Mortality In Hamlet

There is a distinct division of opinion among the other characters of the play about Hamlet's sanity and the split is along gender lines. Ophelia and Gertrude both state that Hamlet has gone mad, but the major male characters, on the other hand, like Polonius think that there is "method" in Hamlet's "madness," that his insanity is a surface mask to shield him as he plans the darker purpose of revenge. Since Hamlet is disturbed by the sudden death of his father and his mother's marriage to his uncle, King Claudius, the abnormality of his behavior to some extent is also understandable. Hamlet is naturally withdrawn, dark, and passive in the wake of those traumatic events. He also shows this when he constantly releases his anger with lines like "How (weary), stale, flat, and unprofitable seems to me all the uses of this world!" His self-exile and his self-reproach are essentially normal reactions to a series of events that he must avenge at his dead father's command but without further direction against a powerful chain of power within the guilty King.

In this play “Hamlet” written by William Shakespeare, there are many soliloquies that are said by Hamlet to depict various meanings of his thoughts, feelings, and actions that are inside of him. More specifically the soliloquy in Act 3, Scene 1, in lines 57-91 starts off with the famous saying known as “To be, or not to be”. Throughout this soliloquy, Hamlet is asking himself the question of whether it is better to live or not to live. In life, we are faced with many situations where we feel the need to give up our life and not face the problems. Only by facing all the troubles, will a person become stronger and more courageous to handle anything in life. By believing in one’s self, can man have the courage to follow what they think is right. Killing yourself or giving up is never a solution in life. This soliloquy reveals Hamlet’s fearful personality by showing that his decision-making process is slow and that he fears risks or uncertainty. These character traits are depicted thoroughly by Hamlet throughout the play.

Hamlet is a smart character in the play, because for someone who just recently lost his father, acting crazy would seem normal, and no one will think he is actually preparing to seek revenge on the king. When Hamlet is talking to his mother, he says “I essentially am not in madness, but mad in craft”, Hamlet admits to his mother that he is pretending to be mad (3.4.189-190). He also tells Gertrude not to tell King Claudius because then there is no point of his “antic disposition” act if Claudius knows this is all for show. Hamlet is only pretending to be crazy, but when it comes down to it he knows that is right and what is going on.

Hamlet’s “To be or not to be” soliloquy is conceivably the most prominent soliloquy in the archive of the theatre. Even now, more than 400 years after it was originally written there is still an air of familiarity that reaches others even if they do not know the play itself in detail. In act 3, scene 1, Hamlet’s “To be or not to be” Soliloquy is critical in developing the plot because this is when Hamlet discusses his most suicidal thoughts.

   Hamlet's public persona is a facade he has created to carry out his ulterior motives. The outside world's perception of him as being mad is of his own design. Hamlet is deciding what he wants others to think about him. Polonius, a close confidant of the King, is the leading person responsible for the public's knowledge of Hamlet's madness. The idea that Hamlet is mad centers around the fact that he talks to the ghost of his dead father. He communicates with his dead father's ghost twice, in the presence of his friends and again in the presence of his mother. By being in public when talking to the ghost, the rumor of his madness is given substance.

Shakespeare also exemplifies contrast of mental illness and wellness between characters in the play Hamlet. As the characters, Ophelia and Hamlet both endure the stress of a father's death their actions begin to change. This makes it easy for a reader to perceive the difference between Hamlet, Ophelia, and the other characters in the play. Hamlet is one of Shakespeare’s most complex characters, his insanity is often a subject of debate. The article “Mechanics of Madness in Hamlet, Macbeth and King Lear” states that “he is an apt example of the complexities of the human psyche which are often beyond comprehension” (Ebsco). To find out the answer to the ultimate question of whether Hamlet is insane, comparing his actions to those of other characters would be helpful. At the beginning of the play both Hamlet and Horatio are trusted when the ghost appears to the guards. However, soon after Hamlet begins to spiral into insanity. In Act Two, Scene Two Hamlet talks with Polonius and this is the first time a reader can see Hamlet start to act unstable. Hamlet begins with “You are a fish monger” (190), and after Polonius corrects he continues to act deranged, by the end of their conversation Polonius is convinced “though this be madness” (223), meaning that he believes Hamlet is mad. However, Hamlet seems to be able to control his madness, which is why people often think that he is just acting. But by the end of the play Hamlet, similar to Macbeth and Lady Macbeth, has hallucinations. He sees his father’s ghost again, but this time no one else can see it. Hamlet asks his mother, “Do you see nothing here?” (3.4, 150), and she answers with “Nothing at all” (3.4, 151). Comparing Hamlet’s actions to his Mother’s in this scene creates a sense that Hamlet’s acting mad and need for revenge has caused his to change his mental state. Ophelia, also driven mad by her father's death, plus Hamlet's twisted love for her can also be compared to Hamlet throughout the play to see that she is sane at the beginning, but just as mad as Hamlet, if not more, by the end. Ophelia at the start of the play is trying to help the King and her father to catch Hamlet, what she thought was to help him. However, after her lover, Hamlet,

In act 3 scene 1 of William Shakespeare “Hamlet” the main protagonist, Hamlet, recites a soliloquy “To be, or not to be.” Throughout his lines Hamlet explains the concept of suicide and why people choose to live long lives instead of ending their suffering. The main point he speaks on is the mystery of one’s afterlife, they never know for sure what happens when they die. For this reason, his speech does a good job highlighting the plays underlying themes of pervasiveness of death, and tragic dilemma, and tragic flaws.

