Essay on Morality in the Elizabethan Era

the play draws its readers to identify with Richard and thereby to participate in a

A Doll’s House and The Importance of Being Earnest were both written in the late nineteenth century at a period in time when gender roles in society were not only significant to the structure of society but were restrictive and oppressive to individuals. This was particularly true in the case of women who were seen as the upholders of morals in polite society and were expected to behave accordingly. A Doll’s House and The Importance of Being Earnest challenge society and its inclination to categorise and expect certain behaviour of individuals based on their gender.

An integral part of the nineteenth century Victorian way of life was having strong morals. The women were seen as pure beings and therefore it was there job to keep the family unit moral. In The McGuffey’s it tells of how the morals were taught to kids

“These scholars note that Victorians often bowed to conformity, concealing their true natures and tastes and pretending to adhere to social norms. Some Victorians passed themselves off as more pious or moral than they really were. But in reality, pornographic literature and prostitution were common phenomena during the late nineteenth century, showing that some Victorians only pretended to lead chaste lives.”(Joyce Moss)

During this period, women were subjected in their gender roles and were restricted over what the patriarchal system enforced on them. Everyone was brought up believing that women had neither self-control nor self-government but that they must capitulate to the control of dominate gender. The ideology that “God created men and women different - … [and they should] remain each in their own position.” (eHow, Ibsen's Influences on Women's Rights) is present in A Doll’s House with Nora’s character, as she is seen as the ideal women during the Victorian Era, who is first dutiful as wife and mother before to her own self. Whenever Torvald gives Nora money, she spends it on her children so that they are not “shabbily dressed” (Act 1). Though she loves her children it is all the more shocking when she leaves them.

The Elizabethan Era is often referred to as the Golden Age of England (A Changing View...). The Elizabethan Era, named after Queen Elizabeth I, was a time of change and discovery (Elizabethan Superstitions). Elizabeth ruled in a time of religious turmoil; both the Catholics and Protestants fought to be the official religion of England. (Elizabethan World View). Many people throughout England struggled to find the “correct” religion (Elizabethan World View). Religion was changing and so did science. During the late 1500’s science began to evolve; new ideas, concepts, and beliefs were starting to emerge (A Changing View). Magic was considered to be very similar to science in this era. The belief in magical creatures served as the roots for

Social standing, and moral values were vital elements in Victorian society, and the fundamental doctrine of establishing this ideology, began at home. The home provided a refuge from the rigour, uncertainty, anxiety, and potential violence of the outside world. (P, 341) A woman’s role was to provide a safe, stable, and well-organised environment for their husbands and families. However, change was on the horizon with an underlying movement of business and domestic changes both home and abroad, with industrialization, and the suffragist movement. Women were beginning to gain autonomy and began to grasp their opportunities, thus significantly curtailing male supremacy and the definable acceptable ‘role’ of the woman.

abide by his rules and be dependent on him. She is not supposed to think for herself and repeatedly told so by those around her. When speaking about Nora in her presence, Torvald says, “She is so terribly self-willed” (55). Nora has a conversation with Mrs. Linde, who also tells her, “Don’t be self-willed” (57). Torvald tells her, “I will advise you and direct you” (64). Nora is expected to be a dependent slave who follows her husband’s advice and directions. Women were also legally dependent upon men. The society’s laws of that time even required the male to cosign everything that a woman had to sign. Nora’s naivete in forging her father’s signature and trying to pay off the loan further emphasizes Victorian society’s assumptions about women’s inability to deal with a “man’s world.”

Primarily, The Victorian era, during which the novella was published, valued appearance and reputation. The era encouraged and strived for propriety, mainly on the surface. It rejected anything that went against society’s rigid, restraining values. It resisted anything that appeared immoral and corrupt. The era was

In “A Doll’s House”, Torvald and Nora each have a unique role in their marriage. Torvald treats Nora as his little doll, or plaything, while Nora treats him as the man of the house who has the authority to do anything he wants. These ideas form because the society within the play does not allow much freedom for women. According to this society and culture, a women’s role is depicted by the man she is with, the female character’s all exemplify Nora’s assertion that women have to sacrifice a lot more than men. In this play, Nora, Mrs. Linde, and the maid all hold sacrificial roles depicted by the society they

Compare and contrast how gender roles are presented in The Importance of Being Earnest and a Doll’s House in light of Ibsen’s statement that “there are two kinds of moral laws, two kinds of conscience, one for men and one quite different, for women.”

While those of the Victorian upper class were usually the most refined and intelligent, Wilde portrays them as ignorant and dense. One of the most well described ladies, Miss Prism, is shown to be the least aware. “The most cultivated of ladies, and the very picture of respectability”(63). She is ultimately the most absent minded and leaves baby Jack in a handbag in a cloak room of a major railway station. Through Miss Prism, Wilde is able to propagandize the intelligence the aristocrats usually embody. In addition to this, Wilde refutes the morality of the Victorian elite. The main two characters, Jack and Algernon, are deceptive and are rarely seen to have any morals. Reviewing this play with a sociological/Marxist perspective provides insight on how Wilde wants others to perceive the elite of

In this century, the 3 categories of classes couldn’t be more different and separated. The upper class enjoyed leisure, operas, balls and everything what had to do something with luxury and what none of the lower classes could afford. Aristocracy was well known by their morals and etiquette in the Victorian ages. The Victorian Aristocratic views on morals were extinguished which was even prudish. Prudery went as far as sexuality was a taboo, human body must have been covered and talking about body was inappropriate. In the Victorian Era society started to have different values in morality. Upper class people had low tolerance for sexuality and crimes, and isolated from any of the lower class members. Thus sexuality, especially prostitution was not acceptable and eminently discriminates in the Victorian high society.

In the Victorian era, the status of women in society was extremely oppressive and, by modern standards, atrocious. Women had few rights, in or outside of the home. Married women in this period relied on men almost completely as they had few rights or independence. With this mindset in focus,

There are two other major themes in this play, femininity and masculinity. Nora has often been given the title of one of modern drama’s first feminist heroines. She breaks away from a dominating and opressive marriage. Ibsen, denied that he had intentionally written a feminist play and preferred to think of it as humanist. This said though, the traditional roles of women and the price of them breaking tradition is a constant thread throughout the play. The men of this play, in many ways, are just as trapped by gender roles as the women. An example of this is the job that Torvald Helmer holds at the bank, chief. The men must be providers and alone must support the entire household. At the end of this play these traditional ideas are put to the test, when Nora leaves and Torvald must care for the children and be their provider.