Alex, and his teenage, delinquent friends. There are many assumptions as to why Burgess chose to complicate A Clockwork Orange by filling it with the confusing Nadsat language. Some opinions are that the language shows A Clockwork Orange readers

In the novel A Clockwork Orange, the author Anthony Burgess tells a story about a young man name Alex and his friends, every night they go around and start committing violent acts. In the novel Alex expresses his freedom of choice between good and evil. The freedom of choice is a decision that every person must make throughout his life in order to guide his actions and to take control of his own future. This Freedom of Choice, no matter what the outcome is, displays person power as an individual, and any efforts to control or influence this choice between good and evil will take way the person free will and enslave him. In this novel the author uses this symbolism through imagery. He shows that through the character of

Stanley Edger Hyman, in his efforts to add a glossary and afterword, may not have effectively cheapened the novel, but it certainly takes something away from its meaning when every single word that was meant to be understood through context is highlighted, boldfaced, and slapped with a Webster's-safe dictionary definition. Reading Burgess's A Clockwork Orange is a deceptively easy task when compared to reading the likes of Shakespeare or Marlowe. A good amount of the work involved in reading Burgess' famous novel is the use of contextual perception. One word expressed one way can convey no sense of what its meaning is, but when used in another fashion it becomes decipherable. In the introduction to Stanley Edgar Hyman's Nadsat dictionary, he says:

   Freedom and liberalism are catchwords that appear frequently in both philosophical and political rhetoric. A free man is able to choose his actions and his value system, to express his views and to develop his most authentic character. What this kind of idealistic liberalism seems to forget, however, is that liberty does not mean a better society, better life or humanistic values such as equality and justice. In his novel A Clockwork Orange (1962), Anthony Burgess portrays an ultimately free individual and shows how a society cannot cope with the freedom which it in rhetoric so eagerly seeks to promote.