Morgan Le Fay Essay

Medieval scholars continually inspect the particularities of Sir Gawain and the Green Knight (SGGK) within the context of the preexisting Gawain literary tradition, and the issue of Gawain’s sudden antifeminist diatribe repeatedly comes to the forefront of these textual investigations. Often, literary critics claim that Gawain’s antifeminist outburst is common for the fourteenth century and that his acceptance to wear the girdle as a sign of shame still epitomizes him as a model of knighthood. Other scholars hesitate to dismiss Gawain’s misogyny as commonplace, they note that this moment is inconsistent with his reputation as an ideal knight. Gawain’s hasty compulsion to blame women suggests ruptures within the essentiality of his chivalric identity and a closer examination of the text reveals that this moment is not isolated. Despite scholars repeated attempts to identify the essential knight within Gawain, there are several examples of Gawain’s unstable identity throughout the text. I will argue Sir Gawain’s knightly identity is performative rather than essential, and his diatribe is the culmination of his failure to perform his own expected social identity.

It is clear that she plays a very aggressive , dynamic role in this reading, a more masculine role. Unfortunately, men are commonly known to have more authority than women, however Lady shows much more authority here than Sir Gawain. Her control of language empowers her, which gives to the shift in gender roles. As well, her sexuality which is used to her advantage this proves to be a weapon of control in her gender role alteration that she is playing. The Lady generally proves her  authority over Gawain through not only sexuality, but through language. Not only the way Lady acts towards him, but the way she speaks to him is very assertive and extremely aggressive. It is very uncommon, especially to see and hear a women act this way to a man in this time

A close reading of the Sir Gawain and the Green Knight reveals a very antifeminist view. The poem, told in four parts, tells of common medieval folklore. The stories seem to be of different plotlines, but start to intersect in interesting ways – that is, the character of Morgan Le Fay begins to frame the stories together. The half-sister of King Arthur, she holds intense hatred for her half-brother and his court. It is her thirst for the downfall of Camelot that makes this character infamous, and, surprisingly, her success and the strength of her ability that give a bad name to women. Through the examination of Morgan Le Fay’s character, it is clear that a successful woman is always an illusion.

The role of women was a key role in medieval times. In the poem of Sir Gawain and the Green Knight, two women represent this role. They are Lady Bertilak, who is Lord Bertilak’s wife, and Morgan La Faye. It all starts when Sir Gawain is welcomed to Lord Bertilak’s castle and then he meets these two women living there. At all times, Bertilak requests Gawain to feel at home and socialize with these women without problems. Bertilak trusts Gawain even though he would be away and Gawain would remain alone with women. However, his nameless wife uses many different ways to chase Sir Gawain and take advantage of her condition as the host’s wife. Lady Bertilak is a superior being that

    Many games are involved in the plot of Sir Gawain and the Green Knight. The Green Knight, Bercilak de Hautdesert, plays a "Christmas game" with Arthur's court at Camelot (line 283); Gawain's host's wife plays games with Gawain throughout the third section of the poem; Gawain's sees his arrangement of mutual trade with his host as a game (line 1380); and all of the events of the story are revealed as a game of Arthur's sister, Morgan Le Fay (lines 2456-2466). Throughout the telling of the story, the author plays a mental game with the reader or listener, as well.

In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the

The fourteenth century placed social and economic changes in the government. The founding of chivalric orders kept aristocratic ideals alive, and because of this, there were major changes in chivalry. Chivalry is the religious, moral, and social code of a medieval knight. In Sir Gawain and the Green Knight, Gawain is characterized as being one of the most loyal knights that followed chivalric orders. Not only is he deemed loyal, but he has a reputation of being a great and courtly lover. Great knights are devoted to the church before anything else. On the other hand, when courtly love is presented to him, Gawain is conflicted between the physical love and spiritual love he has for the church. Morgan le Fay and Lady Bertilak sought to use their strength and age differences to test Gawain’s knightly honor. Lady Bertilak’s role, specifically, were orders of Lord Bertilak. Behind closed doors, Lady Bertilak had a powerful presence because she tempted Gawain with tokens of love. In Sir Gawain and the Green Knight, Lady Bertilak is the most powerful female in the story because the sexual innuendos she fulfills for her husband tests Gawain’s knightly honor.