Hamlet’s absurd actions began when he got a visit from his father’s ghost. As he was conversing matters with the ghost, he acknowledged that he may need to disguise himself with strange behavior (antic disposition) in order to not give himself away. He wanted to ensure that he wouldn’t make it conspicuous that he was planning to kill Claudius in order to achieve his own equanimity. Hamlet mentioned to Horatio, Marcellus, and the Ghost, “How strange or odd some’er I bear myself (As I perchance hereafter shall think meet to put an antic disposition on)... ” (Pg. Act I Scene V Lines 175-177). He needed to surreptitiously act in a strange manner in order to convey the idea to the culpable King that he didn’t have a plan, although he did. Hamlet would not have given them the caveat that he would act mad if he actually was crazy. One who is mad will most likely not admit it, but Hamlet certainly admitted that he would be acting this way to communicate a certain impression. At the climax of the play, the queen claimed that Hamlet was mad when he interacted with his father’s ghost after he murdered Polonius. She vehemently claimed, “Alas, he’s mad” (Pg. 177 Act III Scene IV Line 109). She declared

What truly, are the consequences of mortality? What is a rather complex question, mortality can be defined as the state of being subject to death; however the influence of such a powerful aspect in life is truly dependent on those associated with its impact. In perspective, perhaps death itself can be considered a tragedy, whereas the life of a loved one has perished. In other circumstances, the death of a fascist leader could be regarded as beneficial, or even considered as a miracle. Subsequently, the capabilities of death are solely dependent on its given circumstances. Fortunately, William Shakespeare is able to associate the cause and effect of death throughout his pieces of work in a beautiful fashion like none other. Particularly in the play Hamlet, authorized by the notable Shakespeare himself, death was an inevitable force that compelled many actions as the plot of the story advanced forward. From the ghost of Old Hamlet speaking of a treasonous murder to the passing of the noble Hamlet, death was a prominent characteristic within the play Hamlet as it was expressed through actions, the progression of the story, and through the desolation of characters.

     When we first meet Hamlet, he is a sad, dark, loathsome figure; the loss of his father and the whoring of his mother have upset him indefinitely. Like a ticking time bomb, Hamlet’s noticeable temper reflects the storm of emotions and thoughts brewing in his head, and then like a catalyst, his meeting with the Ghost of King Hamlet brings his anger to a boil. With revenge in mind, Hamlet plans to fake his madness so that he may be free to pursue his father’s killer. Everyone, except his close friend Horatio, seems convinced that he is mad. Claudius however, fearful that someone will discover his evil deed, has also had his perceptions heightened by his guilt and he experiences chronic paranoia throughout the

Throughout Hamlet, written by Shakespeare, Hamlet’s emotions, actions, and thoughts cause much trouble during the play. Hamlet encounters stages of sarcasm, inanity, suicidal tendencies/self-deprecation, and procreation/indecision which develop not only his personality but the play itself. Hamlet uses sarcasm to express his emotions, pretends to be insane (ultimately leading him to become truly insane), self-deprecates throughout the play due to family events, and procrastinates because he is indecisive. Hamlet encounters many life-altering events throughout the play such as his uncle poisoning his father and quickly remarrying Hamlet’s mother, to accidentally killing Polonius thinking it was Claudius, all the way to debating upon: his own

“There a significance, some deep and abiding meaning to death-one that transcends our puny ability to understand?” this quote is from chabad.org, by Maurice Lamm. Death is very hard to understand, is it a void which we never return? Death may be just the disintegration of our bodies that we all know as being kind of gross. The play Hamlet has several deaths in it, the play is known as the play of death. Hamlet being the little baby he is just goes around trying to figure out how to get the balls to kill the old man. In the play Hamlet throughout acts 4 and 5 the theme of death is very present, and one of the more major themes.

   In Shakespeare's time, Denmark was a horrible, rotting, poisoned land due to its hidden deceit. In "Hamlet," Shakespeare makes many references to this as a means of clarifying relationships in the story. Writers often use imagery to provide detail and development, which help us understand ideas within and the atmosphere of the play. Hamlet, Horatio, and the ghost are the characters who allude to Denmark's state of decay. Shakespeare's frequent references to death and disease are not only evidence of the harsh and dirty living conditions of the time; they are a recurrent theme in all of his works.

This acting serves him very good as he begins his plan to act mad. After Hamlet has his courage, he does many things which makes people believe he is really mad. He acts exaggeratedly mad around Polonius and Ophelia that makes them confused by this conduct. But Gertrude believes her son is agitated upset about his father’s death and her repugnant marriage to Claudius, and Claudius assumes that hamlet knows the truth about King Hamlet’s death after he sees the play. However, neither Claudius or Gertrude is inclined to act until they have more knowledge, which allow Hamlet to go on with his plan of fake madness.

In a following speech Hamlet’s disposition towards the world persists, yet his attitude towards death has undergone a transformation. Previously, Hamlet was quick to proclaim his desire to die, but by the third act he’s become uncertain. This hesitation becomes apparent in Hamlet’s “To be or not to be” speech (3.1.56-90). With those opening words, Hamlet debates whether he should exist or not. The fact that this is still a question for him shows that he continues to be displeased with life. Hamlet asks himself, “Whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles, and by opposing end them? To die to sleep.” This reveals a new concern that Hamlet has, he doesn’t ask what is best for him to do, but rather what is nobler, which makes it apparent that he’s concerned with maintaining his character. Even though he maintains the desire to escape the world and the experience in it, he still cares about the image that he leaves behind. Subsequently, Hamlet uses war-like diction, comparing life to war with “slings and arrows” which makes life intolerable. This just reaffirms the ideas Hamlet has had throughout the play, however, a shift transpires when he mulls over the idea that death is like being asleep. A problem arises when he realizes that even when you sleep you experience, “To sleep; perchance to dream: Ay, there’s the rub.” This could be easily misinterpreted as Hamlet hoping to dream, but perchance