Sir Gawain and The Green Knight is an example of medieval misogyny. Throughout Medieval literature, specifically Arthurian legends like Sir Gawain and the Green Knight, the female characters, Guinevere, the Lady, and Morgan leFay are not portrayed as individuals but social constructs of what a woman should be. Guinevere plays a passive woman, a mere token of Arthur. The Lady is also a tool, but has an added role of temptress and adulteress. Morgan leFay is the ultimate conniving, manipulating, woman. While the three women in this legend have a much more active role than in earlier texts, this role is not a positive one; they are not individuals but are symbols of how men of this

During a high point in medieval chivalric romance, both Marie de France’s Lanval and the anonymous Sir Gawain and the Green Knight tell fanciful tales of knighthood, chivalry, and spiritual and temporal (courtly) love. Both Lanval and Sir Gawain and the Green Knight portray their female characters as possessing considerable power and influence, within the events in the story and in the structure of the plot. Indeed, the female characters in both works function as the catalysts of the events within the stories, and also as instruments for each author's conveyed meaning. While Lanval presents its female characters in an unorthodox reversal of gender roles, Sir Gawain and the Green Knight employs the female characters as moral and spiritual trials for the hero, Sir Gawain. I will examine how the fairy princess and Queen Gwenevere in Marie de France's Lanval present a reversal of gender roles as was traditionally understood; she presents femininity as powerful, inspiring, and morally dynamic (for a woman can be ideal, or she can be corrupt). I will compare this to the representation of Lady Bertilak and Morgan le Fay in Sir Gawain and the Green Knight, in which they are used to convey a “Biblical” warning for an ecclesiastical audience; particularly that of moral failure and the temptation of the flesh.

In Sir Gawain and The Green Knight, not only does the most prominent female character receive more respect from men, but readers -- unlike those of Gilgamesh -- are able to see and understand what she is feeling. In Sir Gawain and the Green Knight, the most significant woman featured is referred to as "the lady" and represents a

Sir Gawain is reluctant to accept the Green Knight’s challenge. He fears for his life. In the end he only accepts the challenge to protect King Arthur’s life and honor. He knows it is his duty to protect King Arthur, but only volunteers to do so at the last second. Sir Gawain also breaks his oath to the Lord of the castle he is staying in. He broke their vow to trade whatever they had earned during the day when he keeps a sash the Lady of the castle gives him because he believes it will protect him during his battle with the Green Knight.

Gawain however will not coward out and will remain loyal to the agreement and shrugs off the warning. He eventually runs into the Green Chapel and calls out for the Green Knight. The Green Knight takes three swings at Gawain purposefully missing the first two, and then nipping the neck of Gawain on the third blow. Gawain, not harmed, arose and requested to fight the Green Knight drawing his sword. The Green Knight says he didn’t want to fight only because Gawain has fulfilled the agreement already. He explains that he spared Gawain the first two times for receiving the kisses back from him but the third blow was for not returning the Green Girdle he received. Gawain was thankful and explained that women were the reason for men’s downfall giving examples. The Green Knight introduces himself as Lord Bertilak and explained the Old lady whose face was covered was his Aunt Morgan Le Fay, Merlin’s apprentice, and that he had a spell cast on him. He says the main reason he came to King Arthur’s court was Morgan Le Fay’s plan to scare Queen Guinevere to death. He asked Gawain to come and stay at his castle because he is loved there but he declines and rides back to Camelot with The Girdle under his left arm to show that he committed fault to enemies back along the way as well as the

Tricked by the Green Knight and Morgan le Faye, Gawain, driven by his sense of duty and honor, must sacrifice his own life for those ideals. I believe that though Gawain is a bit foolish in his quest to lose his head, he did make the correct decision in protecting Arthur. Like King Beowulf, the loss of Arthur would have been very detrimental to the society at the time. Gawain sacrifices himself in order to preserve Order.

You really have to look back to grasp what exactly Gawain was putting at risk when he stood up to the challenge to save King Arthur. Not only was his pride and reputation at stake here, but his life as well. And he was the only one of Arthur's court who stood up. He could have just as easily been content to let Arthur have his go, but he showed such vidality and courage by coming forward. ( King Arthur had to since he was the King and had to stand up for his court or be put to shame.)

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.